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人も歩けば (1960)
Character: Kin Narikin
A drummer falls for a pawnbroker's daughter.
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尼寺（秘）物語 (1968)
Character: N/A
Erotic Pinku film showcasing he life of Buddhist nuns during the Edo Period.
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山のかなたに (1950)
Character: N/A
Adaptation of a novel by Yojiro Ishizaka, originally released in two parts.
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鶏はふたゝび鳴く (1954)
Character: N/A
Three young women make a suicide pact, but they grow to have a better understanding of themselves.
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うず潮 (1964)
Character: Teacher Ikegami
It is 1922 and Fumiko is a high school student. Her family is poor but she loves to study literature. Her father, a peddler, does not return home and Fumiko finds herself in financial trouble, not being able to pay for her schooling and her school excursion trip. Still, she gets a temporary job at a factory and tries to make ends meet. A film about bright side of youth adapted from the television serial of the same name.
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接吻泥棒 (1960)
Character: N/A
Starring Akira Takarada as a lightweight boxing champion.
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阿波の踊子 (1941)
Character: N/A
Jurobei, a kaisen tonya (wholesaler in port) in Awa, was wronged and killed on the day of the Dance Festival by the evil merchant & the chamberlin. His brother (Kazuo Hasegawa) vowed vengeance on the day of his brother's death. So every year the villains are worried during the Awa Dance Festival (which is part of the Obon festival), but nothing has ever happened, until seven years later...
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思春期 (1952)
Character: Natsu, Mayumi's mother
Parent apathy to sexual education leads to various troubles for the young cast.
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波影 (1965)
Character: N/A
Ayako Wakao won the Blue Ribbon and the Kinema Jumpo for this film.
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へそくり社長 (1956)
Character: N/A
A new third-class president wins an appointment thanks to his marriage with the former president's daughter.
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トイレット部長 (1961)
Character: N/A
The life of a toilet-seller during the Japanese Economic Miracle.
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愛染かつら (1962)
Character: N/A
1962 Japanese movie. Remake of the 1939 movie
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ぽんこつ (1960)
Character: N/A
In the shimotsuke town of Tokyo, Honmachi tenkawa Cho continues to take the remains of the car. One of them was inuzuka store where the man loved the machine.
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滝の白糸 (1956)
Character: N/A
The middle of the Meiji period. Tororo Goro, a Nanjing expedition hit the first time to join the white thread at the water entertainer waterfall, thought that he would go to the Kanazawa in the first place of the year and try to interrupt the white thread. Tororo Goro troupe crossed the Yabe gawa River and tried to borrow a carriage at a carriage company on the other side of the river, but he was forced by Jinya murakoshi, a charter, and started with jinrikisha without stopping.
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芸者秀駒 (1954)
Character: N/A
As a bid to win contacts, ship building companies wine and dine political leaders, inviting the geisha Hidekoma and Hidechiyo to entertain the politicians.
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僕はボディガード (1964)
Character: N/A
Kita Ippei (Atsumi Kiyoshi) became a security officer in the Metropolitan Police Department's Security Division after catching a thug who attacked a writer living in the area while working at a police box. His dream is to become a bodyguard (BG) for the Prime Minister, just like his senior, Detective Inspector Takagi (Ryu Chishu). Kita Ippei is very successful in both work and love, getting attacked while guarding a female minister, getting some perks as a BG for a foreign princess, and becoming friends with a woman at his favorite bar.
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若き日は悲し (1954)
Character: N/A
In a certain port town, there is a group of young men called the Wakakusa-kai. The chairman Oda (Miki), member Ichiro Sonoda (Ishihama), his sister and music lover Keiko (Misora), Keiko's classmate Sachiko (Ota Chieko) and her brother Shoji (Yamada) meet enthusiastically to brighten the town and help themselves grow. Ichiro's family lives with his father and Keiko in a milk shop, but Keiko's desire to go to music school is unlikely to be fulfilled. Meanwhile, Shoji's father is trying to get Shoji and Keiko married.
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幼き者の旗 (1939)
Character: Mother
Two brothers move to their grandfather's house after their father is drafted and play war games with their new classmates.
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大菩薩峠 完結篇 (1959)
Character: N/A
Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
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母は死なず (1942)
Character: N/A
The premature death of a young mother serves as inspiration for her husband and son.
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舞姫 (1951)
Character: Mitsue
The troubled relationship between a writer and his ballet teacher wife, who has for years loved another man, finally leads to the breakup of the family.
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縮図 (1953)
Character: N/A
Ginko, a poor cobbler's daughter, becomes a geisha to support her family. She passes from one geisha house to the next, trying to find love and hope in the process. No matter how hard she tries, she just can't escape her sad fate.
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絵島生島 (1955)
Character: 玉椿
This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.
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路傍の石 (1938)
Character: Sumie
Tomotaka Tasaka's A Pebble by the Wayside (Robo no Ishi), made in 1938 and taken from a Yuzo Yamamoto novel, takes place around 1902, was about a young boy brought up entirely by his mother since his drunken father is never home. An intelligent teacher wants to send him to middle school, but instead the father apprentices him to a clothing store to which he is in debt. The mother dies and the boy is forced to quit work when his father insults the store owner. Later the boy goes to Tokyo, but only to continue his hardships. First he is forced to do a maid's job at a boarding house and later is used by an old woman to steal at funerals. Finally he is rescued by the teacher, whom he meets in Tokyo.
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ここに泉あり (1955)
Character: N/A
The story of a group of young people who organise their own travelling symphony orchestra to provide music for people living in remote villages shortly after the war.
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都会の横顔 (1953)
Character: Kiyoko
A motley cast of characters, including a human billboard and a shoeshine girl, help a 5 year old girl after she is separated from her mother on the crowded streets of Ginza.
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樋口一葉 (1939)
Character: N/A
Japanese film based on the life of writer Ichiyo Higuchi (1872-1896).
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雪国 (1965)
Character: Dance teacher
This movie is based on an immortal literary work "The Snow Country," a story about a life of geisha Komako who lives in a region with heavy snowfalls.
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必勝歌 (1945)
Character: Captain's mother
Hisshoka is a 1945 Drama film directed by four Japanese directors.
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人間の壁 (1959)
Character: N/A
Drama which shows the struggle of Fumiko, a female teacher, at work and at home.
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おんなの渦と淵と流れ (1964)
Character: Tomiko Sekiguchi
During the war a university professor meets a girl and marries her. Very soon however, it is apparent that their needs are not matched. He would much rather be translating Shakespeare than attending to her, and she has a secret in her past - one that results in her sleeping with a great number of men.
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山麓 (1962)
Character: Makiko
A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.
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河のほとりで (1962)
Character: N/A
A dark family secret sends a 21-year-old French student (Hoshi) on a journey of self-discovery.
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河内遊侠伝 (1967)
Character: Taki
A roughneck named Komakichi of Kawachi, Osaka, comes back from a three-year training course to become a chef, hoping to be with his crush Tamae, a daughter of a Japanese restaurant’s owner. His father is not happy because Komakichi has no intention to become a rickshaw man to follow in his father’s footsteps.
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山の讃歌 燃ゆる若者たち (1962)
Character: N/A
A treasury official passed over for promotion and obsessed with careerism interferes in the lives of his three sons, who seek escape from his relentless pressure in the mortal danger of mountain climbing.
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嫁ぐ日まで (1940)
Character: N/A
Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.
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燃ゆる限り (1955)
Character: N/A
The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.
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いとしい恋人たち (1957)
Character: N/A
The story of a young couple deeply in love with each other but, because of complications and misunderstandings created by the people surrounding them, they find it very difficult to achieve happiness.
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東京おにぎり娘 (1961)
Character: Kame
Ayako Wakao portrays a downtown rice ball shop girl whose heart is set on her business. Involved in her life are three young men—stage actor Goro, businessman Kokichi and Sanpei Pachinko.
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若い樹 (1956)
Character: Kuniko's mother (uncredited)
A young girl moves to Tokyo and endures the rivalries between other high school girls of varying cultural and economic backgrounds.
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結婚相談 (1965)
Character: Riki Tonobe
She'd watched them go one by one. Friend after friend. White dress after another. Yet again, Shimako was attending another wedding reception that wasn't hers. She knew the procedure: watch the bride and groom get congratulated, smile to cover up the loneliness. But she didn't want to feel like this forever. In that moment, Shimako decided that the next wedding she'd attend had to be her own.
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熱砂の白蘭 (1951)
Character: N/A
A Japanese adaptation of Guy de Maupassant's short story Boule de Suif, directed by Kimura Keigo
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伊津子とその母 (1954)
Character: Fusako Tashiro
An elderly woman devoted to her foster-daughter searches for a good husband for her.
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婦系図湯島の白梅 (1955)
Character: N/A
Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.
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春雪 (1950)
Character: N/A
The Yoshikawa family is a typical small town family. With only the father's and daughter's salaries to support the family's six members, life is not easy.
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緑の大地 (1942)
Character: N/A
Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.
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永すぎた春 (1957)
Character: N/A
Adaptation of the Yukio Mishima novel.
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幸福の限界 (1948)
Character: N/A
The eldest daughter of the Takamatsu family, Atsuko, a widow, returns home due to not getting along with her late husband's family. On the other hand, the youngest daughter, Yukiko, is in love with a teacher older than her, much to her father's chagrin. All of this, together with Yukiko and Atusko not getting along, will shake the foundations of the Takamatsu family.
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Tsuriganesô (1940)
Character: Mother
Following Flower Picking Diary (1939), Tamizo directed another film starring Hideko Takamine, based on a story by Nobuko Yoshiya. Takamine plays a poor young girl, trying to become a teacher on her quest to become independent to be able to look after her younger brother. But then tragedy strikes...
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愛人 (1953)
Character: Mrs. Ushiyama
Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.
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アワモリ君売出す (1961)
Character: N/A
First of three Awamori-kun movies. Based on the comic by Kaoru Akiyoshi.
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足にさわった女 (1952)
Character: N/A
A screwball tale of a suspected “lady thief” and the detective who is on her trail, following her from Osaka to her home village, where she is going to hold a memorial service for her father. Of course, the detective falls in love with his prey.
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喜劇 にっぽんのお婆あちゃん (1962)
Character: N/A
Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.
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続 へそくり社長 (1956)
Character: N/A
The president learns that the company's biggest stockholder is also a friend of his singing teacher and spies on his movements.
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秀子の應援團長 (1940)
Character: Tomoko, Hideko's mother
Hideko, a young Baseball fan, determined to cheer for her favourite baseball team by creating a new song for them.
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特急にっぽん (1961)
Character: N/A
Comedy of manners set on the "Kodama" train between Tokyo and Osaka, before the opening of the Shinkansen. In the leading role, Frankie Sakai plays a straightforward but indecisive hero. The passengers also include the bubbly Dan Reiko, and Ozawa Eitaro as a dour company president. Based on the novel "Seven and a half hours", by Shishi Bunroku.
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大番 (1957)
Character: Tane, Ushinosuke's Mother
A young country boy leaves his village for Tokyo, where he begins to work as a stock trader. First part (of four) of the film adaptation of Bunroku Shishi's novel, Oban.
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続大番・風雲篇 (1957)
Character: Tane
Ushinosuke returns broke to his hometown, where everyone believes he's rich and successful.
Part two (of four) of the film adaptation of Bunroku Shishi's novel, Oban.
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続々大番 怒濤篇 (1957)
Character: Tane
Ushinosuke returns to his hometown to become a farmer.
Part three (of four) of the film adaptation of Bunroku Shishi’s novel, Oban.
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喜劇 駅前飯店 (1962)
Character: N/A
The fifth "Ekimae" film set in Yokohama's Chinatown.
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天狗飛脚 (1949)
Character: N/A
Jida-geki by Santaro Marune.
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二十一の指紋 (1948)
Character: N/A
Third film of the Bannai Tarao series starring Chiezo Kataoka
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あこがれ (1966)
Character: N/A
Former playmates (Naito and Tamura), both long ago abandoned by their parents, recall their youth and fall in love.
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香港の星 (1962)
Character: Sugimoto Natsuko
Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.
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夜の終り (1953)
Character: N/A
Walking home late one night, a down-on-his-luck sewage worker runs into a drunk businessman with a briefcase full of cash. His impulsive decision will lead to a long, dark night of the soul, while his lady love, a bar hostess, tries to cope with her sudden change of fortune.
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山のかなたに (1960)
Character: Oiku Wada
Story of young love in the hills.
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ある日わたしは (1959)
Character: Fusako Kaneko
A modern love story involving different affairs.
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大菩薩峠 第二部 (1958)
Character: Otsuno
This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.
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真昼の罠 (1960)
Character: Kikuyo
On his way to Tokyo one night, a truck driver picks up a country girl and has his way with her amidst a forest. A few days later he loses his job after a run-in with some punks, but is offered a job by a gangster impressed by his fighting skills. He tries to make amends with the girl he ravished, but becomes caught up in the ways of the underworld...
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破れ太鼓 (1949)
Character: Yasuko
When the future of his construction company falls into danger, a controlling father pushes his children into unsatisfying marriages and careers in order to regain financial stability.
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裸の大将 (1958)
Character: N/A
A film about the life of Kiyoshi Yamashita, a Japanese painter with disabilities.
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恋愛自由型 (1958)
Character: N/A
The love between young college students Toki and the handsome Takaga is tested when Takaya's parents, who despise Toki's family's geisha house business, intervenes in their relationship.
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娘十八御意見無用 (1958)
Character: N/A
A comical love story between two college students — Hitomi, a strong-willed girl, and Shogo, a handsome, earnest and poverty stricken man.
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若い娘たち (1958)
Character: Chie Shibata, Sumiko's Mother
In order to get Kanako (Izumi Yukimura) married, her mother places a rental listing in the student medical school newsletter and attempts to find a suitable lodger who will catch the eye of her daughter.
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森の石松 (1949)
Character: N/A
The tale of a feudal swordsman who cynically takes no responsibility for anything, relegating it to others, and then taking the credit.
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夜の牝犬 (1966)
Character: N/A
A playboy bartender pretends to be gay in order to approach women. He is in cahoots with another opportunist, a young woman who is trying to seduce a rich married man. Their attempts at making easy money can only end tragically.
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不敵なる反抗 (1958)
Character: N/A
This action film depicts the conflict between two brothers, one a detective and the other a yakuza.
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日本橋 (1956)
Character: N/A
Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
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虹をつかむ恋人たち (1965)
Character: Masako Yamashita
A seamstress seeks the love of her life while helping a troubled couple.
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娘三羽烏 (1957)
Character: Sadako Kamiya
Japanese romantic comedy film.
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あゝ予科練 (1968)
Character: N/A
The film is dedicated to the souls of flight school graduates killed in World War II. Young boys dream about becoming pilots and apply to flight schools. However, the flight schools have extremely demanding, harsh training, and once they finally become pilots, they must become suicide bombers and give their lives for their homeland.
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太陽とバラ (1956)
Character: Akiyama's mother
Ignoring the protests of his working-class mother, a young man becomes wrapped up in the world of delinquents and yakuza.
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波の塔 (1960)
Character: Mrs. Tazawa
Based on the novel of the same name by Seichô Matsumoto.
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誰よりも君を愛す (1960)
Character: N/A
Japanese "kayo" film centered around the song "Dare yori mo kimi wo aisu" by Kazuko Matsuo.
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希望の青空 (1942)
Character: Kiyo
What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.
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おかあさん (1952)
Character: Osei
A teenaged girl witnesses her widowed mother's attempt to sustain her family.
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金の卵 (1952)
Character: N/A
Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.
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忠臣蔵 花の巻・雪の巻 (1962)
Character: N/A
After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.
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秋日和 (1960)
Character: Fumiko
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
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千姫と秀頼 (1962)
Character: Yodogimi
From the late 1500's through the founding of the Tokugawa Shogunate many battles were fought as the great warlords vied for power over the nation. Princess Sen, a daughter of Tokugawa Ieyasu, is caught amidst the family feud between the Tokugawa and Toyotomi families. When her father Lord Tokugawa Ieyasu attacks her husband Toyotomi Hideyori's castle, her life takes a sudden turn for the worse. Will she ever find peace in her life again? One of Hibari Misora's most memorable performances, a movie you will never forget!
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恋文 (1953)
Character: Bookstor's owner
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
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妖刀物語 花の吉原百人斬り (1960)
Character: N/A
A successful textile industrialist from the provinces, who is beloved by his employees for his kindness, cannot find a wife because of a disfiguring birthmark on his face. Even the courtesans in Yoshiwara refuse to entertain him, until an indentured peasant prostitute, Tamarazu, takes the unsavoury assignment and treats him with brash tenderness.
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越後つついし親不知 (1964)
Character: N/A
A sake factory worker on holiday returns to his home town, where he rapes the wife of one of his co-workers in the forest. The other man returns home to find his wife changed and suspects that she has been unfaithful.
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朝を呼ぶ口笛 (1959)
Character: N/A
Minoru delivered newspapers to earn money for high school, but when his mother came down with illness he decided to use this money for her doctor's bill and gave up going to high school. His friends heard about this, and they donated money to his mother. So, Minoru goes to high school and yet he delivers newspapers cheerfully whistling every morning. A memorable film debut by Sayuri Yoshinaga, a representative of the Japanese film industry.The film adaptation of "Newspaper Delivery" by Minoru Yoshida, who won the Minister of Education Award at the national small and Medium student essay competition.
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潮騒 (1954)
Character: Tomi, Shinji's Mother
Lonely youth Shinji meets Hatsue, a pretty pearl diver, on the beach and the two fall in love. But Shinji has a rival for Hatsue's affections, Yasuo.
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瞼の母 (1962)
Character: Otora
Period piece about a young man who, because of his hard life alone in the world, has become a yakuza. When he hears that his mother may be living in Edo (Tokyo), he travels there, intent on finding her and leaving the swordsman's life behind. But a team of rival gangsters is hot on his heels.
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警視庁物語 血液型の秘密 (1960)
Character: Madam next to Hikariso
On a quiet spring day in the suburbs, a stray dog found the corpse of a baby. Three days after his death, the blood group of the victim was determined. Detectives Hayashi, Kaneko, Nagata and Yamagata begin their investigation, suspecting the parents of the murdered child. They use a towel, baby diapers and bruises on the baby's body as clues in the investigation. Who killed the baby?
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流転の王妃 (1960)
Character: Kazuko Sugawara
Pu Zhe, the younger brother of the Emperor of Manchukuo, marries Ryuko the daughter of an aristocratic family. To the surprise of all, a deep love between Pu Zhe and Ryuko develops and is put to the test when Japan loses the war.
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赤線地帯 (1956)
Character: Tatsuko Taya
The lives of five prostitutes employed at a Japanese brothel while the nation is debating the passage of an anti-prostitution law.
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おふくろ (1955)
Character: N/A
Shizuka, Eiichiro, and Mineko, their father and son, live modestly in a certain suburb, leading a dreary but happy life. Eiichiro is troubled by Shizuka's desire to live together in familiar Tokyo. Mineko is the exact opposite of Eiichiro. A literary masterpiece depicting the fateful sorrow and humor of a mother and child
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西鶴一代女 (1952)
Character: Sasaya's wife Owasa
In Edo Period Japan, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.
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东游记 (1940)
Character: Apprentice Geisha
Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.
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馬 (1941)
Character: Kikuko Yamashita
Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
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警察日記 (1955)
Character: N/A
Lending money, job hunting for civilians and babysitting. All these things are usually not listed on a policeman's job description. But for the officers of this local police station, it‘s part of their daily routine. One day, patrolman Yoshii (Hisaya Morishige) finds an abandoned baby and a six year old girl standing in front of the station. When he's declined by the welfare office, orphanage and local health clinic to take them in, he decides to take care of them himself.
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ジャンケン娘 (1955)
Character: N/A
Two high school girls, Ruri and Yumi, go to Kyoto on a school trip, here they get acquainted with Hinagiku, there are many adventures ahead of the three of them. A musical starring 3 Japanese pop music and TV stars.
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ゼロの焦点 (1961)
Character: Mrs. Sotaro Uhara
One week into newlywed Teiko Uhara's marriage, her husband, Kenichi, leaves on a short business trip and never returns. Teiko travels across Japan to search for him, and along the way discovers some surprising facts about her husband's past. With only a pair of old photographs among his belongings to go off of, Teiko tries to figure out what has happened to him.
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パイナップル部隊 (1959)
Character: Omine
The story of the role played by Japanese-American soldiers from Hawaii in the Korean War of the 1950s.
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空いっぱいの涙 (1966)
Character: Kikue Sugisaki
Popular guitarist Shunsuke Sugi had a busy schedule and lived a puppet life with manager Yoko Ohara. On the way home from the Tohoku tour, he rescued Akiko, a girl who had passed out in a car accident. Ahead of him was the bustle of Tokyo. He suddenly met Akiko during a noisy party with friends. He tried to persuade Akiko, who wanted to become a singer, to return to the village, but it didn't work. One day he invited Akiko to play in Yokohama. When they returned to childhood and talked about their dreams, they felt love for the first time. Meanwhile, returning home, Yoko turned her jealousy on the two of them, and announced the death of Shunsuke's mother...
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三匹の女賭博師 (1967)
Character: N/A
Fourth film in the long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin.
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夢見る人々 (1953)
Character: N/A
Shinya Ban (Masao Wakahara) returns from the south and is deeply disappointed when he learns that his mutual friend Yuriko (Mieko Takamine) is marrying Toshio (Toshio Hosokawa), the son of Zenpei Hamaguchi (Yoshito Yamaji), for her obligation. He encouraged the unhappy Yuriko and taught her how to make her marriage with Toshio a happy one. He makes a fresh start as an architect under the care of Ryosuke Shibata (Jiro Yanagi), who had taken care of his father, but Ryosuke's daughter Sumiko (Yoko Katsuragi) has feelings for him. Fujie Kakimoto's (Sadako Sawamura) son Koichi (Eiji Wakasugi) came to know about Sumiko and asked her to marry him after coming to Shinya to ask for her design. Knowing that Shinya's love for Yuriko would not be easily wiped away, Sumiko decided to marry Koichi, who had a bad leg. Shinya watches the beautiful bond between Koichi and Sumiko and decides to forget his past and move forward on the path to self-perfection.
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乾いた湖 (1960)
Character: Aki Katsura
A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku's iconoclastic New Wave. At the height of student protests, Shimojo takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.
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氾濫 (1959)
Character: N/A
The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)
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紀ノ川 (1966)
Character: Ichi, housekeeper
Epic saga of an idealistic land-owning family dealing with militarism, war, social change and economic reform.
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土砂降り (1957)
Character: Tane Abe
Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.
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わが恋は燃えぬ (1949)
Character: N/A
A woman's struggle for equality in Japan in the 1880s. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.
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幽霊暁に死す (1948)
Character: Takeko
At the wedding of Kohei (Hasegawa) and Michiko (Todoroki), a whisper echoes along with a gust of wind. As if manipulated by the mysterious voice, Kohei takes Michiko to stay at a dilapidated mountain villa in his hometown. What awaited him there...
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杏っ子 (1958)
Character: N/A
Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.
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飼育 (1961)
Character: Katsu
Towards the end of the Second World War, a downed U.S. pilot is captured and imprisoned by rural Japanese villagers, who await official instructions as to how to proceed with their “catch.”
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螢火 (1958)
Character: N/A
Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself
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夜の女たち (1948)
Character: N/A
In early post-war Osaka, three women, war widow Fusako, her sister Natsuko, an expatriate from Korea, and Kumiko, Fusako's sister-in-law, descend into prostitution, all for their individual reasons.
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花札渡世 (1967)
Character: N/A
A wandering gambler runs into a young swindler woman working with an old man. They are both arrested by a detective. A year later, the gambler is staying with a gangster boss when he comes across the woman and her partner again. The boss lusts for both her and his own daughter, while the boss's crazy yakuza brother loves his daughter, who, in turn, watches the player and wants to destroy the people standing in her way.
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悲歌 (1951)
Character: N/A
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
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女ばかりの夜 (1961)
Character: Kitamura
In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.
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私たちの結婚 (1962)
Character: Mother
When two sisters fall in love with the same man, one must decide to look elsewhere.
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お早よう (1959)
Character: Kayoko Fukui
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
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二匹の牝犬 (1964)
Character: Tetsu Kawabe
Mayumi Ogawa stars in the tale of a Turkey miss—basically a prostitute who services men in Turkish baths—whose plans to get rich in the stock market, open a beauty salon, and marry her sweetie are turned upside down by the arrival of her boyfriend-stealing half sister Mako Midori. - Pulpinternational
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東京の恋人 (1952)
Character: Jewelry shop proprietress
Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.
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飢餓海峡 (1965)
Character: Motojima's Wife
Three robbers escape with loot from a heist before one of them kills the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.
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冬構え (1985)
Character: N/A
An old man cashes in all his possessions and sets off on a journey to the Tohoku region in late autumn. Along the way, he visits a friend on his deathbed and develops a faint affection for an elegant old woman, but the purpose of his journey is actually to find a place to die. He gives a large sum of money to a young couple, who are poor but have a dream for the future, and tries to throw himself into the sea. The movie depicts the loneliness of an old man who has lost his wife.
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青空娘 (1957)
Character: Tatsuko Ono
Yuko is sent to the coastal regions to be raised away from the rest of her sophisticated family where she finds out from her ill grandmother that she is not who she thought she was.
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女が階段を上る時 (1960)
Character: Toshiko
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
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陸軍残虐物語 (1963)
Character: Toki, Yahichi's mother
Director Jun'ya Satô's debut film focuses on the inhuman training of recruits, the brutal drill system that reigned in the Japanese army during World War II, where in the first two years of training, ordinary people were turned into inhuman killers. For his first film, the director was awarded the Blue Ribbon Awards in the Debutant of the Year nomination.
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妻の心 (1956)
Character: N/A
Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.
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晩菊 (1954)
Character: Nobu
With delicate, unobtrusive strokes, Naruse evokes both the humor and bitterness of his characters’ dilemmas, in this bleak, compelling poignant portrait of a quartet of aging geishas contemplating their troubles with men and money.
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サラリーマン 目白三平 (1955)
Character: N/A
A masterpiece of life sketches overflowing with heartwarming affection and laughter that portrays the modern common people with humor and pathos, focusing on the daily life of Sanpei Mejiro, a salaryman for over twenty years who finds a little happiness in life in his poor but joyful home.
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姉妹 (1953)
Character: N/A
Three beautiful daughters grew up in a dog and cat care clinic. The eldest was named Takako (Keiko Tsushima), the second was Tsugumi (Keiko Awaji), and the third was Mihato (Hibari Misora). Mihato was still a pretty seventeen-year-old girl, but she considered herself as mature as her older sisters. Mihato knows that Tsugumi is friends with Ippei Yaguchi (Masao Wakahara) and acts as a love messenger between them, but she didn't know that Takako is also in love with Ippei...
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甘い汗 (1964)
Character: Matsuko
This film by Toyoda depicts the hard life of an unmarried mother in Tokyo. Umeko (Machiko Kyo), at 36, is working in a bar, struggling valiantly to keep her family together. Her 17-year-old daughter Takeko becomes increasingly upset by her mother's constant drinking and yakuza boyfriend, and runs away from home. Kyo's performance was highly praised.
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あらくれ (1957)
Character: Oshima's aunt
A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.
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