|
অমৃতকুম্ভের সন্ধানে (1982)
Character: N/A
The film documents one of the largest Indian religious fairs, the Kumbh Mela, which is held at the confluence of the rivers Ganges, Yamuna and Saraswati. The action is seen through the eyes of Shubhendu Chatterjee who has come to the Mela not out of any religious sentiment but to see and understand people and seek the reason why “….multitudes upon multitudes of the old and weak and the young and frail enter without hesitation or complaint upon such incredible journeys and endure the resultant miseries without repining.” (Mark Twain after visiting the 1895 Mela)
|
|
|
নীল আকাশের নিচে (1959)
Character: N/A
Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.
|
|
|
জতুগৃহ (1964)
Character: N/A
Madhuri cannot bear a child yet her husband Shatadal is fond of children. They decide to part ways but years later when they meet in a railway station they realize their fondness for each other hasn't died.
|
|
|
কাঁচ কাটা হীরে (1965)
Character: N/A
Subrata joins his father's business that he quits due to ideological differences. What awaits his fate now?
|
|
|
আতঙ্ক (1986)
Character: N/A
A teacher witnesses a murder committed by his ex-student, who restricts him from giving his statement to the police. An atmosphere of terror ensues and the teacher must decide if to muster courage and approach the police at a personal loss.
|
|
|
উত্তরায়ণ (1963)
Character: Latu
Prabir goes to war where he meets his doppelganger, Rataneshwar, who eventually dies in combat. Prabir decides to visit Rataneshwar's family to inform them about his death but the family mistake him for Rataneshwar.
|
|
|
কালামাটি (1958)
Character: N/A
The first film to deal with life in creches in coalmine areas.
|
|
|
ଶ୍ରୀ ଲୋକନାଥ (1960)
Character: N/A
Dr. Ajay Patanayak, a doctor by profession doesnt believe in the existing of God. His wife Basanti having no child has immense faith in God. She is also deeply attached to his brother in law Bijay. Laxmi, a neighbor has love interest with Bijay. Bijay visits Puris Sri Lokanath Temple for blessing with a hope to his sister in law gets a son. Basanti becomes pregnant and delivers a son. The happy family named the child as Lokanath after the deity. As Lokanath grows up, Bijay feels neglected by the family and leaves the house. Bijay becomes a tutor in Jaipur. In the meanwhile his love interest Laxmi marries to a Zamindar named Surya of Puri. Three year elapse, Basanti and his husband in Puri to offer oblation to Lord Sri Lokanath but they are however prevented from visiting the temple by a storm. The child Lokanath is bitten by a snake and his body is taken to cremation ground.
|
|
|
অগ্নি সংস্কার (1961)
Character: N/A
Rajat and Dhiren are at odds with each other when the board decides to replace the latter with the former. Things take a turn when Dhiren decides to seek revenge for his humiliation.
|
|
|
ন্যায় অন্যায় (1981)
Character: N/A
This Bengali Feature Film centers around a socially conscious author reaching the end of his life and creative career. As his last wish, he decides to know the 'truth' about the inmates. The film unfolds the struggle for the existence of the deprived by the privileged class.
|
|
|
বৈকুণ্ঠের উইল (1985)
Character: N/A
Businessman Baikuntha remarries after the death of his wife and is blessed with a second son. Years later, he leaves his wealth to his wiser elder son, which causes friction between the two brothers.
|
|
|
সজারুর কাঁটা (1974)
Character: Ajit Bandyopadhyay
A 1974 Byomkesh Bakshi film based on the novel of the same name by Sharadindu Bandyopadhyay.
|
|
|
পাকা দেখা (1980)
Character: N/A
Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.
|
|
|
হারানো সুর (1957)
Character: Manager
An amnesiac man escapes the hospital he has been admitted to and is aided by doctor Roma Banerjee, who takes him to her father's country house. While treating him she falls for him and he for her. They marry, but an accident makes him remember his life as a rich man in Calcutta and completely forget the time spent with Roma. Roma follows him to Calcutta.
|
|
|
Surya Sikha (1963)
Character: Dr. Ghosh
Dipto Roy (Uttam Kumar) returns to India after completion of his F.R.C.S. in London. He begins work at a village hospital, is an outstanding and devoted doctor and works hard to improve the hospital. He falls in love with the nurse, Achena (Supriya Devi) and they marry. His plan is that by working together they'll make the hospital well known for its excellence. But after marriage she wants to devote her time to the home and having children. This causes a bitter split between them and they separate.
|
|
|
রাতের রজনীগন্ধা (1973)
Character: N/A
After her father’s death, Anuradha Chowdhury became very upset. In such circumstances, Mr. Mallik, the general manager of Chowdhury Mines, tried to manage every property of their family. He convinced everyone that Anuradha was a mental patient. Suddenly she got a chance and flew away from Rachi to Kolkata. Accidentally Anuradha met Raja Banerjee, a journalist, and requested shelter. As a result, she started to stay at Raja’s house. In such a situation, Mr. Mallik came to Kolkata and asked for help from Raja. This complex situation really confused him and later Raja decided to help Anuradha. At the same time, Mr. Mallik requested a notorious criminal Rohanlal to find Anuradha. Just to save Anuradha Raja put her at his grandmother’s house in Tarakeshwar. Later Anuradha felt that she had a soft corner for Raja. Therefore, without hesitation, she decided to come back to Raja’s place and fixed him as his life partner.
|
|
|
গলি থেকে রাজপথ (1959)
Character: Police Inspector
Raja was a professional thief who went to jail for a crime. His very close assistant Bhola waited for him and when Raja returned from prison, they started planning a bigger one. One day a family came to their locality. Within a few days, Raja and Bhola became closer to that family. Mala was the only female earning member and she worked in theatre. Raja did not disclose his real identity and tried hard to impress her a lot. In the meantime, a tout Gobardhan nagged Mala a lot to join films. Raja and Bhola gave him a good punishment and saved Mala in several situations. Later Raja tried to cheat a businessperson, but an unavoidable situation changed his life. At last, Mala came to know everything about Raja and accepted him as her partner. Raja also decided to change his life and put his best effort into becoming a good man. He meets Mala and asks her to forgive Raja. Raja once again regains Mala's love and the film ends on a happy note.
|
|
|
দুই ভাই (1961)
Character: N/A
Two brothers, Utpal (elder) and Kamal (younger), love each other. They have both seen hard times since their childhood because their parents died early. Utpal, being the elder, became the guardian of Kamal. Now that Kamal is an adult, he fights for his freedom and choices. The generational gap builds a wall of separation between them. Will their fight ever resolve?
|
|
|
শশীবাবুর সংসার (1959)
Character: N/A
Sashibhushan who is the orthodox patriarch, has a tough time dealing with the youngsters who want to live life on their own.
|
|
|
পদ্মা গোলাপ (1970)
Character: Senior Police Officer
Ramakanta is a businessman whose wife Lata dies under mysterious circumstances. Lata had adopted Rita, the daughter of Mamata, as she was childless. Lata writes a letter to Mamata before her death and Mamata comes to probe her death and prove that Ramakanta was behind it. Tapas Roy, an investigative officer joins Ramakanta’s office. Police are suspicious that Ramakanta deals in drugs. Ramakanta owns a deserted fort that is haunted and a mysterious woman figure is seen roaming there and singing. Mamata reaches Ramakanta’s town with her other daughter Sarama, Rita’s twin. Several twists and turns reveal that Ramakanta killed Lata and carried illegal business from the deserted mansion. Sarama gets killed by Ramakanta. But the police finally managed to catch him.
|
|
|
প্রথম কদম ফুল (1970)
Character: Sukanto's Uncle
Kakoli and Sukanto meet in a library reading room. They gradually grow closer to each other and start meeting frequently. One day, she visits Sukanto at his home and her appearance moves everyone in his family. Sukanto's mother wants them to marry but Kakoli's parents refuse the proposal. So, Kakoli leaves the home of her father and begins working as a receptionist. However, misunderstandings soon develop between her and Sukanto.
|
|
|
চাওয়া পাওয়া (1959)
Character: Guest House Manager
Rajat, a young man, meets Manju, a rich girl whose father is looking for her. Though Rajat initially slyly tells her father her whereabouts, he ends up falling in love with her.
|
|
|
দেবদাস (1979)
Character: N/A
The scion of a wealthy landowner family turns to alcohol and self-pity and slowly self-destructs after class differences force him to break off his relationship with his childhood sweetheart.
|
|
|
মহানগর (1963)
Character: N/A
Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.
|
|
|
চিড়িয়াখানা (1967)
Character: Ajit Bandyopadhyay
When Byomkesh Bakshi's new client, Dr. Nishanath Sen, is murdered at Golap Colony, he decides to probe into the case with the help of his close aide, Ajit.
|
|
|
চারুলতা (1964)
Character: Bhupati Dutta
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
|
|
|
সোনার কেল্লা (1974)
Character: Dr. Hemanga Hajra
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.
|
|
