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Die blonde Christl (1933)
Character: Frau Schröder
Hans, a young journeyman violin maker, meets and falls in love with Christel. But he has to go to Milan for a year. Before he leaves, the two get engaged. Christel's mother, who is against the union, intercepts Hans' letters from Italy.
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Heimat (1938)
Character: Frau der Exzellenz
In 1885, famous New York Metropolitan Opera singer Maddalena dall' Orto is scheduled to perform at a festival in the German residence of Ilmingen. It soon becomes obvious that she is non other than Magda von Schwartze, who left the town eight years ago against her father's wishes to become a singer.
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Solistin Anna Alt (1945)
Character: N/A
Celebrated conservatory graduates Anna and Joachim marry, but since Joachim doesn't seem able to compose anything of value he grows so jealous of pianist Anna's successful cooperation with conductor Westberg that he leaves her.
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Der Majoratsherr (1943)
Character: N/A
A few days before the planned wedding of the chief inheritor von Halleborg, he experiences a terrible blow: his beloved bride Julia has a riding accident and dies of her injuries. Von Halleborg becomes a broken man and chooses not to waste another moment thinking of love -- his heart belongs to Julia ... forever. In doing so, von Halleborg runs the risk of losing his entire estate, for the conditions of inheritance make all to clear that if he does not marry by his 45th birthday, the estate is to be turned over to someone else. Von Halleborg had already made peace with this fact until he discovers that the future lord of the manor will be his nephew Oskar, a selfish and ruthless scoundrel, concerned only with money.
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Die Brüder Noltenius (1945)
Character: N/A
Wolf Noltenius is a real globetrotter. Early on, this talented young man travelled far and wide, where he earned fame as a construction planner. He moved to Brazil; but one day, homesickness got the best of him. He spontaneously travelled back to his hometown to visit his brother Werner and his family. Wolf and Werner, who both went into the same profession, couldn't be any more different: the one is worldly and an experienced man-about-town; the other a small bourgeois.
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Die beiden Schwestern (1943)
Character: Schwester von Adolph Menzel
Berlin, the end of the 19th Century: The pretty sisters Gabriele and Ulrike Wilkens have both completed their ballet training with honors. But only Gabriele is really dedicated to the art; Ulrike, on the other hand, is more the domestic type. She dreams of having a husband and children. One day, both of them get to know the aspiring composer Andreas Holk. Holk falls madly in love with Gabriele without suspecting, that Ulrike is in love with him! He arranges a prestigious engagement for the sisters at the Berlin Opera, which only Gabriele accepts. Ulrike prefers her modest life. When Count Alversheim courts Gabriele with unbridled energy, a disappointed Holk turns to Ulrike. When Gabriele finally comes to her senses, it is too late: she’s lost Holk to her sister.
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Sklaven fremden Willens (1920)
Character: Kommerzienrätin Raven
When doctors fail to cure the young and beautiful Claire Raven, who for inexplicable reasons seems to have fallen under a spell, Professor Mors, an expert in the field of hypnosis, is called in to help.
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Der Demütige und die Tänzerin (1925)
Character: Mrs. Müller-Osten
Toni wants to become an opera-singer. Her mother was once simple chanteuse. Toni marries the brutal industrialist Liesegang. An Italian doctor falls in love with Toni. He want's to see Liesegang dead.
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Fundvogel (1930)
Character: Countess Woyland
Young Jan Bergwall visits his grandmother, the so-called centenary, at Woyland Castle. There he meets his cousin Andrea, who everyone calls "Fundvogel". Jan is fascinated by the young girl's beauty, and soon there is an erotic tension in the air between the two. Although they both have strong feelings for each other, they are afraid to make a commitment, even though their domineering grandmother is determined that they marry. Panicked that he might feel obliged to marry Andrea, Jan escapes from this place. Andrea is deeply disappointed and seeks revenge. Out of spite, she becomes involved with the falconer Bartel and is later raped in a wooden hut. The centigress, concerned about morals and customs, then sends Fundvogel to a convent. She escapes from there and flees into the arms of Jan. When he learns from a letter from the countess what has happened to Andrea, he leaves her a second time. In her despair, Fundvogel then throws herself off a bridge into the floods with suicidal intent.
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Vor Liebe wird gewarnt (1937)
Character: Mutter Hartwig
Watchmaker Furchtegott Palme has three beautiful daughters. The two oldest are as good as engaged. Only Anna doesn’t seem to have a clue how to get acquainted with love. And who would be the right one for that? Her boss, Dr. Hartwig, who invited her to a party or perhaps Fink, the cousin of her friend Mona, whom Anna is supposed to pick up from the rail station? Anna, however, picks up the wrong guy at the rail station, but who seems perfect for her. But then, he disappears again. A pity, Anna thinks. And she ends up at Dr. Hartwig’s party, too. When she shows up all fancy and such for the party, he’s still with General Director Schroll working on an important contract. The next day, Anna meets the “wrong cousin” again. He’s Will Uders, a young and attractive lawyer. This time, Anna’s not letting him get away.
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The Love Waltz (1930)
Character: Grandduchess Melanie
Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).
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Ich hab mein Herz in Heidelberg verloren (1926)
Character: Sophie
The title alludes to the popular 1925 song I Lost My Heart in Heidelberg composed by Fred Raymond with lyrics by Fritz Löhner-Beda and Ernst Neubach. The film taps into the nostalgic reputation of Old Heidelberg.
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Hans Westmar (1933)
Character: N/A
Nazi film about the story of a Nazi Storm Trooper named Horst Wessel--here called "Hans Westmar"--who took part in street brawls and assassinations in Berlin in the 1920s and 1930s against Communists and other opponents of the Nazis, and was killed by Communists not long before this film came out.
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Geschminkte Jugend (1929)
Character: Kuntzes Frau
Based on the real life events of the 1927 Steglitzer Schülertragödie, in which several high school students planned murder-suicides.
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Holzapfel weiß alles (1932)
Character: Frau von Bloemen
An unemployed man who plays a concertina gets involved with a band of crooks and tries to frustrate a kidnapping, in this farcical caper.
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Mädchen am Kreuz (1929)
Character: Frau Lucius
The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.
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Fräulein Else (1929)
Character: N/A
While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.
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Die englische Heirat (1934)
Character: Gerte's Mother
Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).
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Mädchen in Uniform (1931)
Character: Exzellenz von Ehrenhardt - Manuelas Tante (uncredited)
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
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Der Blaufuchs (1938)
Character: Professorengattin
Ilona, the bored wife of an easily distracted professor, falls in love with his friend Tibor, a world-traveler and ladykiller. Although she pursues him, he declines to take advantage of the situation, because she's married to his best friend. Only after her husband shows an interest in a co-worker is it possible for a happy ending to take place for the two new couples.
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Der höhere Befehl (1935)
Character: Majorin Traß
A Prussian commander disobeys orders and goes to find a British envoy who can negotiate a pact with Austria to help fight off Napoleon in 1806.
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