|
La noche es nuestra (1952)
Character: Espectador teatro (uncredited)
Journalist meets an unforgettable woman, tracks her down and discovers all her tragic past.
|
|
|
Misericordia (1953)
Character: Policía (uncredited)
Faded rich family has a housekeeper who struggles to keep them fed and comfortable after their fortune disappears; she also sacrifices herself on behalf of sick and disabled friends.
|
|
|
No niego mi pasado (1952)
Character: Cliente tienda (uncredited)
This is a film by Alberto Gout that deals with the story of a marriage in crisis. It all starts when Leonardo surprises his wife Susana with her lover and threatens him with death for stealing her.
|
|
|
El sol sale para todos (1950)
Character: Zamora (uncredited)
A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.
|
|
|
Si usted no puede, yo sí (1951)
Character: Hombre cantina (uncredited)
Out-of-work actor and his burglar pal get jobs at an agency that pledges to do things the client doesn't want to deal with. Meanwhile, their boss is being stalked by seven Italian brothers who want revenge for something that happened to their great great grandfather.
|
|
|
Los pistoleros (1962)
Character: Hermano Martínez
The Jiménez brothers and their allies lead an operation to combat a gang of criminals who have the region under a regime of terror. The bloody confrontations begin to produce the first fatalities.
|
|
|
El amor llegó a Jalisco (1963)
Character: Ganadero
In a small Mexican town, two rival groups clash over water irrigation rights. While the local priest attempts to mediate, his nieces charm the landowners' sons to force a peaceful resolution.
|
|
|
|
|
Espejismo de la ciudad (1976)
Character: Esbirro de Gastón (uncredited)
Family from a farming community move to the capital and lose their moral compass.
|
|
|
Rondalla (1949)
Character: Esbirro de Miguel (uncredited)
A woman who has been raped (Alicia Neira) sets out to rebuild her life with another man (Luis Aguilar), but the bandit who assaulted her (Enrique Zambrano) stands in her way.
|
|
|
Vino el remolino y nos alevantó (1950)
Character: Militar (uncredited)
Three generations of a stable, middle-class family in the capitol are scattered to the four winds by blowback from the Mexican Revolution.
|
|
|
Bajo la influencia del miedo (1956)
Character: Inspector (uncredited)
Tony Carpio becomes a dangerous criminal and gains power by fixing boxing matches while seeking revenge on the ones who sent him to serve 5 years in jail, this includes his former lover, the rapacious Marbella.
|
|
|
¡Ay, Jalisco no te rajes! (1965)
Character: Hombre en cantina (uncredited)
A man hated by his father and in love with a beautiful woman whose brothers do not approve of the relationship and persecute him.
|
|
|
Tan bueno el giro como el colorado (1959)
Character: N/A
Two rodeo competitors from neighboring towns get all up in each other's business in the weeks before a big local competition. So do their respective manservants and the priests for each one's parish. Lotta competitive ructiousness going on.
|
|
|
La extraña pasajera (1953)
Character: Militar (sin créditos)
During a long train trip, the Police has discovered jewelries in the personal bag of an actress, but she turns out to be innocent.
|
|
|
Asesinos de la noche (1957)
Character: Policía (uncredited)
A man orders an enemy to be killed, but the order is not carried out. Filled with rage, he murders the thug and pursues his rival.
|
|
|
|
|
Cuatro noches contigo (1952)
Character: Agente Policía (uncredited)
Traveling salesman meets a young woman who's running away from home, and helps her evade detectives who are tracking her.
|
|
|
|
|
El lobo blanco (1962)
Character: Empleado de Alejo
A new sheriff rids his town of bandits and puts everything in order.
|
|
|
Pa' qué me sirve la vida (1961)
Character: Esbirro (uncredited)
A property owner dies from shock after his opponent tricks him into thinking his land was legally seized.
|
|
|
La bestia magnifica (1953)
Character: Policía
Two very good friends become wrestlers to leave poverty behind, but the arrival of an ambitious woman will tragically change their destinies.
|
|
|
Museo del Horror (1964)
Character: Policía (uncredited)
A mysterious killer abducts girls off the street and covers them in wax. Graverobbers and poison darts also feature as our heroine discovers which of the men in her life is the psycho.
|
|
|
El tragabalas (1966)
Character: Perpetuo Gómez (uncredited)
Piporro doesn’t need to use his gun to get away with murder.
|
|
|
El club de los suicidas (1970)
Character: Police agent
Enrique lives in the midst of danger until he falls in love with a girl and learns to appreciate the little things in life. However, a series of strange situations unfold before him towards his own death, which he must deal with.
|
|
|
Ladrón de cadáveres (1957)
Character: Policía
A detective and his cowboy friend team up to stop a mad scientist who is stealing the bodies of murdered wrestlers, and bringing them back to life while electronically replacing their minds with those of animals to make them stronger and live longer. Posing as a successful masked wrestler, the cowboy quickly attracts the attention of the scientist and his henchmen as their next experimental subject...
|
|
|
Juana Gallo (1961)
Character: Rebel assassinated by Juana Gallo
Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.
|
|
|
Enigma de muerte (1969)
Character: Carson
Mil Mascaras investigates a nest of fifth-columnists operating out of a carnival led by a Nazi attempting to resurrect the Third Reich posing as a circus clown.
|
|
