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キョート・マイ・マザーズ・プレイス (1991)
Character: Himself
Story of Kyoto: its history, culture, as well as the role it has played in the director's life and the life of his mother.
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小川プロ訪問記 (1981)
Character: Himself
A Visit to Ogawa Productions offers a rare insight into the social and cinematic philosophy of one of Japan's best-known documentary film collectives. As the film reveals, Ogawa Productions' in-depth portraits of Japanese society - whether of protest movements or traditional agricultural life - grew out of an unusual commitment to integrate themselves with the communities they filmed, to the extent that their film-making literally became an alternative lifestyle.
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Devotion: A Film About Ogawa Productions (2002)
Character: Himself
Devotion investigates the extremely complex and heirarchical relationships among a committed group of Japanese filmmakers who dedicated up to 30 years of their lives making films for one man-Ogawa Shinsuke. Members of Ogawa Pro filmed the student movement of the late 60's; the fight by farmers to save their land from government confiscaton for the Narita airport at Sanrizuka; and the village life of a small farming community, Magino Village, in northern Japan. These heartbreaking and sometimes funny stories have never been told on film before. Rare footage, stills, and diaries with interviews with Oshima Nagisa, Hara Kazuo and Robert Kramer make this historical inquiry visually exciting as well as valuable.
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The Oshima Gang (1983)
Character: Self
Documentary about the making of Nagisa Oshima's 1983 film MERRY CHRISTMAS MR. LAWRENCE.
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ベンガルの父 ラーマン (1973)
Character: Interviewer
Documentary about the politician Sheikh Mujibur Rahman.
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Scenes by the Sea: Takeshi Kitano (2000)
Character: N/A
First major English-language documentary profile of the cult Japanese actor/director, Takeshi Kitano. Featuring interviews with many of his regular contributors and colleagues, the film explores Kitano's rise from working-class poverty to superstar of Japanese radio, TV, comedy and journalism, and follows the making of his US-Japanese gangster film, 'Brother'.
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ΦIDEA (1988)
Character: N/A
Documentary featuring Nagisa Ōshima and Masuaki Kiyota, a Uri Geller-esque psychic medium
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映画監督って何だ！ (2006)
Character: N/A
Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association
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やくざの墓場 くちなしの花 (1976)
Character: Chief Omura
A police investigator cracks down on yakuza business, but once he realizes the police are in negotiations with certain factions, he sides with his own syndicate of choice.
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百年日本映画 (1995)
Character: Self - Narrator (voice)
The story of the first century of Japanese cinema from the point of view of the controversial Japanese filmmaker Nagisa Ōshima.
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絞死刑 (1968)
Character: Narrator (voice)
A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.
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Cinématon (1978)
Character: N°806
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
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Level Five (1997)
Character: Self
Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.
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わが映画人生 黒澤明監督編 (1993)
Character: Self
Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.
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