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Yorck (1931)
Character: Feldmarschall Graf Diebitsch-Sabalkanskij
The story of General Yorck von Wartenburg, a commander in the army of Prussian King Wilhelm, who defied the king's orders for the Prussian army to join Napoleon in his invason of Russia.
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Wie sag' ich's meinem Mann? (1932)
Character: Hugo Brickner
The film starts in the fashionable seaside resort on the Baltic, Heringsdorf, where Renate Müller spends a secret weekend away from her husband with her bosom friend Ida Wüst. The husband meanwhile has a flirtation while traveling by night train from Frankfurt to Berlin, nice atmospheric shots of sleeper and dining car in the morning. The action continues in the luxury villas and apartments of Berlin, Renate Müller wears a string of very elegant outfits. Misunderstandings, jealousies, temporary separation of husband and wife, a few songs, wicked humour.
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Carrefour (1938)
Character: German doctor (uncredited)
A wealthy industrialist, Roger de Vetheuil, married, feels assured of aging in peace. Then appears a blackmailer who accuses him of being a usurper, actually called Jean Pelletier, a mobster well known to police. Vetheuil, judging himself slandered, refuses to listen to his tormentor and goes to the police. The man speaks. The scandal is public soon ...
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Kleine Mutti (1935)
Character: Max Berkhoff
A girl from a boarding school finds a baby and has to keep it because she seems to be the real mother to everyone.
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Kind, ich freu' mich auf Dein Kommen (1933)
Character: Der Konsul
Portrait photographer Lu Tiemann owns a white wire-haired terrier named "Stork." For Lu, the charming dog has a very specific purpose: to either jump into parked cars with men at the wheel, thereby attracting their attention, or to hide inside the car and emerge while it's moving – with the same result. When the driver then wants to get a closer look at the "crazy" dog, the following inscription can be read on his collar: "My name is Stork, owned by Lu Tiemann, Regentenstrasse 17." Many well-to-do gentlemen fall for this approach, such as a portly consul or a factory owner and privy councillor, next to whom "Stork" brazenly positions himself on the passenger seat.
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Die Nacht gehört uns (1929)
Character: N/A
During a test run for a large race in Sicily the racing car driver Bettina Bang gets into an accident and is saved by a secretive person unknown to her. It later turns out that the unknown man is the race car driver Harry Bredow.
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Salto Mortale (1931)
Character: N/A
Robby and Jim are two friends working in a circus. When Marina, a new acrobat, enters the show, both men will compete for her love. She needs a partner for a flying number, and one of them will be elected. Then accidents will happen.
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Das letzte souper (1928)
Character: Tenas
The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I
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Die Abenteuer eines Zehnmarkscheines (1926)
Character: Mister Fischer
Anna receives her first weekly wage: a ten-mark note with the no. K 13513. She gives it to her mother, who hides it in her Bible. Anna's brother Robert steals the note and uses it to buy a knife with which he becomes a murderer.
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Hokuspokus (1930)
Character: Rechtsanwalt Dr. Schüler
Kitty Kellermann is set to appear in court on suspicion of murder. She is accused of killing her husband. Strangely enough, Peter Bille, who suddenly shows up, confesses to the crime of his own accord, but manages to escape shortly afterward. An adaptation of the play Hokuspokus by Curt Goetz.
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Der große Bluff (1933)
Character: Otto Pitt, Generaldirektor
During a spectacular break-in at the villa of film star Marion Milner, the jewel thieves fortunately only manage to get their hands on imitations of the valuable jewelry. The police suspect the notorious master thief Silver-Jim, whom they have long been after. The commotion surrounding the break-in comes in quite handy for film producer Otto Pitt, who is currently shooting a crime film, as he hopes it will generate some free publicity for his project.
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Gruß und Kuß - Veronika (1933)
Character: Max Becker, ein Geschäftsfreund
Veronika, employed in a flower shop, has the habit of leaving flowers with a note -"Gruss und Kuss, Veronika (greetings and a kiss, Veronika)" to a special client she has fancied about. But he has the habit of sending flowers to an array of women. This puts her into action to prevent it, causing misunderstandings that will later have to be solved -somehow.
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Der kleine Seitensprung (1931)
Character: August Wernecke, Fabrikant
A wife believes her husband has been deceiving her and decides to have some fun at his expense. After a bit of mischief, her husband, a lawyer who is preparing a divorce for a client, decides to start divorce proceedings himself. The wife then realises she has gone too far.
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Marion, das gehört sich nicht (1933)
Character: Direktor Satorius - Seifenfabrikant
A young painter in the academy hires as a model the daughter of a rich soap manufacturer and has her pose for a work based on the biblical Susannah and the Elders, which almost causes a scandal.
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Sag' mir, wer Du bist (1933)
Character: Harry Reimers
The star of an operetta is engaged to its elderly director but really loves a dashing young Bavarian she met at a masked ball.
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Das häßliche Mädchen (1933)
Character: Direktor Mönckeberg
An unattractive secretary is hired so the men in the office will focus on their work, but comic complications ensue.
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Der Himmel auf Erden (1927)
Character: Louis Martiny
Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
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Seitensprünge (1931)
Character: Uncle Emile
When both husband and wife find romance outside their marriage, it's a shock to everyone. Robert and Annemarie break up to elope with their respective lovers, only to be thrown together again when they show up at the justice of the peace.
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Der Hampelmann (1930)
Character: Clamotte
Herr Eickmeyer is a wealthy parfumier: well past middle age, and stout with it. His blonde wife Lissy is much younger, pretty and vivacious. Since Eickmeyer can't keep up with his young wife, he commissions a companion for her in the form of a life-sized talking clockwork man, purchased for 5,000 deutschemarks ... to be shipped to his home immediately it's assembled.
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Die keusche Susanne (1926)
Character: Charency
Naughty Susanne leads an exciting double life between her hometown and Paris: in the provincial nest she is considered the ever virtuous and down to earth girl, while in the cosmopolitan city she always escapes to, she is the queen of the night, sophisticated and seductive. In Paris, she meets René and begins to recruit him, but she has a noble competitor: Jacqueline. A spirited love triangle begins, complicated by the interventions of uncomprehending moral preachers. Their befitting final finds the story in the Moulin Rouge.
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Bubi (1937)
Character: Muck
When Otto Wallburg and Szöke Szakall, as selfless taxi drivers, engage in both sentimental and comical duels over a little boy, at least the world of comedy remains intact.
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Viereinhalb Musketiere (1935)
Character: Bender, Klavierspieler
A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.
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Die Königin einer Nacht (1931)
Character: Gaston Molneau
A navy lieutenant contemplates suicide in his despair but then meets a beautiful stranger, who turns out to be a princess.
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Das Lied ist aus (1930)
Character: The Baron
Operetta diva Tilla Morland is celebrating her latest stage success with her friends at the Carlton Bar. At everyone’s request, she begins to sing the show’s main hit. While she is singing, a young man ostentatiously leaves the bar. Tilla cannot forget this incident, which she finds outrageous, and to her surprise, she recognizes the very same patron in her newly hired secretary, Ulrich Weidenau.
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Liebe im Kuhstall (1928)
Character: Wenzel
An impoverished nobleman would rather chase after the local milkmaid than seek a wealthy match, to the chagrin of his family.
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Was Frauen träumen (1933)
Character: Kleinsilber
In this pre-WWII German mystery-comedy, a lovely kleptomaniac with a taste for fine jewelry is unable to resist temptation. Strangely, every time she steals something, a mysterious man pays for it. A clumsy detective begins investigating and finds a crucial clue: a strongly scented woman's glove. The perfume is an expensive scent and the detective's pal realizes that it belongs to a popular nightclub singer. The friend quickly becomes enamored of the girl, but then so does her mystery man, a notorious international criminal. Eventually he gets arrested, leaving the detective's pal to move in on the singer.
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Opernredoute (1931)
Character: von Arnolds - Helgas Vater
The Opera Ball (German: Opernredoute) is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade, although the film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
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Der rote Kreis (1929)
Character: Marl
Police battle against a gang of blackmailers known as The Crimson Circle.
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Bretter, die die Welt bedeuten (1935)
Character: Direktor Petermann
Paul loves actresses but avoids to get hitched. Businesswoman Katja manages to get a singing part on stage, this way attracting him to her. Deli employee Franz is mistaken for an actor and gets a leading part - with disastrous results.
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Wenn die Soldaten.. (1931)
Character: General von Plessow
When the Soldiers is a 1931 German comedy film directed by Jacob Fleck and Luise Fleck and starring Otto Wallburg, Gretl Theimer and Ida Wüst.
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Der schwarze Husar (1932)
Character: Le Gouverneur Darmont
In 1812, during the French period, large parts of Germany are occupied by the troops of Napoleon. Several paramilitary Freikorps units battle the French forces, among them the Black Brunswickers led by the 'Black Duke' Frederick William of Brunswick-Wolfenbüttel. After the War of the Fifth Coalition, the Black Hussars are pursued by Napoleon throughout the country, but frequently take refuge with the noble-minded German people.
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Ball im Savoy (1935)
Character: Verleger Haller
Operetta star Gitta Alpar plays a singer engaged for a performance at the Savoy Hotel, where she mistakes Baron von Wollheim for a waiter. But the baron is content to play the game for a while and changes his role with the real waiter. Of course the singer is quite happy when she discovers the real identity of the baron, but now she mistakes him for a thief, as her necklet has gone missing. Further complications arise when the baron's cousin Mary, a composer, arrives at the hotel and wants a music publisher to listen to her songs.
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Das Lied einer Nacht (1932)
Character: Pategg
He was known as Anatole Litvak during his Hollywood directorial career, but he was still Anatole Litwak when he helmed the German musical Das Lied Einer Nacht (The Song of Night). Famed Polish tenor Jan Kiepura stars as famed Italian tenor Ferraro. Escaping from his tyrannical manager, Ferraro switches identities with a young tourist (Fritz Schulz) and goes off on an unscheduled Swiss holiday. Still travelling incognito, our hero falls in love with a winsome mountain girl (Magda Schneider). Alas, both his romance -- and his freedom -- are placed in jeopardy when it turns out that the charming young fellow with whom Ferraro traded identities was actually a notorious swindler. Anatole Litvak also directed the English-language version of Das Lied Einer Nacht, Be Mine Tonight
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Peter, das Mädchen von der Tankstelle (1934)
Character: Mr. Zöllner, garage-owner
Starring Francisca Gaál in a breeches role. Dressed as a boy, a street musician gets a job pumping gas. When s/he starts to have feelings for her patron, watch out for complications in this comedy shot in German in Budapest.
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Ihre Majestät die Liebe (1933)
Character: Othmar von Wellingen - Fred's brother
Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.
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Bomben auf Monte Carlo (1931)
Character: Ministerpräsident
The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.
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Hans in allen Gassen (1930)
Character: N/A
A bold crime caper about muckraking journalist Hans Steindecker, who happens to witness a spectacular murder. Shortly afterwards, he makes the acquaintance of Nelly who desperately wants to leave the country and asks for Steindecker′s assistance. Without giving a second thought, he agrees, and only after Nelly has disappeared does he realize that the young woman duped him.
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Alles für die Firma (1935)
Character: Emmerich Liebling
Familial disputes surrounding a traditional business. Grandfather Sonndorfer allies himself with his grandson Otto, in order to bring his arrogant son Max on the right path. Between the fronts is Emmerich Liebling, the intriguing messenger.
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Wer nimmt die Liebe ernst (1931)
Character: Speculator Bruno
Max Hansen and Willi Schur play two small-time criminals who steal dogs from their owners in the hope that they will get a reward. When the police catches them at their 'work', Hansen flees and gets into the apartment of Jenny Jugo, who takes a liking to the man and pretends that he's her boyfriend. Her landlady isn't amused, and so our heroine loses her rooms and moves in with Hansen. The two of them soon become lovebirds, of course. But when they later go to an entertainment park and Jugo takes part in a beauty contest, trouble arises...
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Der Kongress tanzt (1931)
Character: Bibikoff, sein Adjutant
An Austrian prince hatches a plan to keep his rival, the Russian czar, busy by keeping him surrounded by beautiful women and away from the negotiating table. The Czar, however, has his own plan—he hires a man who is his exact double to impersonate him and confuse the Austrians by appearing to be everywhere at once. In addition, both the Czar and his double fall for the same woman.
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Dr. Bessels Verwandlung (1927)
Character: N/A
A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.
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Dr. Bessels Verwandlung (1927)
Character: French Sergeant
A German soldier lies wounded on the front line in the First World War. To avoid capture or death, he assumes the identity of a fallen French officer. As the German soldier happens to speak fluent French, nobody realizes the deception. The soldier begins a new life in Paris, yet remains in constant fear of being exposed as the ‘enemy’.
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