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Ein ganz grosses Kind (1952)
Character: Vater Killian
Aging actor Hieronymus agrees to coach amateur Hans in his craft, but Hans doesn't live up to the demands of theater pros although he is supported by actress Ina who then helps him to break into the movies - but not as he expected.
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Wie sag' ich's meinem Mann? (1932)
Character: Diener Johann
The film starts in the fashionable seaside resort on the Baltic, Heringsdorf, where Renate Müller spends a secret weekend away from her husband with her bosom friend Ida Wüst. The husband meanwhile has a flirtation while traveling by night train from Frankfurt to Berlin, nice atmospheric shots of sleeper and dining car in the morning. The action continues in the luxury villas and apartments of Berlin, Renate Müller wears a string of very elegant outfits. Misunderstandings, jealousies, temporary separation of husband and wife, a few songs, wicked humour.
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Die Gefangene von Shanghai (1927)
Character: N/A
Maria Sinclair, the wife of the British consul, is about to visit her husband when she is arrested by the Chinese. General Hai Lung, who is in charge, offers to give her husband his life if she would promise to stay with him instead.
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Viktor und Viktoria (1957)
Character: Intendant
Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she's discovered by an agent, who thinks, that she really is a man. She becomes famous, but her situation becomes troublesome, when she falls in love with Robert.
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Die Sühne (1918)
Character: N/A
A silent German film directed by Austrian director Emmerich Hanus with Martha Novelly and Kurt Vespermann in the leads.
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Menschen untereinander (1926)
Character: Fritz
Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
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Familie Buchholz (1944)
Character: Verleger
Based on an 1884 novel by Julius Stinde, it is a family chronicle set in late nineteenth century Berlin.
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Martina (1949)
Character: N/A
A wayward young woman running from her past is reunited with her sister after they became separated during the war. While she worked on the streets, the sister established a professional career as a psychologist.
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Salon Dora Green (1933)
Character: Thomas
A cabaret dancer loves a German engineer and helps save his vital drawings of ship designs from falling into the hands of foreign plotters.
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Das Mädchen mit dem guten Ruf (1938)
Character: Olivieri
A travelling cinema arrives in a small, Italian town. The only place suitable for the screenings is the inn run by Mirandolina, a woman with an impeccable reputation. Tino, who works for the cinema, becomes enamoured of Mirandolina but finds his advances to her hindered by her upright reputation and the rivalry of local figures.
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Reifende Jugend (1955)
Character: Oberstudienrat Dr. Türck
The trials and tribulations of love in a school community in the still young Federal Republic of Germany.
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Das Erbe von Pretoria (1934)
Character: Hans Joachim Förster
The businessman Bernhard Fredersen, who has been blinded by an eye disease, shuts down his long-established company in Hamburg and moves to Pretoria to spend his retirement years with his wife Agnes. While on the journey, Agnes is seen by the treacherous Eugen Schliebach.
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Die Königin seines Herzens (1928)
Character: Count Wetterstein, Adjutant
The young Queen of Nlilrania and her consort, Prince Ferdinand, are deeply attached to each other, but a hectic youth in Vienna has left him with a flirtatious disposition. An old flame visits the palace, and the Queen apparently has justification for her jealousy. She orders her husband to remain in his apartments. He retaliates by returning the key of the door between their rooms. After a furious scene he departs for Vienna with the Countess. The Queen secretly follows with her aide-de-camp. in the train they encounter sonic officers, and the Queen not only dances, but at Vienna goes to the Arts Ball, where her husband awaits the Countess. Though masked, he recognizes her, and reconciliation ensues.
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Kampf (1932)
Character: Steppke
The race car drivers Robert Wenck and Kurt Harder are good friends. They become rivals when it appears that Robert is married to Eva. Eva was the former lover of Kurt Harder. Complications will follow.
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Das große Licht (1920)
Character: Fritz Rasmussen
Lorenz Ferleitner has worked his way up from a poor but gifted farm boy to a recognized master builder. When a new cathedral is to be built, he is given the honor of carrying out the task. He would like to commission the unknown young painter Fritz Rasmussen to decorate the dome. The director of the art academy, Professor Marquardt, however, wants to employ his untalented nephew for the painting work. A bitter conflict unfolds.
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Polterabend (1940)
Character: Klaus
Rudi, who’s been quite the ladies’ man, finally wants to settle down and marry Hilde. So as to not get into a touchy situation with all his many women, he plans to bring them all together the night before his wedding. While sitting alone in his apartment and burning all his old photos and love letters, he notices a woman in the garden. She assets, that she’s hiding from a stubborn admirer and he stupidly offers her to come in … and then it all begins! First, his wife-to-be Hilde shows up, who wants to spend the night before their wedding together. While Rudi tries to hide the unknown woman in his bedroom, a hotel detective shows up and claims he’s following a thief.
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Buchhalter Schnabel (1935)
Character: Bob Götz
The young man from Oxford originates from Vienna, where he returned after completing his studies to take over his deceased uncle's construction company. To gain a better overview, he joined the company as a junior employee and, of course, immediately fell in love with a young colleague...
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Der Gasmann (1941)
Character: Staatsanwalt
A man comes into money unexpectatly. That's when the trouble starts.
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Pension Schöller (1930)
Character: Ernst Kissling
Adaptation of a popular comedy: When the country uncle he has been bilking comes to town to visit, a young student takes him to a boarding house full of exaggerated eccentric characters.
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Ist mein Mann nicht fabelhaft? (1933)
Character: Friedrich Zirbelschuh
Trying to impress his wife, a newly-wed office clerk makes up a story about being promoted to manager of a record-company.
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Du bist entzückend, Rosmarie! (1934)
Character: Tom Chester
You Are Adorable, Rosmarie is a 1934 German romantic comedy film directed by Hans von Wolzogen and starring Herta Worell, Hans Stüwe and Hans Adalbert Schlettow. Location shooting took place around Salzkammergut.
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Das Abenteuer der Thea Roland (1932)
Character: N/A
A modernist lady sculptor seeks a model for a statue to be put in front of a Berlin hospital, and finds him in the form of a London policeman-boxer. She's also interested in having a child.
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Der lustige Witwenball (1936)
Character: N/A
In this slapstick comedy, two women who own rival beauty parlors in a small town squabble with each other.
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Keine Feier ohne Meyer (1931)
Character: Elsas Verlobter
Siegmund Meyer might be a professional matchmaker, but his own married bliss will not come that easily. In order to impress city councillor Goebel, the father of Meyer's love interest Mary, he tries to pass as an industrial tycoon. But Mary's heart belongs to someone else, and while Meyer continues his risky role-changing, he fails to notice that his loyal secretary Ms. Krause has been secretly in love with him for a long time.
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Wenn du eine Schwiegermutter hast (1937)
Character: Erich Rückert - Inhaber Modesalon 'Mascotte'
Dr. Lorenz is presenting her married daughter to everyone as being unmarried, because she believes a flirtation between the girl and her son-in-law’s boss just might play to the married couple’s advantage. Everyone seems to dance to the doctor’s tune, even a rather moronic professor. However, at the end of all these entanglements, everything seems to work out after all.
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Der verkannte Lebemann (1936)
Character: Dr.Otto Seebach
The author of a series of love stories based on his own experiences meets a country girl who can't stand his writing, in this Bavarian comedy which culminates in a grand masquerade ball.
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Das schöne Abenteuer (1932)
Character: Herr Desmigneres
Helene has agreed to marry a man that she isn't in love with. On the day of her wedding her cousin arrives just in time to rescue her and they run away together. They stay with her aged grandmother who assumes the young man (whom she doesn't know) to be the new husband and has prepared a bridal bed for them.
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Engel mit kleinen Fehlern (1936)
Character: Manager
Mary arrives in Berlin from Canada to visit her nephew Max and meet his twin daughters that she has been amply supporting financially. But Max has cheated: There is only one daughter Inge who has to enact both girls to cover up the mess.
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Der unbekannte Gast (1931)
Character: Harry Müller
When the master and mistress of a household are away, and the chambermaid's father visits, she pretends to be the real mistress as he is unaware of her lowly position. Slapstick complications ensue.
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Was eine Frau im Frühling träumt (1929)
Character: Max Müller
Lotte Wohlfahrt, the typist, is just like all the young women of the petty bourgeoisie of that era, who dream only of happiness, prosperity, and a nice young man.
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Das rosa Pantöffelchen (1927)
Character: Adjutant
A spirited young countess defies social conventions by climbing trees and dancing with peasant children. During a countryside outing, she meets a charming stranger-unaware he's a prince-and later encounters him again at court.
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Der Mann mit der Pranke (1935)
Character: Richard Möllenhof
"The Man with the Paw" is what people call the very successful banker Wiegant, who is desperately in love with Lena Kroning, the wife of the lawyer Hugo Kroning. So as to be nearer to her, Wiegant hires her husband to be the bank's lawyer. Shortly thereafter, Wiegant is suspected of having conned the Countess Steindorff during a telephone conversation; but he never did. During the relevant period of time, he was with Lena "having tea" (uh huh), which he conceals from the lawyer-husband, so as to protect Lena.
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Die blonde Carmen (1935)
Character: Regisseur
A singer tired of the stage retreats to a hotel in the country. There, she finds love and a way back into show business.
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Parkstrasse 13 (1939)
Character: Mieke
The beautiful Evelyne Schratt, who has many admirerers, and whose two husbands both died under mysterious circumstances, is giving a reception. When one of her admirers is found stabbed to death in a room upstairs, the police detains everyone in the house and begins an interrogation (oh goody: does dinner come with this mystery theatre, too?). Evelyne admits, that the murdered man tried to blackmail about some information he had about the death of the two husbands.
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Die Yacht der sieben Sünden (1928)
Character: Alfons Costa
The ship-owner Herr Reeder Roberts organizes a world trip on his luxury liner "Yoshiwara". Aboard are millionaires and famous artists, but also criminals. The manager of the ship-owner, Stefan Martini, has been murdered shortly before the departure in a mysterious way. Several persons are suspected and these are, precisely, the passengers of the "Yoshiwara".
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Königliche Hoheit (1953)
Character: N/A
An American heiress in Europe falls in love with a German prince, but he is required to marry someone else for reasons of state convenience.
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Vergiß mein nicht (1935)
Character: Ernst Mülmann
Tenor Enzo Curti, a widower with a young child, falls in love with a secretary from New York. Liselotte has experienced disappointment in her first love, Helmut, an ocean liner officer. She marries Enzo Curti, but later, when she meets Helmut again, she experiences emotional stress as love struggles with a sense of duty in her heart.
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Wunschkonzert (1955)
Character: Steinberg
Accountant and would-be song-writer Willy inadvertently gets into a live TV game show and is tasked with finding, presenting and performing with a motley band of six amateur musicians within 90 minutes.
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Eine Frau die weiß, was sie will (1934)
Character: Peter Carsten
Woman concert singer seeks to connect with her adult daughter, by her former marriage to a staid industrialist who has kept the two apart since the daughter was a small child, and gets inadvertent help from the industrialist's fired employee who has fallen in love with the girl.
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Ihr Leibregiment (1955)
Character: Professor
In a fantasy European principality, the headstrong and beautiful Princess Ingrid falls in love with a handsome officer, but dismisses him in a fit of temperamental overreaction when she learns of an alleged liaison.
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Der Todfeind (1920)
Character: N/A
A wealthy man is found bludgeoned to death near a railway. The question is, who killed him and why?
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Die Stimme der Liebe (1934)
Character: Seppl, Ekhardt Diener
All the women adore a certain prominent singer, but one of them, a wealthy socialite, decides to court him by pretending to be just a simple maid.
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An jedem Finger zehn (1954)
Character: Kriminalkommissar
"Ten on Every Finger" (German: "An jedem Finger zehn") is a 1954 West German musical comedy film directed by Erik Ode. The story centers on a revue dancer named Margit Rameau, played by Germaine Damar, who falls in love with composer Bert Martin, portrayed by Erich Auer, but their romance is hindered by misunderstandings and busy schedules until they reunite during a local revue performance. The film is structured as a musical revue featuring numerous guest stars performing as themselves, including Josephine Baker in her final on-screen film role, Hans Albers, and Kenneth Spencer
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The Second Kiss (1930)
Character: Baron von Trenck's Servant
'Romantic story of a gallant adventurer at the Court of Maria Teresa.' (The Bioscope)
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Die Nacht in Venedig (1942)
Character: Nicolo, Italienischer Theaterdirektor
The marriage of the celebrated operetta diva Vilma and the chamber singer Peter has come to an end. Peter, however, is intent on winning back his now ex-wife. So he’s come up with the idea of a guest performance in Venice, where the two will both appear. Vilma, however, has already found a new man – Niki. He’s a salesman and she wants to marry him. With the help of Annemarie, a friend, who has won a trip to Venice, Peter succeeds in diverting Niki, for he falls in love with Annemarie. Now the way is free for Peter to win back the ex-wife, who couldn’t care if he lived in a hole six feet underground.
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Es war eine rauschende Ballnacht (1939)
Character: Ferdyschtschenko
1865. Katharina goes to a ball in Moscow. There she meets again Tchaikowsky, her first and only love. The young, who is now married to wealthy Michael Iwanowitsch Murakin, a man she does not love, has not forgotten Piotr Illich, the (not yet) famous composer. Both are still in love with each other but Piotr is engaged to Nastassia, a dancer, while for her part Katharina cannot leave her husband. Tchaikowky's first love then decides to sacrifice her happiness to the success of the composer, sponsoring him in secret. Something Piotr will learn only years after. When Katharina finds herself free at last it is too late: Tchaikowsky is dying of cholera and she only has time to close his eyes.
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Der Kurier des Zaren (1936)
Character: Jolivet, französischer Journalist
A Czarist courier has to get across the Siberia frontier, threatened by Tartar invaders and a treacherous Russian helping them. Strogoff encounters several colorful characters along the way. German language version of the French film Michel Strogoff, adapting the novel by Jules Verne.
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Schuß im Morgengrauen (1932)
Character: Bobby
A Berlin policeman tracks down a group of diamond thieves in the outskirts by posing as a gang member.
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Durch dick und dünn (1951)
Character: Curt Vespermann
Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.
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Vor Sonnenuntergang (1956)
Character: Wuttke, Fahrer bei Clausen
Based on a play by Gerhardt Hauptmann, the film details a bittersweet May-December romance between ageing Mathias Clausen and young, beautiful Inken Peters.
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Die Welt ohne Maske (1934)
Character: Dr. Tobias Bern
An inventor works on coming up with a radio-television device, but can't get it to work properly. A slick con artist sees a chance to fleece gullible people with this device and encourages the inventor to keep working at it. One day in the lab, a freak accident results in the machine being able to look through any object and project that object on a TV screen. Unfortunately, some crooks hear about it and determine to get their hands on it. Complications ensue.
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Die Buddenbrooks (1923)
Character: Renee Throta
Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.
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Der Schädel der Pharaonentochter (1920)
Character: Tirhaka
A pharaonic tragedy to the content that spans six different eras. In the first episode, the emergence and dramatic end of the love story between the pharaoh's daughter Princess Amnertis and her beloved Tirhaka is told until the latter comes to a violent death. From this drama arises a curse, which in the following episodes has had far-reaching effects over the centuries. Everyone who possesses the skull of the long-lost pharaoh's daughter must die violently until the day the skull is sunk in the sea.
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Anders als du und ich (§ 175) (1957)
Character: Dr. Schmidt
Klaus is a young man in post-war Berlin. He is drawn to his friend Manfred and, under the encouragement of their acquaintance, Dr. Winkler, explore the underground world of gay clubs and electronic music. His family begins to learn of his other life and do everything they can to set him straight.
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Asphalt (1929)
Character: N/A
Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.
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