|
|
|
The White Horse Gang (1972)
Character: N/A
To raise money for drugs and other lush two boys and a girl, decide to kidnap a kid, but reality proves very different from what they seen on television.
|
|
|
The Dirtiest Game (1970)
Character: Titus Moore
A candidate for California state representative decides he needs the hippie vote to win, so he runs on a platform to legalize marijuana, and sets out to check out the hippie lifestyle.
|
|
|
Outlaw Motorcycles (1966)
Character: Himself
In 1965 actor and hopeful first time director Titus Moede befriended ‘Preacher’ of the outlaw motorcycle club the Coffin Cheaters while looking for a project. He soon realized that this was exactly the subject he had been looking for.
|
|
|
|
|
Escape to Passion (1971)
Character: Bank Guard
Leo is a small time crook on the road to redemption. The age old story of a broken man trying to change himself. Escape to Passion is a sleazy action-packed classic.
|
|
|
Les deniers du culte (1997)
Character: Self
A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
|
|
|
|
|
The Skydivers (1963)
Character: Frankie Bonner
A woman seeks revenge on her former lover, who owns a skydiving business.
|
|
|
|
|
Hells Chosen Few (1968)
Character: Twitchy
A Marine returns home, gets involved with a biker gang and falls for a shy local girl. This last action puts him at odds with her father, the town's biker-hating sheriff.
|
|
|
The Thrill Killers (1964)
Character: Motorcycle Officer / Yes Man at Party
Three psychotic murderers escape from a mental institution and stalk women in Los Angeles.
|
|
|
The Malibu Beach Vampires (1991)
Character: -
In addition to traditional bloodsuckers, there are other kinds of vampires. You know, such as some politicians, military people, and evangelists.
|
|
|
Feast (1992)
Character: Club Patron
Hope you're hungry...and ready to dig into this delicious cannibal comic romp. Two guy roommates lure lovely ladies back to their bachelor pad for a dinner they'll never forget - since it's their last.
|
|
|
Fantasm Comes Again (1977)
Character: Guest 2 / Waiter
Libbie is assigned to her paper's sexual advice column, "Dear Collete". She is taking over the job of Harry a crusty old journalist who shows her the pro's and cons of the job while running on a tight deadline to get the column finished for the morning's paper. During the course of the evening they reply to a wide variety of sexual experiences submitted by the readers, some these include, sex in a threesome at a drive-in theatre, sex in a gymnasium, and sex in a library where the "Silence Please" sign gives the male librarian an advantage over the female readers.
|
|
|
Too Young to Love (1960)
Character: N/A
A court case ensues when a 47-year old man is caught with a 15-year old girl, and he claims he never knew she was so young.
|
|
|
Bells Are Ringing (1960)
Character: Beatnik (uncredited)
Ella Peterson works in the basement office of Susanswerphone, a telephone answering service. She listens in on others' lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer's block and desperately needs a muse.
|
|
|
The World's Greatest Sinner (1962)
Character: Follower
A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.
|
|
|
Captain Newman, M.D. (1963)
Character: Undetermined Role (uncredited)
In 1944, Capt. Josiah J. Newman is the doctor in charge of Ward 7, the neuropsychiatric ward, at an Army Air Corps hospital in Arizona. The hospital is under-resourced and Newman scrounges what he needs with the help of his inventive staff, especially Cpl. Jake Leibowitz. The military in general is only just coming to accept psychiatric disorders as legitimate and Newman generally has 6 weeks to cure them or send them on to another facility. There are many patients in the ward and his latest include Colonel Norville Bliss who has dissociated from his past; Capt. Paul Winston who is nearly catatonic after spending 13 months hiding in a cellar behind enemy lines; and 20 year-old Cpl. Jim Tompkins who is severely traumatized after his aircraft was shot down. Others come and go, including Italian prisoners of war, but Newman and team all realize that their success means the men will return to their units.
|
|
|
Rat Pfink a Boo Boo (1966)
Character: Boo Boo / Titus Twimbly
Picking a random name out of the phone book, thugs decide to terrorize and kidnap Cee Bee Beaumont, girlfriend of rock sensation Lonnie Lord. Rat Pfink and his sidekick Boo Boo spring into action!
|
|
|
Pit Stop (1969)
Character: Moody
Rick Bowman, a drag racing street punk, comes to the attention of crafty businessman Grant Willard. Willard bails him out of jail and offers him sponsorship as a stock car driver. Bowman accepts and enters the demolition derby-adjacent world of "figure eight" racing. As Bowman moves up in the ranks, his regard for his friends slips-- giving way to outright obsession with becoming the best.
|
|
|
|
|
|
|
Dirty Western 2: Smokin' Guns (1994)
Character: Mr. Gifford
It’s the Old West, 1851 style. We’re following five beautiful working girls, working their way through sex-starved outlaws on their way to windy San Francisco.
|
|
