|
Senioren im Straßenverkehr (1987)
Character: Hartmut
Hoffmann, the father of a family, who is upset about the behavior of seniors in traffic, develops two extreme solution models in his imagination.
|
|
|
Frau Jenny Treibel (1982)
Character: Otto Treibel
Jenny Bürstenbinder has climbed the social ladder by marrying Kommerzienrat Treibel. The professor's daughter Corinna Schmidt plans to do the same and woos Treibel's son Leopold with charm and wit. But Jenny Treibel lacks an adequate dowry.
|
|
|
|
Mit Gewissenhaftigkeit und Würde (1981)
Character: Thilo Stüver
Young physician Dr. Thilo Stüver champions patient‐centered care, sparking conflict with colleagues prioritizing experiments. When he objects to a risky drug trial and clashes over invasive testing for a friend’s referral patient, Stüver faces a career crossroads between hospital politics and private practice.
|
|
|
Der kleine Staatsanwalt (1987)
Character: Rademacher
Kaiser, an unemployed civil engineer, receives a tempting offer to become managing director of Zielbau GmbH.
|
|
|
Beule oder Wie man einen Tresor knackt (1987)
Character: N/A
Heinz Borbet, also known as "Beule" because of his dented car, finds a red safe hidden in the dung heap of an allotment garden: the two thieves Bruno and Fred have stored it there for the time being because they couldn't get the safe open. The safe is almost impossible to crack. Heinz is not the only one to feel this in the episode, who is delighted with his supposed, unexpected wealth, but also around a dozen other candidates. Then the police get involved in the form of Inspector Fleischhauer ...
|
|
|
Sei zärtlich, Pinguin (1982)
Character: Tommy
One day, Nina confesses to her boyfriend Mick, that she never has had an orgasm. Comedy about the problems of relationship and sexuality in a parody of the sex enlightenment and soft sex genre.
|
|
|
|
Zwei ausgeflippte Omas (1983)
Character: Willi
Marianne and Sophie have had enough. The two elderly ladies from Nuremberg do not feel like they are old, although both of their sons obviously want to make them old. Now the two old ladies have had enough. Fed up with their sons who bully them, Marianne and Sophie decide to go on a journey and leave everything behind. Sofie cancels her life insurance, buys a Mercedes-Benz with a caravan with her last belongings and sets off on a long journey with Marianne & her animals.
|
|
|
Drogenkonsum (1984)
Character: N/A
Hoffmann has no sympathy for drug addicts - he could always do without his beloved beer! So: a total ban on alcohol! On the other hand ... nobody can refuse a schnapps, and everyone is responsible for themselves. Afterwards, Hoffmann can try out where you can go without restrictions.
|
|
|
|
In guten Händen (1988)
Character: Hösch
Hösch, a young man with a camera, hangs around various mansions in Berlin’s Grunewald neighborhood, taking pictures of things worth stealing.
|
|
|
|
Ex und hopp – Ein böses Spiel um Liebe, Geld und Bier (1991)
Character: Hermann Schnitter
The brewery manager Heinrich Hartholz does not shy away from driving independent beer publishers into ruin in order to take over their property. Markus Keller, head of a push column , supports Hartholz in his criminal machinations.
|
|
|
|
Der schwarze Obelisk (1988)
Character: Georg Kroll
In 1923, Ludwig Bodmer, a young man returning from the war, works in the gravestone company of his comrade Georg Kroll during the period of inflation. Business is going well, but inflation robs them of their profits and people suffer under the circumstances of the time. The "lost generation" in particular, the survivors of the First World War, of which Ludwig is one, struggles to find a place in society.
|
|
|
Das Wahlergebnis (1987)
Character: Reporter Axel Degros
In a satirical way, the typical television coverage after a (fictitious) state election is simulated — including projections, interviews, commentaries, and a so-called “heavyweight round”. When then, over the course of the broadcast, the voter turnout is estimated as just 3.86 percent of those eligible to vote, none of the involved believes it. But after this information turns out to be true, it is attempted to explain this scandalous, impertinent, and downright subversive behaviour of the electorate.
|
|
|
Das Traumhaus (1980)
Character: Wittig
Four young people dream of a simple life. In the middle of Berlin, they retreat to an idyllic villa with a garden, where they want to provide for themselves and lead an alternative lifestyle. But then an unscrupulous property developer wants to demolish the villa to build a modern residential complex.
|
|
|
Bankgeheimnisse (1986)
Character: Herr Haubner
Horst Valfelt, deputy manager of a medium-sized bank branch in West Berlin, is passed over for promotion. A woman is put in front of him as branch manager. A serious blow to Valfelt's career. One day, his former fellow student Thomas Berthold appears at the bank. He has achieved everything Valfelt dreams of: a degree, a highly remunerated and influential position and an attractive wife. Berthold wants to start his own business and asks for a loan. Valfelt cockily promises to get him a loan on particularly favorable terms.
|
|
|
Morgen, ihr Luschen! Der Ausbilder-Schmidt-Film (2009)
Character: Oberst Herold
World peace is under threat - it's a good thing that instructor Schmidt exists. As a sharpshooter with a cigar, sunglasses and beret, he immediately suspects the terrorist conspiracy lurking behind the peace summit at Schwangau Castle. The aim is to unite the strife-torn Kallushistan. Princess Shirin and the pacifist recruit Rainer assist in the hunt for alleged assassins.
|
|
|
Fabian (1980)
Character: Herr Weckerlein
The story of Jacob Fabian, a somewhat liberal Berlin advertising copywriter who witnesses the collapse of the prewar German society during the 1930s.
|
|
|
Schöner Gigolo, armer Gigolo (1978)
Character: Lothar
After World War I, a war hero returns to Berlin to find that there's no place for him--he has no skills other than what he learned in the army, and can only find menial, low-paying jobs. He decides to become a gigolo to lonely rich women.
|
|
