|
Albur de amor (1980)
Character: madre de Alfredo
Romantic triangle on the hacienda. Ends badly for all concerned.
|
|
|
Mi niño Tizoc (1972)
Character: American tourist
Tizoc wishes to eat a chicken by himself and have his own piñata. At Christmas his father Carmelo grants his wish.
|
|
|
El viento distante (1966)
Character: The Aunt (segment "En el Parque Hondo")
Three stories: A young man disobeys his aunt by not killing a cat. An orphan boy, in love with his cousin, is fond of war novels, imagining himself as a hero. A couple of schoolboys in love wander around the city and forget the brutality of their respective homes.
|
|
|
Lola de mi vida (1965)
Character: Maid
Dolores, an innocent country girl, arrives as a maid to a rich house, where she meets a street vendor with whom she falls in love, until the dangers of the city catch up with her.
|
|
|
|
|
|
|
El medio pelo (1972)
Character: Romana
A woman who fancies herself an aristocrat rejects a potential suitor because he's not of her class. Also: their adult children have their own drama, a bit inflected with hippie-ish values.
|
|
|
|
|
La yegua colorada (1973)
Character: Mujer en restaurant
Landowner counts on his super-champeen race-horse to help him win back the hacienda he was swindled out of.
|
|
|
Los Marcados (1971)
Character: Representante liga decencia
The Kid is a vicious psychopath given to laughing a lot, an actor manqué who leads a gang of looters and rapists, and is incestuous with his father to boot. The town’s resident Mater Dolorosa, madam of the brothel, hires her lover Marcado to kill the Kid, who is of course her son.
|
|
|
Un Quijote sin mancha (1969)
Character: Presidenta de la moral (uncredited)
A lawyer trying to fix everyone's problems, instead causes problems, which always end up in funny situations.
|
|
|
Pubertinaje (1971)
Character: N/A
Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.
|
|
|
La maestra inolvidable (1969)
Character: Bruja
Idealistic young teacher takes a post in a small, backwoods town and dedicates her life to schooling the village's children.
|
|
|
Domingo salvaje (1967)
Character: N/A
Repressed middle-aged Catholic gets into a troublesome relationship with the prostitute next door and her little boy.
|
|
|
El Profeta Mimí (1973)
Character: Prostituta asesinada
Childhood trauma and religious repression causes a little boy to grow up into a murderer.
|
|
|
Amor amor amor (1965)
Character: N/A
Four stories: The encounter between a soldier and a widow in a cemetery. A woman arrives as a maid in an unknown city where she discovers love. Another woman is tasked with caring for her lecherous uncle on his deathbed. A young man gets into trouble with his girlfriend's family when she suggests opening up their relationship.
|
|
|
Yesenia (1971)
Character: Trifenia
A beautiful gypsy named Yesenia has no set path in life. During a caravan trip she meets Osvaldo who is enrolled in the militia, they both fall in love despite their differences and social prejudices.
|
|
|
Le Rapace (1968)
Character: Camito
1938, a Central America country. A Frenchman who goes by the name "Le Rital" is hired to take out the local dictator. Young Chico is assigned as his right-hand man, whom he impresses. Will a friendship form between them?
|
|
|
Pedro Páramo (1967)
Character: Dorotea la Cuarraca
When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…
|
|
|
Entre la tarde y la noche (2000)
Character: Mother Superior
Minerva, a middle age writer, decides to break the uncertainty that prevents her from creating the novel that for years she has nested in her mind. Unintentionally, she returns to the port where she was born and she encounters a past full of ghosts and chimeras. Paradoxically, she founds herself because of this journey back home, so she begins writing the story of her life, of her own childhood, with its magical past and tragedy.
|
|
|
Veneno para las hadas (1986)
Character: Señora Krinsky (uncredited)
In 1965 Mexico City, Flavia, a wealthy yet lonely schoolgirl, befriends Veronica, a young orphan girl who has a fascination with witchcraft. Veronica convinces Flavia that she is a real witch and forces her to be her assistant. The children's games gradually become more serious and Veronica demands more from Flavia.
|
|
|
|
|
Two Mules for Sister Sara (1970)
Character: 2nd Woman in the Night
When a wandering mercenary named Hogan rescues a nun called Sister Sara from the unwanted attentions of a band of rogues on the Mexican plains, he has no idea what he has let himself in for. Their chance encounter results in the blowing up of a train and a French garrison, as well as igniting a spark between them that survives a shocking discovery.
|
|
|
Calzonzín inspector (1974)
Character: N/A
A rumor reaches a small town, San Garabato, that a government infiltrator will arrive to check the conditions of the community. Quickly, the municipal president, Don Perpetuo del Rosal, orders the imprisonment of those who might give a bad image. An indigenous man named Calzonzin arrives in town, pursued by two men. He is quickly taken as the infiltrated inspector, and protected by all the local authorities.
|
|
|
La Bataille de San Sebastian (1967)
Character: Agueda
Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.
|
|
|
|
|
Profundo carmesí (1996)
Character: Sra. Silberman
Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.
|
|