|
The Deciding Kiss (1918)
Character: Peter Bolling
The first part is pathetic and shows Eleanor Hamlin (Edith Roberts) severing home ties with her grandparents to be "adopted" by a party of idle rich on the cooperative plan. The parties adopting her are single, and one of them, Beulah Page (Winifred Greenwood), has her own ideas on the subject of raising the young - these ideas absolutely precluding the main requisite, love.
|
|
|
Am Ende der Welt (1947)
Character: Baron
Old Bell, owner of the sawmill and the surrounding forests in a remote place “at the end of the world,” died twenty years ago. Since then, the down-to-earth and nature-loving Michael March has been the sawmill’s manager. Then Bell’s daughter Roberta comes to him and demands a large sum from the estate, which she plans to use to open a cabaret in the city and perform as a singer herself.
|
|
|
|
|
Mutterliebe (1939)
Character: von Neuhausen, Ballettmeister
A melodrama about a self-sacrificing mother who, after her husband is struck by lightning, has to raise her three sons and one daughter alone. She buys a small laundry in Vienna and does everything she can to give her children a good life. When one of her employees becomes pregnant by one of her sons, she demands that the two marry. Another son has to leave home after an argument. The third son goes blind. For him, the mother makes her greatest sacrifice: she donates her cornea. Finally, she reconciles with the son who left home and, as a grandmother, can look back on a difficult but fulfilling life.
|
|
|
|
Die beiden Schwestern (1943)
Character: Ballettmeister Baldini
Berlin, the end of the 19th Century: The pretty sisters Gabriele and Ulrike Wilkens have both completed their ballet training with honors. But only Gabriele is really dedicated to the art; Ulrike, on the other hand, is more the domestic type. She dreams of having a husband and children. One day, both of them get to know the aspiring composer Andreas Holk. Holk falls madly in love with Gabriele without suspecting, that Ulrike is in love with him! He arranges a prestigious engagement for the sisters at the Berlin Opera, which only Gabriele accepts. Ulrike prefers her modest life. When Count Alversheim courts Gabriele with unbridled energy, a disappointed Holk turns to Ulrike. When Gabriele finally comes to her senses, it is too late: she’s lost Holk to her sister.
|
|
|
Sein Sohn (1942)
Character: Willis Lehrer
For many years, old Mr. Brugg has been employed at the jewelry store owned by the elegant Mrs. Hellmers. His son Peter has also been working there for some time as a salesman and hopes for a promotion. When Mr. Brugg is knocked unconscious during a robbery, Mrs. Hellmers sends him into well-deserved retirement. Peter then takes over his father's position as manager, which forces him to break off contact with the young employee Charlotte – he wants to find a more suitable bride. He seems to have found her in Brigitte, Mrs. Hellmers' niece, but she doesn't want much to do with him.
|
|
|
Die heimliche Gräfin (1942)
Character: N/A
A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.
|
|
|
Der Optimist (1938)
Character: N/A
A moron buys a worthless piece of land, which a swindler passed off as an oil field.
|
|
|
|
Das Jüngste Gericht (1940)
Character: Stammtilschbruder
The greengrocer Ferdinand Strubel wants his daughter Marianne to marry the son of the brewery owner Baron von Schnackenberg. Since Strubel is an impossibly cheap bastard, the marriage is to take place on 20 May, which, coincidentally, is the same day the city is having a grand festival for him to celebrate his company's being in business for 100 years. Marianne, however, has fallen in love with Leopold, a gym teacher; and when he reads an article in the newspaper about the upcoming arrival of Haley's Comet on 19 May, he comes up with an idea how he can prevent the wedding from taking place: He tells Strubel that the world is going to come to an end when the comet shows up, so that Strubel will see the errors of his way, cancel the arranged wedding and will become a better person for it. (Sucker!).
|
|
|
Castelli in aria (1939)
Character: N/A
A wardrobe mistress at a Vienna theatre wins a competition, receiving as her prize a luxury tour round Italy. On the train she meets an impoverished young Italian who pretends to be a prince.
|
|
|
Donauschiffer (1940)
Character: N/A
The Hungarian noble Nikki von Kormendy is traveling incognito as a blind passenger on the Danube ferry "Fortuna". Captain Korngiebel keeps him busy with various tasks. When the young singer Anny Hofer comes on board, both men fall in love with her and compete for her affactions. Out of sheer jealousy, Korngiebel lets his ship run aground and now fears for his captain's license. But Kormendy generously acquires the boat and leases it to Peter and Anny ... with the sole condition that the ship bear his name from this date forward.
|
|
|
Jenny und der Herr im Frack (1941)
Character: Arthur Kinsky, Präsident des philatelistischen Kongresses
In this intricately plotted crime comedy, Johannes Heesters plays the worldly insurance detective Peter Holm, who is determined to apprehend jewel thief Robert Makaroff. To this end, Holm travels to Copenhagen, where the Hungarian actress Lilly Hegedüsch is staying at a luxury hotel with her rare jewelry. While Holm is searching for Makaroff, Jenny, the sleuthing daughter of Holm's boss, arrives in Copenhagen. Since Jenny doesn't know her secret admirer Holm, numerous mix-ups and suspicions ensue before the rival detectives become lovers.
|
|
|
Unsterblicher Walzer (1939)
Character: Regierungsrat
Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.
|
|
|
Katia (1959)
Character: Paskievitch
Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.
|
|
|
Gasparone (1955)
Character: N/A
Based on the operetta of the same name by Carl Milöcker. The residents of an Austrian town decide to teach their eccentric mayor a lesson. A young fisherman dresses up as the famous bandit Gaspare and goes to see the mayor. The mayor, terrified, flees from "Gaspare" and commits a series of ridiculous acts, becoming the laughing stock of the whole town.
|
|
|
Hotel Sacher (1939)
Character: Graf Lagarde
Vienna is celebrating New Year’s Eve 1913/14. It is the year, which will see the outbreak of the First World War. In Hotel Sacher, the mood is excellent; and although the political atmosphere is charged, there’s an undercurrent of hate and intolerance in the air. It is with this background that Nadja, a Russian spy, meets the Austrian civil servant Stefan. He loves her, but comes under suspicion of being an agent because of this love.
|
|
|
Schüsse im 3/4 Takt (1965)
Character: Bernard
B 501, a newly developed controller for missiles, has disappeared despite the strict surveillance. Phillippe Tissout is sent by his boss to Paris to take over the case.
|
|
|
The Tiger Woman (1917)
Character: (uncredited)
Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.
|
|
|
The Brazen Beauty (1918)
Character: Bruce Edwards (as Thornton Church)
Jacala, a strong-willed, temperamental ranch girl, inherits her father's millions and moves from Montana to New York, determined to earn a place in society.
|
|
|
Sarajewo (1955)
Character: Graf Franz von Harrach
The film portrays the assassination of Archduke Franz Ferdinand of Austria in 1914.
|
|
|
Der letzte Mann (1924)
Character: Hotel Manager
An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.
|
|
|
|
|
Salto in die Seligkeit (1934)
Character: Baron Rivoli
An unemployed artist must choose between a flower seller and a Hungarian dancer and defend himself against suspicion of shoplifting.
|
|
|
Song Without End (1960)
Character: Czar
The romantic story of Hungarian pianist Franz Liszt, whose scandalous love affair forced him to abandon his adoring audiences.
|
|
|
13 Stühle (1938)
Character: Zauberer
A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.
|
|
|
Ober zahlen (1957)
Character: Chess Player
Vienna, 1957: Head waiters Gustav (Paul Hörbiger) and Franz (Hans Moser) are working for the stinted Cafétier Panigl and are close friiends despite of their different characters. Franz is happily married and a good family father, Gustav, a relaxed charmer, is living a calm single life. Overnight both of them become jobless, because Panigl decided to sell his Café which was not successful anymore. Right in this moment, Franz' brother is sending 20.000 Dollar from USA. Money, he once peculated and now wants to pay back.. Gustav and Franz are buying half of the Café for each from the unexpected money. One half they develop as the modern Musicbox-Espresso «Pinguin», the other half as a traditional old style Vienna Café . Misunderstandings between guests and generations are inevitable and stretch the long term friendship of the two waiters.
|
|
