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Kursi al-I`tiraf (1949)
Character: N/A
Cardinal Giovanni (Yusuf Wehbe) falls into a difficult moral position, when (Estonzzi) confesses to him that he has committed a murder, and after the disappearance of (Estonzzi), the accused, Juliano, the brother of the real accused, is accused of using the Cardinal in a major confusion between his religious duty The one who is obliged not to divulge what he admitted (Estonzazi), and among his human conscience, who dictates that he testify in order to absolve the accused of being unjustly acquitted.
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حبابة (1944)
Character: N/A
Prince Zayed is in love with one of his maids, who is his son's nanny, and his entourage succeeds in keeping her away from him. The prince becomes Khalifa, and life was not good without her, so he searches for her until he can find her. The loyal slave girl takes poison so as not to cause her master any trouble.
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أمير الانتقام (1950)
Character: N/A
Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.
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أمير الانتقام (1950)
Character: غناء
Henry Barakat directed adaptation of Dumas' Count of Monte Cristo.
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امير الدهاء (1964)
Character: غناء
This lavish period action-adventure is an Egyptian version of The Count Of Monte Cristo.
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زينب (1952)
Character: N/A
Zainab loves Ibrahim, but her father forces her to marry Hassan. After developing tuberculosis while Ibrahim is away in military service, she suffers neglect from Hassan’s family until Ibrahim returns and tries to save her.
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مسمار جحا (1952)
Character: ميمونة
During the Turkish occupation of the city of Kufa, there was an imam in the city called Juha, who called on the people to be guided and to always follow the straight path. Therefore, his method was to address the people, explaining the disadvantages of this occupation. Therefore, the Turkish ruler saw that Juha had become one of the rioters against them, so he ordered his dismissal from his work as an imam. Rather, he goes so far as to arrest and imprison him, and after a while orders his release, but he still continues his struggle against injustice and oppression.
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مصنع الزوجات (1941)
Character: N/A
Fadel and his colleagues Aziz and Hamdi are trying to make their way in life, and they hold advanced degrees, but luck does not crown their endeavor with success. Fadel visits his aunt Alawiya, who runs a private institute for girls in a traditional way, and asks to work in the institute, but she refuses. The three decide to establish a modern institute, similar to the aunt’s institute. To compete with her, to teach girls to be modern.
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ابن البلد (1942)
Character: N/A
Fathia marries the wealthy man, Azma Bey, against her will. She suffers from his relationships with women and his constant nights out, so she leaves him and meets a young engineer who succeeds in managing the factories she inherited from her father.
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