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El andén (1957)
Character: Don Javier
Vallina is a small town where its entire relationship with the outside revolves around the platform, in which only two trains stop leaving mail as well as a freight train. After forty years of service, the station chief retires. The town prepares a tribute and when the party is at its peak, the Talgo train appears. To the surprise of all, the station chief displays the red flag and stops the train that the neighbors have always seen pass like a meteor. But that action will not be well received by the management and the chief is punished. The people's response is immediate and popular mobilization arises
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Misión blanca (1946)
Character: Padre Urcola
Arriving at a Guinean Christian mission, a young priest is told by his elder ones the story of Father Javier, another young missioner who restlessly fought to convert a villain not only for God's sake, but also for sentimental reasons.
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Zalacaín el aventurero (1955)
Character: Tellagorri
During the third Carlist war on Basque soil, Zalacaín, no frowns that his great enemy of the people pretend to love his sister, but he lives the reverse situation, in love with his sister.
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El señor de La Salle (1964)
Character: Juez
Biography of San Juan Bautista de la Salle , where the effort and hardships that this canon of the nobility had to overcome in order to offer universal and free education to children, his main devotion, in the time of Louis XIV, are appreciated.
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Eugenia de Montijo (1944)
Character: Próspero Merimée
Eugenia de Montijo, an extraordinarily beautiful woman, educated and intelligent daughter of the Count of Montijo, decides to start a European tour when she discovers that the Duke of Alba, whom she believed her suitor, actually intends for her sister. In Paris she meets Napoleon III, the future emperor of France, who is bewitched by the beauty of the young aristocrat from Granada
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De mujer a mujer (1950)
Character: Antonio - padre de Isabel
As every year, the happy marriage of Luis and Isabel wakes up ready to celebrate her onomastics her and that of her daughter, unaware that the day reserves a tragic twist in the destiny of their lives, because the girl dies in a fatal accident. The impression is so strong that Isabel becomes mad until the point of being confined in a sanatorium. And looking for her health, the doctor forbids Luis to see his wife. He can only get news from her via Emilia, the young nurse who cares for Isabel.
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La marquesona (1940)
Character: Julio Mendoza
"Marquesona" is the central figure of a flamenco picture made by a group of artists who go from town to town with their art. Rosa, "marquesona's" daughter meets a gentleman with money, Eduardo, with whom she escapes, abandoning her mother as his father did years ago. The "marquesona" decides to go ahead and give more impetus to her art and gets great successes again. Later, Eduardo Rosa and will see the theater where she works with the intention of seeking forgiveness.
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Tarde de toros (1956)
Character: Luis Montes
Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter
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Marianela (1940)
Character: Pablo's Father
Marianela is an orphan young girl living in a small village where she guides the blind young son of a rich country man. She is secretly in love with him, knowing that he loves her only because he can't see her ugly face. But one day a famous doctor appears and promises to operate him so he can see. His father is happy to know this way he will be able to marry his rich cousin. Nela gets desperate knowing his luck will turn into her disgrace when he finally sees her face.
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Cristo Negro (1963)
Character: Padre Braulio
After witnessing the murder of her father, the little Mikoa flees the plantation where he works as a slave. Janson, master of the plantation, and his daughter Laura, found lost in the jungle and decide to present to the Father Braulio, a missionary who welcomes him like his son. The young native is raised and educated in the mission, becoming a good man in love with his childhood friend, however, still has much hatred for the person who killed his father, Charles, a cruel white overseer who now at the service of revolutionary blacks.
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Pequeñeces (1950)
Character: Padre Cifuentes
Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.
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El indiano (1955)
Character: Duque
Nouveau-riche industrialist returns to Spain after 20 years in Mexico and discovers that his adopted son wants to marry into an aristocratic family and is trying to disguise his family history. Meanwhile, the young man's birth mother also shows up, and....
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La malquerida (1940)
Character: Esteban
On the hacienda of El Soto lives Doña Raimunda and her daughter Acacia as well. After being widowed, Raimunda married Esteban, who is secretly in love with Acacia and her, in turn, feels a deep rejection of him. Meanwhile, some young are courting Acacia. But the worst comes when Esteban tries to get rid of all the men around Acacia.
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Currito de la Cruz (1926)
Character: Currito de la Cruz
Currito, raised in a Seville hospice, ekes out a living while trying to become a bullfighter.
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Los escondites (1969)
Character: N/A
Little orphan Jorge, kisses his parents' grave to absorb their spirits. Her aunt Amelia helps her travel through time.
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Dora la espía (1950)
Character: Il barone Venderkragt
Dora, daughter of the Marchioness of Río Zares, marries the politician Andrés. Despondent, Countess Zicka launches the lie that she is a spy.
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Un ángel tuvo la culpa (1960)
Character: Falso Conde de Campoy
Claudio is a kind mand who works as cashier in a company for several years. Whe he finds closed the bank where he has to deposit a millon of pesetas, he decides to go to a friends party. Due to alcohol effects, he share out the money to the people who need it more.
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La boda o la vida (1974)
Character: N/A
Elena is pregnant and Carlos, the future father does not have financial means to marry her. The solution is in a game show that offers substantial rewards to those who can correctly answer questions about the forties. Patricia, Elena's older sister, mobilizes the whole family. Carlos will undergo an intensive study plan.
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S.O.S., abuelita (1959)
Character: N/A
Clemen is very sad. After three years of marriage, Raul, her husband, is moving away from it and, what is worse, is getting dangerously close to other women. Desperate, she cries under the portrait of his late grandmother. And the miracle occurs. Granny leaves the frame and proposes to take its place Clemen. Clemen remains painted on the wall, while his grandmother set about reconquering Raul.
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Doña Francisquita (1952)
Character: Don Matías
Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.
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El crimen de Pepe Conde (1946)
Character: Marqués
Pepe Conde, a poor simple man, is tricked by a rich marquis to believe he has sold his soul to the devil to win the attention of the woman he is in love with.
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Las inquietudes de Shanti-Andía (1947)
Character: Patricio Allen
Shanti Andía, a veteran sailor, puts together the fragments of a personal diary that he has written through years of tribulations: his childhood in the Basque Country, his youth in the lands of Cádiz, and his many adventures and misadventures as a ship captain.
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Juicio contra un ángel (1964)
Character: N/A
A widower arrives in Puerto Rico with his son Angelito. The father dies and the boy goes to live with his grandfather who plays guitar in the streets. Angelito accompanies him singing and earns good money, but a political uncle accuses the grandfather of exploiting the boy and takes him to an orphanage.
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La guerrilla (1973)
Character: Don Alonso
Adaptation of the text of Azorin theater play. In 1808, Napoleon's troops invaded a village in the Sierra de Madrid. Love triangle between a girl, guerrilla leader and French officer who falls in love with the girl.
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Escucha mi canción (1959)
Character: Marqués de Alvar, Joselito's grandfather
A poor child, who does not know his parents, joins a caravan of puppeteers to escape from the house where it is received and try to find his mother. Although living in extreme poverty, the child has, however, something that helps you get ahead: his great voice. One day, when a producer heard her singing in the street, receives an invitation to go to television.
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La mantilla de Beatriz (1946)
Character: Calderón de la Barca
In XVII century Portugal two friends change identities so one of them can escape an unwanted marriage to Beatriz.
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Alba de América (1951)
Character: Fray Juan Pérez
Kingdom of Castile, the late fifteenth century. The film chronicles the events that Cristóbal Colón lived (Antonio Vilar) from their stay in the Convent of La Rabida, his meeting with the Catholic Monarchs and, above all, the great odyssey that led to cross the Atlantic and reach the shores of America (1492), thus beginning a new era in the history of mankind.
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Jeromín (1953)
Character: Carlos V
In the biography of John of Austria the Spanish hero of Flanders, brother of Philip II, as an argument, the tape is a praise of Spain Emperor Charles V and the values of Franco.
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Agustina de Aragón (1950)
Character: Coronel Torres
1808. During the Spanish Independence war the city of Zaragoza is besieged by French troops. Spanish forces under General Palafox are scarce. Brave Agustina doesn't hesitate to lead the battle and even fire a cannon to stop the invaders when others run away. Based on historical facts.
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El relicario (1970)
Character: N/A
While watching on television a bullfight where his son Luis acts, the matador Rafael Lucena dies of a heart attack upon discovering Virginia in the bullring, a woman who looks like Soledad. Soledad was his father ‘s, Manuel Lucena, great love. Both Luis and his brother Alejandro meet the singer Virginia and fall in love with her but when Luis suffers serious goring, he begins to think that Virginia brings bad luck.
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Balarrasa (1951)
Character: Carlos
Javier Mendoza a Catholic missionary established in Alaska, recalls, when about to die, the years of his youth and his relationship with his family and friends.
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Locura de amor (1948)
Character: Don Filiberto de Vere
The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…
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El pequeño coronel (1960)
Character: Don Esteban
Joselito is the son of Colonel José de Alvear, Earl of Almond. When his heroic father dies in the colonies, the victim of a cholera epidemic, the child is held by her guardian and executor, his uncle Martin, who wants to take his fortune.
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La fuente mágica (1963)
Character: José Serrano
A financier decides to take a vacation somewhere where nothing can disturb him. He travels to the south of Spain, to a small village where he lives a primitive life. A chance meeting with a young American sociologist who works to guide women towards a healthier and more comfortable life change the pace of his life.
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La venganza del Zorro (1962)
Character: Raimundo
Don Jose disguises himself as Zorro, the masked freedom fighter, who tries to protect his people from the wrath of an evil military officer who is using his position to his own advantage.
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¿Dónde vas, Alfonso XII? (1959)
Character: Ceferino
Alfonso de Borbón and his cousin María de las Mercedes de Orleans fall in love and, although both families do not maintain good relationships, young people marry when Alfonso became king of Spain.
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La Lola se va a los puertos (1947)
Character: Don Diego
San Fernando Island, Cádiz, Spain, 1860. Lola embarks for Sanlúcar de Barrameda to go to the estate of Don Diego, a rich landowner who is in love with her.
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A hierro muere (1962)
Character: Farmacéutico
A former singer lives alone with her fortune - and with her nephew, Fernando, a low character to whom she refuses to lend more money. Elisa leaves prison and starts a new life as a personal attendant to the aging singer, using her knowledge as a former nurse - a profession she can not return to. Fernando meets Elisa, and together they plan to poison the lonely woman, and use her money abroad. They plan their alibis well. But those who kill by the sword will perish by the sword.
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La Leona de Castilla (1951)
Character: Lope
Crown of Castile, 1520. The Comuneros rise up against Charles I, king of Castile and Aragon and emperor of the Hispanic Monarchy. While Juan de Padilla, leader of the uprising, and his captains, Juan Bravo and Francisco Maldonado, fight against the imperial armies, his wife, María de Pacheco, rules the city of Toledo, capital of the rebels.
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Il segno del Coyote (1963)
Character: Don César de Echagüe Sr.
California, 1847. The territory is about to be incorporated into the United States. Parker, the new governor, is a cruel man who believes that the time has come to get rich regardless of the means, but he will soon find a mysterious opponent driven to end his tyranny.
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El piyayo (1956)
Character: Don Carlos
The Piyayo offers a calm and friendly reflection on the Providence by the streets of Malaga. He is a gypsy lover of tradition, rich in grace and with a spirit that exudes honesty. He lives offering company to all who listen to him through the city. And so the character touches for the quality and nobility of his feeling, while his conversations, in every corner of Malaga, remember everyone to have faith in Divine Providence, showing a practical lesson on the subject.
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Per un pugno nell'occhio (1965)
Character: cassamortaro
Franco and Ciccio mosey into the Mexican border town of Santa Genoviefa. Both are dressed in ponchos, one rides a small mule, one a large one. They are gun salesmen, peddling their wares from town to town.
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El pobre García (1961)
Character: N/A
García is employed of advertising at a factory of razor blades and goes out in secret with Conchita, the daughter of the director. One day, taking advantage of the cycle return to Spain, García puts into practice a new and risky system of making him an advertising, but Raúl, the director, dismisses García because he didn´t like the idea. From here, García will gain the life himself in the most varied works: barber, bootblack and guide of the Prado Museum. A difficult situation in order that his former chief accepts the relation that it supports with his daughter.
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Una gran señora (1959)
Character: Richard Chrysler
Charo is a fashion model, in love with enigmatic Adolfo. The fashion house where she works is ruined. In a parade, an English lady confuses her with a countess and invites her to spend some days in Estoril. There, Charo will try to save the company from bankruptcy.
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Le spie uccidono in silenzio (1966)
Character: Professor Roland Bergson
Professor Freeman is an important English scientist that is investigating a method to treat cancer. His daughter is killed in the swimming pool of a hotel in Beirut. The case is confidential so that the mission is entrusted to the Special Agent Mikel Brown.
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Séptima página (1951)
Character: Arrosti
Chronicle of the daily activity of a newspaper called La Jornada. Through the events covered by the gossip columnist that occupy precisely the seventh page, a portrait emerges of different classes of Spain in the 50's and a vision of reality where facts are mixed comedy, police, emotional, dramatic and even tragic.
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L'ombra di Zorro (1962)
Character: Don Cesar delaTorre
A battle between revolutionary Mexicans and the U.S. cavalry brings Zorro onto the scene to enact vengeance for violent acts incurred by the cavalry Sergeant. Once the Sergeant is killed, Don Jose de la Torre retires from being Zorro and settles down to live a quiet life. The brother of the Sergeant, in an act of his own justice, dons the costume of Zorro and terrorizes the countryside. In an act to draw out the true Zorro, the imposter kidnaps Don Jose's wife, making him once again don the mask to rescue her.
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La llamaban la madrina (1973)
Character: N/A
Trini is the daughter and granddaughter of thieves. Before it was a specialist in the art of opening safes, but one day decided to change their way of life and is now a cashier at a supermarket. It has also taken a law student boyfriend, but all will be dashed when his father stop, Mr. Baldomero, for stealing 36 kilos of appliances.
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La nao Capitana (1947)
Character: Don Antonio Fdez. de Sigüenza
Port of Seville, Spain, 1640. A group of people from very different origins embark on the ship Capitana. They are members of the upper class, adventurers, peasants, convicts, who have only one thing in common: the illusion of arriving in America, the promised land where they can make their dreams and ambitions come true.
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El clavo (1944)
Character: Council President
Spain, late 19th century. Judge Javier Zarco finds in a cemetery a skull pierced by a nail and suspects that a murder has been committed.
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In nome del padre, del figlio e della Colt (1971)
Character: (uncredited)
Bill Nolan, Sheriff of Ockland, receives a telegram informing him of the arrival of a stagecoach with federal bank securities. Together with Judge Finley he organizes the custody of the stagecoach but it is attacked anyway and suspicion falls on the sheriff by his strange actions alone. The confidence of his assistants is weakened and everything gets complicated when he is accused of rape and one of his assistants is found dead. His only hope is to discover the masked bandit.
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Margarita se llama mi amor (1961)
Character: N/A
Margarita is a beautiful and explosive girl studying in the Faculty of Arts somewhere in Galicia. To the chagrin of the rest of the girls in the class, all the boys want to date her, to the point moniker of "the bride of the Faculty". However, who really steals the heart Margarita is another person ...
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Una bara per lo sceriffo (1965)
Character: Sven, old man
Shenandoah (Steffen) works his way into a band of highwaymen led by Rojo (Armando Calvo). His initiation consists of hunting down and killing a member of the gang who has 12 bullets while he is only given 2 bullets. When the bandits attempt to rob a wealthy rancher, whom Shenandoah knows, he warns him. The outlaws begin to suspect they were betrayed and commence to rough Shenandoah up. Shenandoah then reveals his true reason for joining the gang; one of them killed his wife and he is there for retribution.
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Acompáñame (1966)
Character: Pantaleón
Eduvigis is an Eldery Lady who lives in Madrid, and visits bad luck on everyone that she looks at through glasses that her late husband gave her, which were made from crystals from an Egyptian Tomb. To arrange the sale of an inherited house, she must travel to the Canary Islands, and so puts an advert in a newspaper asking for a maid to accompany her, and a chauffeur to drive her car. Mercedes, a girl who works in a Museum in Madrid, and Tony, a student whose college has just started Summer vacation, answer the advert. Neither of them gets along with the other at all, but both are hired to make the trip with Eduvigis. Arriving in Tenerife, Mercedes and Tony discover that the house is worth much more than it appears, and much more than what is being offered.
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La rivolta dei gladiatori (1958)
Character: Gouverneur Crisipius
Marcus Numidius, a Roman tribune sent to Armenia to put down a gladiators' revolt, captures the rebels' popular leader, Aselepius. Princess Amira, with ambitions of being Queen and jealous of Asclepius' popularity, plans his death in the arena by substituting a lion for his human opponent
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La Folie des grandeurs (1971)
Character: Aged Baron (uncredited)
Don Sallust is the minister of the King of Spain. Being disingenuous, hypocritical, greedy and collecting the taxes for himself, he is hated by the people he oppresses. Accused by The Queen, a beautiful princess Bavarian, of having an illegitimate child to one of her maids of honor, he was stripped of his duties and ordered to retire to a monastery.
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Uno straniero a Paso Bravo (1968)
Character: Blacksmith
After spending many years in prison, Gary returns to Paso Bravo, where thugs burned his ranch killing his wife and daughter. Gary seeks revenge, and also finds a people who live terrorized by a group of gunmen led by Acombar. This situation causes Gary skip to face action this gang of murderers.
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Dos hombres van a morir (1968)
Character: Jefe mormón
A town is being terrorized by a gang of marauders led by Bill Anderson, a clever bandit boss. The town's leadership is deciding to do something against the problem, but it does not believe bringing in the military will be a solution. It is agreed upon that they will request help from the well-known Pinkerton agency. At the same time, Ringo, a gunslinger, is chasing after the bandits. He suspects a deeper-sitting conspiracy than random bandit assaults. He joins forces with the newly arrived under cover Pinkerton agent, to uncover a plot between a local businessman, the Mexican revolution and bandit's heist loot of gold. But the bandits have long planned to move on. Disguised as Mormons, they are moving west to start a new life of farming during the day and robbing stage coaches at night. Ringo and the agent track them down....
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Bienvenido, padre Murray (1964)
Character: David Edwards
Early Spanish western. Ramon Torrado’s westerns remain among the most obscure ones. Of his four westerns, all shot around 1964.
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The Horsemen (1971)
Character: Little Governor (uncredited)
In Afghanistan, the ruthless sport of buzkashi is a game of great pride. When Uraz breaks his leg and loses a spirited match, he brings shame to his village, especially his father. After losing his leg below the knee, Uraz, to regain his honor, must learn to ride again and win with a special, one-of-a-kind horse.
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Spanish Affair (1957)
Character: Sotelo
Merritt Blake, an American architect who is travelling in Spain, contracts the services of beautiful local interpreter Mari Zarubia. Sensing there may be something more going on, her jealous lover is not happy about the arrangement.
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