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Das Fräulein von Kasse 12 (1928)
Character: N/A
On her way to work at a department store, the pretty cashier Grete encounters a man in a car who offers her a ride. Grete has no idea that he is not a chauffeur, as she initially believes, but Dr. Fred Werder, the co-owner of *Zeitspiegel*. The two meet again by chance when Grete enters a contest in the "Zeitspiegel."
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Die Liebe siegt (1934)
Character: N/A
After Willy privately photographs Renee her image headlines an ad campaign making her a star model. Her sister Elli loses her acting job but Willy's friend Max adds her singing to his musical variety act, and they score an instant success.
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Wenn die Musik nicht wär (1935)
Character: Frau Stoltenhagen
The great Franz Liszt helps a struggling, unworldly piano tutor advance to a position in Munich, and ward off a villainous foreign competitor for his lady love.
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Der tolle Bomberg (1932)
Character: Blombergs Verwandschaft
A nobleman gradually falls in love with a woman he was forced by relatives to marry, against his will.
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Herz ist Trumpf (1934)
Character: N/A
Hotel tycoon Paulsen re-meets an old flame who mistakes him for a waiter. Paulsen's daughter Toni likes hotelier Reno and accepts to work for him as a waitress and chambermaid because she wants to be loved for herself, not her money.
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Sommer, Sonne, Erika (1939)
Character: N/A
Actually, Erika and Werner wanted to take a pleasant boat trip on the Isar. But who would have thought what could happen during such a simple outing?! Werner Merk, who works as an engineer for a large car company in Munich, finds out, that the head of the firm, Director Feldmann, is spending his summer vacation at his house in the mountains. Werner up and decides to make his way their to introduce himself to Feldmann in a relaxed atmosphere.
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Wie einst im Mai (1938)
Character: Alte Dame bei der Hauseinweihung
1900: Much to the chagrin of Baron Uhlendorff in Schoneberg, the city of Berlin is expanding. But what is much worse is that his son George is in love with Traute, the daughter of the master carpenter Schradecke. So the son must leave for South America as a diplomat and Father Schradecke has to intercept his letters to his daughter. Traute is inconsolable; 1913: The early days of the small artisans have now given way to them becoming big businessmen. Traute continues to wait for George in spite of the stubborn proposing by the carpenter Paul Buttner.
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Das Hermännchen. Nee, nee, was es nich' alles gibt (1936)
Character: N/A
Hans, Karl and Rudi haven't had much luck in their lives so far. One day, Hans receives a letter from his aunt Gudula. She demands that he reanimate her little theatre "Euterpia" in Büllesheim and threatens to disinherit him if he doesn't manage to outcompete her competitor, Wengen, from the theatre "Thalia". In addition, niece Hilde is sent to Büllesheim to support Hans.
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Der Himmel auf Erden (1927)
Character: N/A
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
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Rote Mühle (1940)
Character: N/A
A respectable woman in her 50s inherits a local night club from her husband in a divorce settlement, provided that she shows up there every night at 10:00pm for a month. In spite of eny and provocation, she manages to meet the terms.
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Das rosa Pantöffelchen (1927)
Character: Tante Melusine
A spirited young countess defies social conventions by climbing trees and dancing with peasant children. During a countryside outing, she meets a charming stranger-unaware he's a prince-and later encounters him again at court.
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Puppchen (1918)
Character: N/A
Fritzi works in an elegant fashion house. One day she accidentally breaks an expensive mannequin and solves the problem by taking its place.
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Ilse und ihre drei Freier (1913)
Character: N/A
Comedy in which Elza's father wants her to choose high society over her friendship with a painter. Elza Grunner is a model for the painter Bernhard. Her father, however, demands that Elza choose between the Count of Trutwitz and an American. Two befriended actors want to help her, pretend to be the Count of Trutwitz and the American, respectively, and visit Mr. Grunner. Of course, they make sure these visits are a fiasco. When the American wants to kidnap Elza, Bernhard comes to the rescue. Mr. Grunner eventually approves of Bernhard.
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Es zogen drei Burschen (1928)
Character: N/A
Es zogen drei Burschen (1928) is a German silent comedy film directed by Carl Wilhelm. Also known by its alternative German title Drei Seelen und ein Gedanke, the movie is a lighthearted farce famously featuring an early-career performance by the legendary actor Hans Albers.
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Der Mann mit der Pranke (1935)
Character: Gräfin Steindorff
"The Man with the Paw" is what people call the very successful banker Wiegant, who is desperately in love with Lena Kroning, the wife of the lawyer Hugo Kroning. So as to be nearer to her, Wiegant hires her husband to be the bank's lawyer. Shortly thereafter, Wiegant is suspected of having conned the Countess Steindorff during a telephone conversation; but he never did. During the relevant period of time, he was with Lena "having tea" (uh huh), which he conceals from the lawyer-husband, so as to protect Lena.
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Liebe kann lügen (1937)
Character: N/A
Dr. Ivar Andersson, introduced by his colleague, Sigrid Mall, is the new German teacher for the underclassmen in a girl’s high school. As is to be expected, there’s soon a whole swarm of girls vying for his attention, but none as much as Kerstin Dahlberg, who lives with her Aunt Betty. Andersson is more than aware of the girl’s feelings for him and it pains his conscience to discover, he’s as hot for her as she is for him. He tells Sigrid about the situation, who strongly recommends separation, but Andersson rejects this as desertion.
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Verklungene Träume (1930)
Character: N/A
A wealthy skirt-chasing drunkard marries a simple country gal, yet he doesn't take time off from his regular 'affairs'.
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Nanette (1940)
Character: Ältere Dame
Successful playwright goes undercover to get new material and finds romance.
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Fräulein Lausbub (1930)
Character: Aunt Agathe
Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.
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Die Gezeichneten (1922)
Character: Anna Arkadiewna
A look at various lives, one of which is Jewish girl Hanne Liebe, as she grows up and experiences the pains of living as a Jew in Russia, leading to a revolution.
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Der letzte Mann (1924)
Character: Thin Neighbor
An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.
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Tagebuch einer Verlorenen (1929)
Character: N/A
Thymian Henning, an innocent young girl, is raped by the clerk of her father's pharmacy. She becomes pregnant, is rejected by her family, and must fend for herself in a harsh, cruel world.
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