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Kubrick Remembered (2014)
Character: Self
An 83-minute candid look into the life of Kubrick, including interviews with his widow, family, coworkers and actors, and featuring a tour of the Archive in London and an inside look into Kubrick's home.
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Stanley Kubrick Considers the Bomb (2019)
Character: Self
A short documentary about how the threat of nuclear war prompted Kubrick to make Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.
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Never Just a Dream: Stanley Kubrick and Eyes Wide Shut (2019)
Character: Himself
Stanley Kubrick looked for decades for a way to tell the story of Eyes Wide Shut before finally making it. Then, within days of completing the film, he passed away.
Never Just a Dream: Stanley Kubrick and Eyes Wide Shut is a short documentary in which those who knew Kubrick best tell the story of the project and recall this final chapter of his career in moving detail.
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Stanley Kubrick's Legacy (2010)
Character: N/A
An interview with director Stanley Kubrick's longtime executive producer, Jan Harlan (Barry Lyndon, Eyes Wide Shut) in which he discusses the filmmaker's legacy.
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Harlan - Im Schatten von Jud Süss (2008)
Character: Self
Though almost forgotten today, Veit Harlan was one of Nazi Germany's most notorious filmmakers. His most perfidious film was the treacherous anti-Semitic propaganda film Jud Süß - required viewing for all SS members. This documentary is an eye-opening examination of World War II film history as well as the story of a German family from the Third Reich to the present; one that is marked by reckoning, denial and liberation.
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Standing on the Shoulders of Kubrick: The Legacy of 2001 (2007)
Character: Self
Stanley Kubrick's groundbreaking 2001: A Space Odyssey opened the door to all the films and filmmakers who followed it. Through interviews with directors such as George Lucas, Steven Spielberg and Sydney Pollack - as well as special effects professionals and cultural historians - this documentary examines the legacy of Kubrick's masterpiece and its influence on science fiction films, special effects and world cinema.
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Stanley Kubrick - Ein Leben für den Film (2001)
Character: Self
With commentary from Hollywood stars, outtakes from his movies and footage from his youth, this documentary looks at Stanley Kubrick's life and films. Director Jan Harlan, Kubrick's brother-in-law and sometime collaborator, interviews heavyweights like Jack Nicholson, Woody Allen and Sydney Pollack, who explain the influence of Kubrick classics like "Dr. Strangelove" and "2001: A Space Odyssey," and how he absorbed visual clues from disposable culture such as television commercials.
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Il était une fois… Orange Mécanique (2011)
Character: Self
A dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's novel A Clockwork Orange. Where a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.
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Stanley and Us (1999)
Character: Self
Three hapless directors arrive in England from Italy to make a documentary on their idol. The funny thing is, they have no interviews lined up! Not to worry, these guys have a miracle or two that they call in.
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Lost Kubrick: The Unfinished Films of Stanley Kubrick (2007)
Character: Self
He is considered by many the greatest film director the medium has ever known. Yet in a 45-year career, Stanley Kubrick's films number only a dozen. That he strove for perfection is well established. What is less known is that he lavished years of energy on several films that never saw the flickering light of the silver screen. Through interviews and abundant archival materials, this documentary examines these "lost" films in depth to discover what drew Kubrick to these projects, the work he did to prepare them for production, and why they ultimately were abandoned.
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Full Metal Jacket: Between Good and Evil (2007)
Character: Self
Follow Stanley Kubrick as he creates his savage and brilliant Vietnam film, hewing closely to the theme that dominated his creative life for four decades - the duality of human nature. Poised between good and evil, mankind was, in Kubrick's view, a complex creature equally capable of unspeakable savagery and heart-melting tenderness. Full Metal Jacket would make his case in vivid, blood-soaked Technicolor. Through interviews with Kubrick's collaborators and cast members, including Vincent D'Onofrio, Lee Ermey and Adam Baldwin, this documentary reveals how Kubrick's brilliant visual sense, astute knowledge of human nature, and unique perspective on the duality of man came together to make Full Metal Jacket an unforgettable cinematic experience, taking its place in his "war trilogy" alongside cinematic landmarks Fear and Desire and Paths of Glory.
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Work and Play (2017)
Character: Self- Kubrick’s producing partner and brother-in-law
Brings together new personal reflections from Kubrick’s collaborators and unseen materials from his personal archives to shed light on this unique cinematic achievement. The short documentary first played alongside the 2017 re-release in theatres of The Shining.
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Opération Lune (2002)
Character: Self
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
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Stanley Kubrick's Boxes (2008)
Character: Self
A few years after his death, the widow of Stanley Kubrick (1928-1999) asks Jon Ronson to look through the contents of about 1,000 boxes of meticulously sorted materials Kubrick left. Ronson finds that most contain materials reflecting work Kubrick did after the release of "Barry Lyndon" in 1975, when Kubrick's film output slowed down. Ronson finds audition tapes for "Full Metal Jacket," photographs to find the right hat for "Clockwork Orange" or the right doorway for "Eyes Wide Shut" -- thousands of details that went into Kubrick's meticulous approach. Ronson believes that the boxes show "the rhythm of genius." Interviews with family, staff, and friends are included.
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