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Breaking Up (1978)
Character: George
JoAnn Hammil faces a harrowing fight to rediscover her personal identity when her husband of 15 years announces that he is leaving her and their children to search for the indefinable joy he feels he is missing from his life.
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The Borgia Stick (1967)
Character: Garage Man (uncredited)
A suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so easily.
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Hester Street (1975)
Character: Inspector
A Russian emigre prides himself on the way he's molded himself into a real Yankee in the USA, though the world he lives in, New York's Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife finally arrives in the New World, however, she has a lot of assimilating to do.
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Garbo Talks (1984)
Character: Mr. Goldhammer
When New York accountant Gilbert Rolfe finds out his mother has a brain tumor, he is devastated. His incorrigible mother, Estelle, has one last wish: to meet the great Greta Garbo. Gilbert, wanting to do this last thing for her, sets out on a wild goose chase through the streets of New York City to track down the iconic star, at the expense of his personal life and much to the chagrin of his wife, Lisa. Can he find Garbo before it's too late?
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Loving (1970)
Character: Mr. Shavelson
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile.
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Witness (1985)
Character: Sheriff
While protecting an Amish boy—the sole witness to a brutal murder—and his mother, a detective is forced to seek refuge within their community when his own life comes under threat.
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Bananas (1971)
Character: FBI Security
When a bumbling New Yorker is dumped by his activist girlfriend, he travels to a tiny Latin American nation and becomes involved in its latest rebellion.
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Madigan (1968)
Character: Man at Precinct
NYPD detectives Bonaro and Madigan lose their guns to fugitive Barney Benesch. As compensation, they are given a weekend to bring Benesch to justice. While they follow various leads, Police Commissioner Russell goes about his duties, including attending functions, meeting with aggrieved relatives, and counseling the spouses of fallen officers.
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Serpico (1973)
Character: Barto
New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.
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The Fan (1981)
Character: Caretaker
A record store clerk is an obsessed fan of an actress of stage and screen. However, when faced with rejection, the fan strikes out in increasingly violent ways.
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Network (1976)
Character: Joe Donnelly
When veteran anchorman Howard Beale is forced to retire his 25-year post because of his age, he announces to viewers that he will kill himself during his farewell broadcast. Network executives rethink their decision when his fanatical tirade results in a spike in ratings.
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Three Days of the Condor (1975)
Character: Ordinance Man
When bookish CIA researcher Joe Turner finds all his co-workers dead, he, together with a woman he has kidnapped, must work together to outwit those responsible until he determines who he can really trust.
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Who Says I Can't Ride a Rainbow! (1971)
Character: N/A
Barney owns the last working farm in Manhattan. For various reasons, city officials have decided to close it down. A special event is planned to raise awareness and money to keep it running.
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Family Business (1989)
Character: Charlie
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
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Running on Empty (1988)
Character: Mr. Phillips
The Popes are a family who haven't been able to use their real identity for years. In the late sixties, the parents set a weapons lab afire in an effort to hinder the government's Vietnam war campaign. Ever since then, the Popes have been on the run with the authorities never far behind. Their survival is threatened when their eldest son falls in love with a girl, and announces his wish to live his life on his own terms.
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