|
Das Spiel mit dem Feuer (1921)
Character: Lucia Tosti, die berühmte Schauspielerin
A method actress likes living out the roles she is playing in real life. To prepare for her new play, she enters the criminal underworld and ends up being implicated in a burglary of a Duke who is one of her suitors. The film was shot at the Babelsberg Studios in Berlin. The film received a generally positive reception from critics, although some were doubtful about the blending of farce and tragedy.
|
|
|
Miss Dorothy (1920)
Character: Thea Northingham a.k.a. Dorothy Chester
Miss Dorothy is a strange type of tutor, whom the old Duchess Sangro chose to educate Mara, her distant relative, a very rich orphan, with a capricious and rebellious character.
|
|
|
Manon Lescaut (1940)
Character: N/A
Manon escapes with the young nobleman Des Grieux, then becomes a high-class courtesan and finally forced to exile to America.
|
|
|
|
|
Трагедия двух сестёр (1913)
Character: Lyudmila / Varya
Two sisters are separated as infants after their father leaves their mother. One grows up with her father in privilege and the other grows up in hardship with her mother.
|
|
|
Oltre la vita, oltre la morte (1916)
Character: N/A
Only a brief fragment survives from the beginning of this film, which seems to be a moving romantic melodrama: Diana Karenne plays the piano surrounded by a group of admirers in evening dress. She is a beautiful and slightly spoiled heiress, the kind of woman for whom Italian silent cinema reserved unfortunate turns of fate in order to elevate her to the status of tragic heroine. Even the few minutes remaining make clear that she proposes her own reinterpretation of the genre’s themes and motifs: from astonished grief over her father’s death to desperate wanderings through dark and impoverished alleyways. It is an expressive palette around which Pasquali weaves his discreet direction, paying particular attention to lighting effects.
|
|
|
Sophy of Kravonia; or, The Virgin of Paris (1920)
Character: Sophy
Sophy, a kitchen maid, has her fortune told by a gypsy, who sees something shiny over Sophy's head: a sword, or perhaps a crown. Sophy then sets out for Paris, where she gains employment with the Zerkovitches. As war breaks out, she returns with them to Kravonia. There, Sophy meets Crown Prince Sergius and saves him from assassins, who plot to overthrow the dynasty and place Alexis, the son of the ailing king's wife, on the throne.
|
|
|
Eine Frau von Format (1928)
Character: Princess of Silistria
A sparkling Ruritanian comedy starring two great actresses: Mady Christians is an ambassador who needs to outwit a rival diplomat and find favor with the princess of Silistria, played by Diana Karenne.
|
|
|
|
|
Le collier de la reine (1929)
Character: Marie-Antoinette / Olivia
Adaptation of Alexandre Dumas's novel 'The Queen's Necklace' which portrays the Affair of the Diamond Necklace which occurred before the French Revolution.
|
|
|
Rasputins Liebesabenteuer (1928)
Character: Zarin
Portrays the deep intrigue and mystical fanaticism of the last days of the Romanoffs, when Rasputin, the mad monk had such a hold over them.
|
|
|
Casanova (1927)
Character: Maria Mari
Republic of Venice, 1760. Pursued by a vengeful husband, the intrepid womanizer Casanova, who symbolizes the decline of the city and its fall into debauchery, manages to escape and, by a circuitous route, arrives in Saint Petersburg, where he will be involved in the many plots that threaten the throne of Czar Peter III…
|
|