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Eine Stunde Glück (1931)
Character: Das Mädel
The two happy fitters Eddy and Tommy are doing overtime to ensure the great travel-exhibition of the department store they work in is ready for display. Outside, they see a poor newspaper seller, who looks longingly at the beautiful things in the display window. So they simply decide to smuggle the unfortunate inside and compete to win her favor by giving her gifts from the shelves of the department store. In their frenzy of happiness, they don’t notice that the girl is taking the fun little game for the truth. When she realizes that she has to give back the alleged gifts, she runs away.
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Die elf Teufel (1927)
Character: Linda
Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.
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Das Wolgamädchen (1930)
Character: Katja
A love story between a simple peasant girl (Holt) and a dashing young officer (Sym), who however doesn't see more in her than a temporary affair.
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Kampf (1932)
Character: Eva
The race car drivers Robert Wenck and Kurt Harder are good friends. They become rivals when it appears that Robert is married to Eva. Eva was the former lover of Kurt Harder. Complications will follow.
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Das Recht auf Liebe (1930)
Character: Evelyn Gebhard - Frau Gebhards Tochter
With a script co-written by Weimar-era sexologist Magnus Hirschfeld, this enlightened drama deals with WWI soldiers who have become impotent due to wounds but still want to marry.
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Frauenarzt Dr. Schäfer (1928)
Character: Evelyn Hausen
The respected gynecologist Prof. Hausen is averse to performing abortions. In contrast, his up-and-coming colleague Dr. Schäfer sees abortion as a means of helping women in need and openly advocates an amendment of the law. The professor’s convictions are shaken when misfortune befalls his own family. Louise Fleck presents her drama about the untimeliness of restrictive abortion legislation against the backdrop of modern urban reality. Seriousness, however, is preserved, because topics such as unwanted pregnancy, sexual violence, and the consequences of improperly performed abortions are not only addressed through minor characters, but also placed at the center of the cinematic narrative. (Anna Dobringer)
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The Three Kings (1928)
Character: Maria
Drama set around a circus at Blackpool. A clown loves a young housekeeper and saves her from a fire caused by a jealous lion tamer.
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Mädchen am Kreuz (1929)
Character: N/A
The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.
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