Meshell Ndegeocello

Personal Info

Known For

Acting

Known Credits

0.6172

Gender

Female

Birthday

29-Aug-1968

Age

(58 years old)

Place of Birth

Berlin, Germany

Also Known As
  • Michelle Lynn Johnson
  • Me'Shell NdegéOcello
  • Meshell Suhaila Bashir-Shakur

Meshell Ndegeocello

Biography

NO BIOGRAPHY AVAILABLE


Credits

The Renegades The Renegades (2020) Character: N/A
Queer culture and the arts would be much poorer without the presence and contribution of butch and stud lesbians, whose identity is both its own aesthetic and a defiant repudiation of the male gaze.
Rising Low Rising Low (2002) Character: Herself
Based on the life and death of Gov't Mule bassist Allen Woody, and the making of a double-disc tribute album (Gov't Mule's The Deep End , Volumes 1 & 2) featuring a host of legendary bass players. Throughout the film, director Mike Gordon (of Phish, who also plays on the album) interviews Woody's family and bandmates and also discusses the philosophy and technique of bass playing with a number of the instrument's legends, including Chris Squire, Les Claypool, John Entwistle, Flea, Bootsy Collins, Mike Watt, Roger Glover and others.
The Beatles Revolution The Beatles Revolution (2000) Character: Self
A primetime special celebrating The Beatles and exploring the lasting impact on pop music of Beatles innovations like stadium concerts, music videos, and the idea of rock album as art form. The filmmakers were provided rare, previously unseen footage from the Apple archives, and afforded complete access to their recorded music and film library.
Stolen Moments: Red Hot + Cool Stolen Moments: Red Hot + Cool (1994) Character: Self
A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.
Standing in the Shadows of Motown Standing in the Shadows of Motown (2002) Character: Self
In 1959, Berry Gordy Jr. gathered the best musicians from Detroit's thriving jazz and blues scene to begin cutting songs for his new record company. Over a fourteen year period they were the heartbeat on every hit from Motown's Detroit era. By the end of their phenomenal run, this unheralded group of musicians had played on more number ones hits than the Beach Boys, the Rolling Stones, Elvis and the Beatles combined - which makes them the greatest hit machine in the history of popular music. They called themselves the Funk Brothers. Forty-one years after they played their first note on a Motown record and three decades since they were all together, the Funk Brothers reunited back in Detroit to play their music and tell their unforgettable story, with the help of archival footage, still photos, narration, interviews, re-creation scenes, 20 Motown master tracks, and twelve new live performances of Motown classics with the Brothers backing up contemporary performers.
The End of Violence The End of Violence (1997) Character: Malike
In Hollywood, the lives of a successful film producer, his wife, a police detective and a surveillance agent intersect after a botched abduction.



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