|
|
|
Around Jean Cocteau (2003)
Character: Interviewee
A short video by filmmaker Noel Simsolo discussing Jean Cocteau and Jean-Pierre Melville’s creative relationship and the production of the 1950 film LES ENFANTS TERRIBLES.
|
|
|
|
|
|
|
L'Homme aux cheveux bleus (1989)
Character: Self
From the first meeting with the critic Louis Marcorelles to his last interview in Cahiers du cinéma, a portrait of Glauber Rocha, a leading figure of Cinema Novo, enriched with testimonies from his close friends such as Juliet Berto and Christiana Tullio Altan.
|
|
|
Toutes ces belles promesses (2003)
Character: Visiteur
Marianne, a young cellist discovers that her father had a mistress who is still alive. Her journey to find this mysterious woman takes her to places and people from her childhood that she thought she'd left behind forever.
|
|
|
Guillaume et les sortilèges (2007)
Character: N/A
Contemporary Paris, mid-July. Guillaume arrives in the capital to caretake a large apartment until the end of the summer. Lucie, the apartment’s owner, and a friend of his mother’s, welcomes him… then suddenly disappears.
|
|
|
Cauchemar (1980)
Character: N/A
A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.
|
|
|
La Cabale des oursins (1992)
Character: (uncredited)
A travelogue of abandoned strip mining sites in France extolling their potential for recreational use.
|
|
|
2 ou 3 choses que je sais d'elle (1967)
Character: Roger
As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.
|
|
|
|
|
Morceaux de conversations avec Jean-Luc Godard (2009)
Character: Self
In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Luc Godard’s conversations with Dominique Païni, Jean Narboni, André S. Labarthe, Jean-Marie Straub, Danielle Huillet and Christophe Kantcheff were filmed at his home in Rolle, in his study, at the Fresnoy National Studio for the Contemporary Arts (in front of students) and in the exhibition rooms of the Pompidou Centre.
|
|
|
L’hypothèse du tableau volé (1978)
Character: Character of Paintings
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
|
|
