|
L'arte della commedia (1978)
Character: N/A
Oreste Campese is the leader of a traveling troupe of actors—made up of his family—who find themselves in the middle of winter in an unspecified town in central Italy. During the prologue, Campese recounts the events leading up to the present: the troupe has suffered the misfortune of losing their "shed," a mobile theater structure that was destroyed by an accidental fire. The flames spared only the boxes of props and costumes, which were opportunely saved.
|
|
|
Uomo e galantuomo (1975)
Character: Florence
Guests of the wealthy young Don Alberto De Simone, the ramshackle troupe of actors known as "L'eclettica," led by Gennaro De Sia, rehearse a new play in an attempt to redeem themselves after the fiascos of their previous performances. The "rehearsals" are interrupted by the arrival of Salvatore, brother of Viola, an actress who is expecting Gennaro's child and who wants to force the man to act like a gentleman and marry her.
|
|
|
'Na santarella (1975)
Character: N/A
Happy Sciosciammocca has a double life: he plays sacred music in the convent of Rondinelle and teaches music to the educators, at night he goes to Naples where he is known as the actor.
|
|
|
Il cilindro (1978)
Character: N/A
The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.
|
|
|
L'oro del mondo (1968)
Character: Client of Grocery
The son of a rich industrialist forces a woman to become his fiancée by threatening to bankrupt her parents — until an unlikely hero steps in.
|
|
|
I nuovi mostri (1977)
Character: Una componente del cordoglio funebre
A collection of dark-humoured vignettes, including tales of a cardinal with a liberal congregation, a motorist and a hitchhiker, mentally challenged tramps, parents contemplating their daughter's participation in a pornographic film, and a conniving husband.
|
|
|
Il postino (1994)
Character: Donna Rosa
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
|
|
|
Sabato, domenica e lunedì (1990)
Character: N/A
A mature mother of several children is concerned that her beloved husband is losing interest, so she does her best to provoke some jealousy in him.
|
|
|
L'amico del cuore (1998)
Character: Vecchina sorda
Roberto is a doctor in a small town near Naples. He suffers from a severe heart disease and he is heading toward an American hospital for a dangerous surgery with little or no hope of surviving. Therefore he talks to his best friend since childhood, Michele, a columnist at the local newspaper, explaining his last and long-wanted desire: having sex once with his Swedish beautiful wife, Frida.
|
|
|
|
|
Brutti, sporchi e cattivi (1976)
Character: Matilde
Giacinto lives with his wife, their ten children and various other family members in a shack on the hills of Rome. Some time ago he has lost his left eye while at work, and got a consistent sum of money from the insurance company, which he keeps hidden from the rest of the family. His whole life is now based on defending the money he sees as his own, while the rest of the family tries to kill him.
|
|
|
Natale in casa Cupiello (1977)
Character: Carmela
Luca Cupiello, like every Christmas, prepares the crib, amid the disinterest of his wife Concetta and his son Tommasino. Ninuccia, the other daughter, writes a letter to her husband in which she communicates that she leaves him for her lover. The letter happens in the hands of Luca who hands it over to his son-in-law, who thus learns of his wife's betrayal. During lunch on Christmas Eve, the two rivals, who were confronted by Luca's carelessness, clash violently.
|
|
|
La pelle (1981)
Character: N/A
Based on the memoirs of author Curzio Malaparte, diplomatic liaison between the Allied and Italian forces after the defeat of the Nazis in Italy, The Skin follows the collapse of Italian society under the US occupation and the desperate measures required for survival.
|
|
|
Immacolata e Concetta, l'altra gelosia (1980)
Character: Sisina
A love story between two women in the Naples outskirts, a universe so far away from the glare of modernity, turbid, rural, completely naked in its ugliness and sorrow, where "people are talking".
|
|
|
Ho visto le stelle (2003)
Character: Nonna di Antonio
The young Antonio wants to participate in a reality show and leaves Naples for Milan with his best friend Eugenio.
|
|
