|
|
|
Königin einer Nacht (1951)
Character: Hoteldetektiv Barak
Duke Ferdinand of Novara-Liechtenstein flees the duchy to avoid an arranged marriage with princess Anna Silvana of Este-Parma. He loses his papers on the flight and is treated as an imposter at the inn where he stays. The princess is hot on his heels, and ends up staying at the same inn under an assumed name. Mayhem ensues.
|
|
|
Viktor und Viktoria (1957)
Character: Wurstmaxe
Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she's discovered by an agent, who thinks, that she really is a man. She becomes famous, but her situation becomes troublesome, when she falls in love with Robert.
|
|
|
Grün ist die Heide (1951)
Character: Lehrer
After the end of World War II Lüder Lüdersen, the former owner of a feudal estate in the East, and his daughter Helga arrive as refugees in the Lüneburg Heath. While living a seemingly happy life on the estate of his cousin, Lüdersen hides a dark secret: he is a poacher.
|
|
|
Du mein stilles Tal (1955)
Character: Heinrich
Elisabeth, wife of a landowner, has kept from her husband for twenty years that their daughter is not his. Rather, she is the result of an affair with a musician she was dating shortly before their marriage. Now this man, by now a famous concert pianist, enters her life again. Elisabeth resists the temptation to sink once again into the arms of her romantic lover. Since she loves her husband, she stays with him and continues to keep her secret...
|
|
|
Alle Tage ist kein Sonntag (1959)
Character: Mann mit Waldhorn
While Eva is in the hospital after an accident, her son, Peter, goes in search of his long-missing father. Learning he has died, Peter then prepares himself for the new man in his mother's life.
|
|
|
Das kunstseidene Mädchen (1960)
Character: Briefträger
Doris Putzke is fond of dating men in her quest to find the perfect one. In her brief relationships, she goes from one disillusionment to another, constantly deluding herself about the intentions of her lovers.
|
|
|
Denn das Weib ist schwach (1961)
Character: Betrunkener
The respected lawyer Jolly Gebhardt is in debt because of his lavish lifestyle and is therefore blackmailed by dubious criminals for embezzlement.
|
|
|
Wenn Frauen schwindeln (1957)
Character: Kommissar
Daisy, the daughter of Hellmann, a millionaire toy inventor, is a reporter for Damenwelt, a women’s magazine. In a series of reports, she sets out to prove what men are really like. Above all, Daisy’s aunt is thrilled by her niece’s journalistic zeal, while her father reacts with less enthusiasm, especially since Daisy’s methods keep drawing warnings from the police for causing a public nuisance.
|
|
|
Von Liebe reden wir später (1953)
Character: N/A
The beautician Angela Bell, a well-off middle-aged lady, and the respected fashion doctor Prof. Christian Hollmann would like to get married, but there is a catch: Hollmann is still married to his somewhat annoying wife Margot. Angela, however, has to get married as soon as possible because as a foreigner she will lose her work permit if she does not become a German citizen soon. The couple then come up with the idea of marrying Angela to the German bachelor Jonny Pitter, a writer - a sham marriage with no dishonorable consequences, of course. What neither Angela nor Prof. Hollmann suspect is that Jonny has been in love with Angela for some time
|
|
|
|
|
Erotik auf der Schulbank (1968)
Character: Kriminalinspektor
Three episodes depict events that actually took place in the years before the film was made. Three true‐life dramas explore teacher–student taboos:
1. Monika: A young teacher’s love for his pregnant 17‐year‐old student leads to his self‐incrimination amid legal peril. 2. Sybille: A 15‐year‐old fabricates a scandalous affair with her bachelor principal, ending in his suicide.
3. Fantasie: A 13‐year‐old boy’s infatuation with his teacher drives him to violence and a troubled return to reality.
|
|
|
Giuditta (1970)
Character: Manuele
The story tells of the Army officer Octavio and his consuming love for Giuditta, a passionate spitfire, who leaves him because he refuses to desert the colours for her; their chance meeting several years afterwards comes too late, though they realise how much they have lost.
|
|
|
Der Transport (1961)
Character: Wirbel
March, 1945: The insecure and hesitant reserve lieutenant Felix Bleck receives orders to lead a transport of 40 prisoners to the Western Front, where the men are to be burned up in a punishment battalion. On the way there, Bleck realizes the inhuman futility of his assignment and makes a fateful decision.
|
|
|
|
|
Bomben auf Monte Carlo (1960)
Character: Juwelier
In Monte Carlo, a captain tries to raise the money to pay his crew at the gaming table, and meets and falls in love with a Queen.
|
|
|
Was eine Frau im Frühling träumt (1959)
Character: Chauffeur Otto
Twenty years after their wedding, the well-to-do Elisabeth sets off for Konstanz to meet her husband and finally take their honeymoon. There she runs into her childhood friend Pierre Bonvant. While old memories and feelings are stirred up in Elisabeth, her husband meets the attractive Madeleine, who happens to be Pierre’s fiancée...
|
|
|
Meine Schwester und ich (1954)
Character: N/A
After an accident, Princess Maria Christine ends up stranded in Rothenburg, where she falls in love with engineer Rudi Becker, but pretends to be a shoe saleswoman. Misunderstandings, mix-ups and intrigues lead to turmoil surrounding her planned wedding to the King of Slovenia.
|
|
|
Diesmal muß es Kaviar sein (1961)
Character: Gefängnisdirektor
Thomas Lieven is a German secret agent trying to leave that profession, to live a peaceful life. Adventure is too strong an appeal, he starts working again, and soon it's difficult to say if he is doing his job, or turned out as double agent for England, France or even communist Russia! To save his skin, he'll do - almost - anything, to anyone...
|
|
|
Der letzte Fußgänger (1960)
Character: Reiseleiter
Heinz Erhardt wanders through the Black Forest as a photographer for a magazine. On the train he meets a young girl who from now on does not leave his side.
|
|
|
Schwarzwaldmädel (1950)
Character: Staubig
The painter Hans Hauser falls head over heels in love with the "Black Forest girl" Bärbele Riederle. He travels to her home village and soon the two realize that they are made for each other.
|
|
|
Durch dick und dünn (1951)
Character: Michel
Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.
|
|
|
Bumerang (1960)
Character: N/A
The paths of three men cross for a short time in post-war Berlin. Robert and Willy are unattached and unemployed, Georg has joined them from Hamburg, he has a family and occasionally does something crooked. That's what the three of them are up to together: A safe is to be cracked, the plan comes from Robert. Then Else shows up, a former girlfriend of Robert's who now lives with his buddy Willy. She is interested in Robert again, but he turns her down. Blind with jealousy, Willy nevertheless feels betrayed and rats out their joint scheme to the police. As they stand in front of the strongbox, they are surrounded by police officers. One of them, Inspector Stern, suddenly recognizes in Robert the man who saved his life during the war.
|
|
|
Unser Willi ist der Beste (1971)
Character: Pförtner im Fernsehstudio
Retired tax official Willi Winzig spends his retirement happily and contentedly in his home. However, this changes when his sister Heidelinde, her daughter and his father want to move in with him, and as Willi is a good-natured man, he takes them in, but because they have no money and his pension is not enough for all four of them, he has to take on a new job. He gets a job as a salesman for household appliances, but his good nature gets in the way again.
|
|
|
Melodie und Rhythmus (1959)
Character: Orlando
Father and son have the same taste in women, but different tastes in music: both love the beautiful Linda, but while the father leads a successful dance band, the son wants to be a rock star. After an argument, the son leaves his father and performs first as a solo artist, then with a rock band. There he meets the lively Maxi.
|
|
|
Das Totenschiff (1959)
Character: belgischer Polizist
After a line of mischief Philip Gale, an American sailor, is lured into hiring on the "Yorikke", a tramp cargo, by Lawski, a stoker from Poland. Still, the two become friends within the motley crew of losers from all nations. Gale and his new companion soon are more than disillusioned: the "Yorikke" is far from seaworthy and more of a coffin than a ship, work is close to slavery, and treatment by the officers and their subalterns is harsh and cynical. One day they make an alarming discovery in a tin of plum butter they have procured from the ship's cargo... Written by Anonymous
|
|
|
Bekenntnisse eines möblierten Herrn (1963)
Character: Vater Zierholt
Munich-based graphic artist Lukas is an artist with no fixed abode and no desire for commitment, who never stays in the same place for long. His only possessions are his duck, his clothes and a few everyday objects with which he moves from apartment to apartment as a lodger. There he prefers to devote himself entirely to his amorous adventures. With his unconventional manner, he drives philistines, aristocrats and the nouveau riche up the wall.
|
|
|
|