|
Le Friquet (1914)
Character: Comte Hubert de Ganges
Tells the tragic story of a young trapeze artist (Polaire) abandoned and found by a clown when she was a baby.
|
|
|
Vogue, mon coeur (1935)
Character: N/A
Ginette is always squabbling with her mother and she cannot take it any more. One day, she asks Jim Ashbury to intervene and this is how the son of a wealthy lord gets involved in the life of a pretty Jane Doe. Charmed by Ginette, Jim invites her to a cruise on the Mediterranean. It does not take long before Cupid sends his arrows at the two young people but things are not so simple for all that. Jim indeed fears Ginette might want to marry him for money, which is totally wrong. Fortunately, Lord Ashbury manages to persuade his stubborn son of his error.
|
|
|
Vers l'abîme (1934)
Character: The Ambassador
The dramatic story of a military attaché, in a European embassy who will sign a fake check, in order to recover important secret documents that have been stolen from him.
|
|
|
Les gaîtés de l'escadron (1913)
Character: Le général
The Twins, regular bad men of the regiment, have been condemned to the military prison, and it goes much against the grain of the kind-hearted Captain Hurluret to see these poor fellows confined to their cells. His leniency toward them, however, is speedily taken advantage of with most amusing results.
|
|
|
|
|
|
|
Le Bébé de l'escadron (1935)
Character: Commandant of Gondrecourt
A young woman is seduced by a soldier whose name she does not know. Pregnant, she asks the colonel to review the squadron in order to recognize him.
|
|
|
Le Billet de mille (1935)
Character: Russian prince
The tribulations of a banknote, from its exit from a counter to its destruction, passing through dozens of hands.
|
|
|
|
Le dernier pardon (1913)
Character: N/A
No plot available. The director Maurice Tourneur perceived this film to be indicative of the advances French cinema could have taken had it not been derailed by World War I.
|
|
|
|
|
Figures de Cire (1914)
Character: Pierre de Lionne
A man does not know what fear is. His good friend dares him to spend one night in a scary place. A house of wax will get the job done.
|
|
|
La bergère d'Ivry (1913)
Character: Le Comte de Granval
Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.
|
|
|
Café de Paris (1938)
Character: L'ambassadeur
This murder mystery is set in a Parisian cafe and examines the mysterious murder of a famed journalist and extortionist who is killed at his table in the cafe. Though the prime suspects are gathered together( including his wife and her lover, the gun-runner, the creditor, and a playboy) and all of them have motives, none of them did it. So whodunit?
|
|
|
Deuxième bureau contre kommandantur (1939)
Character: Le général allemand
In 1917, in a small village in the North, Abbe Gaillard is suspected by the Germans of facilitating the escape of French and Belgian soldiers. A false alibi makes him innocent and he can thus continue his mission, thanks to the devotion of an Alsatian who, in enemy uniform, obscurely serves his country.
|
|
|
Le Torrent (1917)
Character: Alban Stary
"A charming story of a young society girl and the pathetic love of a youth..." Considered a lost film.
|
|
|
Les Nouveaux Messieurs (1929)
Character: Comte de Montoire Grandpre
The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. In love with gorgeous ballerina Suzanne (Gaby Morlay), Gaillac must play second fiddle to Suzanne's wealthy "protector," powerful politician Count Montoire (Henry Roussell). When the Opera personnel go on strike, Gaillac is appointed leader of the strikers, doing his job so well that he is ultimately elected Secretary of Labor in the French cabinet. Now on equal footing with Montoire, Gaillac is at last a "worthy" suitor for Suzanne -- who can't make up her mind between her two well-connected admirers, leading to a political rivalry the likes of which Paris has never seen. This harmless political satire ended up being banned by the French government for undermining "the dignity of Parliament and its ministers". (moviefone.com)
|
|
|
L'École des cocottes (1935)
Character: Racinet
Ginette, a Parisian seamstress, lives poorly but happily with her musician lover. When Count la Ferronnière offers to teach her the manners and behaviours that will open her the doors to a richer world, she quickly chooses wealth over love.
|
|
|
Les gaîtés de l'escadron (1932)
Character: General
Based on the popular stage play by Georges Courteline. The film is set in 1885. It focuses on a group of troops, a mix of regulars and reservists, and their different responses to the daily military routines. A crisis emerges when a General pays a visit while two deserters are still absent.
|
|
