Nikos Kalogeropoulos

Personal Info

Known For

Acting

Known Credits

3.723

Gender

Male

Birthday

01-Jan-1952

Age

(72 years old)

Place of Birth

Filiatra, Messinia, Greece

Also Known As
  • Νίκος Καλογερόπουλος

Nikos Kalogeropoulos

Biography

NO BIOGRAPHY AVAILABLE


Credits

Είμαι... Είμαι... (1983) Character: N/A
I am ... a "prostitute". The film refers to the harrowing life of a prostitute, Rita, who is a daughter of a prostitute - with her mother now in a very difficult situation as she is ill and miserable. However, she seems to be reconciled with her fate. But when she learns that her promoter, Takis, is trying to corrupt her daughter's daughter, she rages up and goes to the murder.
Έρημος και μόνος για να μου φύγει ο πόνος Έρημος και μόνος για να μου φύγει ο πόνος (2006) Character: N/A
A film director, his relationships with women and the expression of his bitterly emotions about cinema and Greece
Για πέντε διαμερίσματα και ένα μαγαζί Για πέντε διαμερίσματα και ένα μαγαζί (2005) Character: Himself
"Gia pente diamerismata kai ena magazi" is a documentary about how the process of "exchange" transformed the neighborhoods of major cities of Greece, particularly Athens and Pireus.
Εν Πλω Εν Πλω (1985) Character: Friend
A young man, Kostas, together with two friends, sets for a journey on a sailboat, looking for something precious that his father hid on one of the Aegean islands during the years of Greek Resistance and Civil War.
Όνειρο αριστερής νύχτας Όνειρο αριστερής νύχτας (1987) Character: N/A
A left-wing ideologist reaches the limits of suicide, experiencing a deep crisis. He tries to write a book about everything that once existed, but has changed today. Everything around him seems distant. The friends, the family, the Party from which he withdrew. His hope for a different future is virtually dead.
Θανάση σφίξε κι άλλο το ζωνάρι Θανάση σφίξε κι άλλο το ζωνάρι (1980) Character: reporter
Thanasis an honest tax official in the tax office. He can not cope and has trouble providing the family of the necessities. So the wife is forced to go to work in a factory as a result not seen at all. !!!
Το Μυστικό του Νοέμβρη Το Μυστικό του Νοέμβρη (2002) Character: N/A
O businessman Michael Syrianos, convicted for economic crimes, is released suddenly. He maintains that he is innocent. He proposes to the prosecutor Dimitriou who recommended his conviction, to reopen the case in exchange for leading him to SECRET NOVEMBER, organization assassinated predecessor prosecutor. The prosecutor is obliged to cooperate with the interweaving and interlocking. But as the investigation proceeds the more annoying it is for some. Where it does not pay the bribe, terrorism act. The Syrianos while raising economic demands by the group VOX, where he was CEO. The cycle opens.
Οι Ιππείς της Πύλου Οι Ιππείς της Πύλου (2011) Character: Telemachos Kotronis
Ο Τηλέμαχος, ηθοποιός με ένδοξο παρελθόν και αβέβαιο μέλλον, εγκαταλείπει στα πενήντα του την Αθήνα για να γλυτώσει από τις τράπεζες. Με την βοήθεια του Μπάμπη του «Φου», βρίσκει καταφύγιο σ'ένα ερημωμένο κάστρο στην καρδιά της Μεσσηνίας. Μοναδικοί κάτοικοι δύο αδέρφια που δε μιλιούνται και μια ανηψιά που τους βαρέθηκε κι έφυγε, η Δημοκρατία. Ο Τηλέμαχος την συναντάει τυχαία και μαγεύεται. Λίγο τα σιρόπια του γιατρού για τα πνευμόνια του που έχουν γίνει ορυχείο, λίγο τα τσίπουρα, λίγο οι «απαγορευμένες ουσίες» του Μπάμπη ... οι θεοί βάζουν το χέρι τους κι η Δημοκρατία επιστρέφει στον τόπο της! Όνειρο, πραγματικότητα, ή και τα δυό? Κρίνετέ το εσείς, κι όποιος το βρει κερδίζει ένα παστέλι Καλαμών.
Άρπα Colla Άρπα Colla (1982) Character: Kostas Antonakos
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
Ρεμπέτικο Ρεμπέτικο (1985) Character: Bambis
The story of a group of Rembetes, singers and musicians of the Greek equivalent to the blues, in the early decades of the 20th century, seen through the eyes of a young female singer.
Ένας κι Ένας Ένας κι Ένας (2000) Character: Pelopidas
A convict out of prison to visit his mother, followed by two policemen. A lunatic out of the asylum, followed by two doctors. Their meeting is the beginning of the most hilarious situations, as they begin their quest for freedom
Θηλυκή Εταιρεία Θηλυκή Εταιρεία (1999) Character: Lampros Lamprou
High society women of a small Greek town try everything to have sex with the first male they can find.
Μάθε Παιδί μου Γράμματα Μάθε Παιδί μου Γράμματα (1981) Character: Sokratis
The most important political, post-military junta satire about the nation, the religion, the education, the family.
Λούφα και Παραλλαγή Λούφα και Παραλλαγή (1984) Character: Pvt Ioannis Papadopoulos
The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd...



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