|
|
|
|
|
|
|
Bloodsucking Cinema (2007)
Character: Self
The sound of flapping bat wings, an empty coffin, glistening fangs, tiny punctures on the neck, the sensual taste of blood, a blank reflection, fear of the cross, and death from daylight. These are the creatures of the night, and as legendary (but fictional) vampire hunter Abraham Van Helsing exclaimed: "Gentlemen, we are dealing with the undead!" Perhaps the most enduring film genre of all time, vampire films continue to haunt us on the big screen. Why are we fascinated with the myth of these immortal souls? Could it be the living forever part, or perhaps the fact that they have an unearthly sexual attraction to both males and females? Whatever it is, audiences around the world can't seem to get enough of them.
|
|
|
|
|
Stupidity (2003)
Character: Self
An exploration into the nature of stupidity in Western society and its history of our perception of it.
|
|
|
|
|
Welcome to Hollywood (2000)
Character: Joel Schumacher
A film director decides to chart the course of a young actor as he tries to make it in Hollywood...
|
|
|
The Batmobile (2012)
Character: Self
Witness all five Batmobiles together for the first time in history. Dive deep into every aspect of the most awe-inspiring weapon in Batman’s arsenal as you journey through the birth and evolution of this technological marvel and cultural icon
|
|
|
Diana Vreeland: The Eye Has to Travel (2012)
Character: Self
This intimate and loving portrait of the legendary arbiter of fashion, art and culture illustrates the many stages of Vreeland's remarkable life. Born in Paris in 1903, she was to become New York's "Empress of Fashion" and a celebrated Vogue editor.
|
|
|
Side by Side (2012)
Character: Self
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
|
|
|
Halston (2019)
Character: Self
From Iowa to Studio 54, this investigation into the rags-to-riches story of America’s first superstar designer uncovers the cautionary tale of an artist who sold his name to Wall Street.
|
|
|
Radioman (2012)
Character: Self
The extraordinary story of 'Radioman', a New York film set mascot who overcame homelessness and alcoholism to become a fixture of the New York film industry, with over 100 small parts to his name.
|
|
|
BRATS (2024)
Character: Self (archive footage) (uncredited)
In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars so that together they can reflect on their respective legacies.
|
|
|
Everything Is Copy (2015)
Character: Self
A candid portrait of writer/director Nora Ephron, directed by her son, journalist Jacob Bernstein.
|
|
|
Holy the Sabbath (2006)
Character: Narrator
A chilling portrait of loss and redemption when men create their own gods.
|
|
|
|
|
Very Ralph (2019)
Character: Self
The first documentary portrait of fashion icon Ralph Lauren, reveals the man behind the icon and the creation of one of the most successful brands in fashion history.
|
|
|
Heckler (2007)
Character: Self
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
|
|
