Hajime Shirata

Personal Info

Known For

Acting

Known Credits

0.0936

Gender

N/A

Birthday

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Age

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Place of Birth

NO INFO PROVIDED

Also Known As
  • 白田肇

Hajime Shirata

Biography

NO BIOGRAPHY AVAILABLE


Credits

サザエさんの婚約旅行 サザエさんの婚約旅行 (1958) Character: N/A
An adaptation of the popular Sazae-San comic strip. The first entry in the series shot in TohoScope.
鉄腕投手・稲尾物語 鉄腕投手・稲尾物語 (1959) Character: Fan
An Ishiro Honda film.
サザエさんとエプロンおばさん サザエさんとエプロンおばさん (1960) Character: N/A
An adaptation of the popular Sazae-san comic strip
サザエさんの脱線奥様 サザエさんの脱線奥様 (1959) Character: N/A
Masuo and Sazae are enjoying their newlywed life in their new house, even though they are in company housing. Masuo's colleague is invited to thank him for the newlyweds, but Masuo has been told by Managing Director Hanamura to go on a business trip to Kansai. Before long, Masuo contacted Sazae to come to Osaka.
サザエさんの新婚家庭 サザエさんの新婚家庭 (1959) Character: N/A
Sazae's wish came true and she got married to Masuo. The two ended up living together at Sazae's parents' home, the Isono family. However, the newlywed life that started at the Isono family was a disaster. At the Isono family, where bonito and Wakame pranks and neighbors visit, it is difficult even to be alone.
サザエさんの結婚 サザエさんの結婚 (1959) Character: N/A
Sazae finally gets married, but right after that, Masuo is transferred to Osaka. A heartbroken Sazae sends her parents on a silver wedding trip, and eventually heads for Nikko, a travel destination. Sazae is once again overwhelmed by the sight of the newlyweds bustling with sunlight, but...
福の神サザエさん一家 福の神サザエさん一家 (1961) Character: N/A
An adaptation of the popular Sazae-san comic.
お早よう お早よう (1959) Character: Kozo Harada
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.



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