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Left of Reckoning (1984)
Character: N/A
Promotional film for R.E.M.'s second album, Reckoning, directed by James Herbert.
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Krag, the Kootenay Ram (1983)
Character: N/A
A bighorn ram struggles to survive in the wilderness of the Rocky Mountains. Prepared for the American television show, but did not air. First aired in Canada on November 27, 1983. Later shown on The Disney Channel.
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Athens, GA Inside/Out (1987)
Character: Himself
Led by the success of the B-52's and R.E.M., Athens, Georgia was the most happening music scene in the country by the mid 80's. Following several different bands from different genres, this film paints Athens as a magical artistic environment where bands are not in competition, but co-exist in harmony and share the ideals of the land. Live performances of R.E.M.'s "Swan Swan H" and "Dream (All I Have To Do)" at the Lucy Cobb Institute chapel are included. Also featured are performances and interviews frm the B-52's, Pylon, B-B-Que Killers, Time Toy, Jim Herbert, Flat Duo Jets, Love Tractor, Kilkenny Cats, Squalls and more
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R.E.M. : Perfect Square (2004)
Character: N/A
Perfect Square is a video recording of a concert by rock band R.E.M., filmed on 19 July 2003 at the Bowling Green in Wiesbaden, Germany. It was released in DVD format on the Warner Brothers label on March 9, 2004. This concert is perhaps most notable for a performance of the song "Country Feedback", which Michael Stipe opens by declaring it his "favorite song". The rendition features appended lyrics from another song, Reveal's "Chorus and the Ring", and a guitar solo by Peter Buck, neither of which are in the original. Other concert highlights include the appearance of two then-new songs, "Bad Day" (Also originally known as PSA when first written in the early 1980's) and "Animal", and the re-emergence of the long-lost song "Permanent Vacation". "Permanent Vacation" dates back to 1980, years before their first album, while "Bad Day" dates back to 1985.
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R.E.M.: Pop Screen (1990)
Character: N/A
This 35-minute release features promotional videos to all of the band's singles and several album-only tracks from Document and Green. It also includes the video for "Talk About The Passion" from Murmur. This particular video was made to promote the compilation Eponymous which was released between Document and Green, and this is the reason for its otherwise anachronistic inclusion.
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R.E.M. - This Film Is On (1991)
Character: Himself
This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' and 'Country Feedback'; an acoustic performance of 'Losing My Religion' from The Late Show; and a live acoustic performance of 'Love Is All Around' from MTV Unplugged. Also included is 'Endgame', an instrumental track, played over the feature's credits; and several avant-garde clips, ranging from ten seconds to one minute, playing in between each song. This incidental footage was directed by Michael Stipe.
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R.E.M. - Out Of Time (2016)
Character: Schlagzeug
1991's Out of Time catapulted R.E.M. from an indie favorite to one of the biggest bands in the world, with hit singles 'Losing My Religion' and 'Shiny Happy People.' In a case-bound book, this deluxe, 25th anniversary edition features the remastered album, with a treasure trove of bonus material, including new liner notes, 19 never-before-heard demos, an unreleased 1991 live show, plus eight music videos, a 1991 EPK video, and the album in hi-res and 5.1 Surround Sound formats on a Blu-ray disc.
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R.E.M.: When the Light is Mine (2006)
Character: N/A
This is the first complete overview of R.E.M.'s videos for I.R.S. Records, developed and compiled by all four original members of R.E.M. DVD features over two hours of content including all 11 music videos, TV performances, and interviews, plus the unseen music video for "Wolves, Lower."
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R.E.M.: In View 1988-2003 (The Best of R.E.M.) (2003)
Character: Himself
In View: The Best Of R.E.M. 1988–2003 is a DVD featuring videos by the rock band R.E.M. during 1988–2003, released as a companion to the Warner Bros. compilation In Time: The Best of R.E.M. 1988-2003. All but two of the songs included on the audio CD made the DVD—the exceptions being "All the Right Friends" (which had no official music video) and "Animal" (the video not having been shot until early 2004.)
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R.E.M. at Rockpalast (1985)
Character: N/A
Feeling Gravitys Pull, Harborcoat, Sitting Still, Maps and Legends, Fall on Me, Green Grow the Rushes, Driver 8, Hyena, So. Central Rain, Have You Ever Seen the Rain? (Creedence Clearwater Revival cover), Can't Get There From Here, King of the Road (Roger Miller cover), 7 Chinese Bros., Auctioneer (Another Engine), Old Man Kensey, Little America, Pretty Persuasion, Encore: Theme From Two Steps Onward, Toys in the Attic (Aerosmith cover), See No Evil (Television cover), Second Guessing, Encore 2: (Ghost) Riders in the Sky (Stan Jones and his Death Valley Rangers cover), (Don't Go Back to) Rockville, We Walk, Falling in Love Again (Can't Help It) (Marlene Dietrich cover) (Snippet), Behind Closed Doors (Charlie Rich cover) (Snippet), Paint It Black (The Rolling Stones cover)
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R.E.M.: Rough Cut (1995)
Character: Himself
A behind-the-scenes documentary of R.E.M. as they prepare to embark on their 1995 Monster World Tour.
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R.E.M. - Falls to Climb (1999)
Character: Himself
A rare portrait of the band, focusing on the creative crisis faced by the group when drummer Bill Berry quits to become a farmer.
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R.E.M.: This Way Up (1999)
Character: Himself
TV-documentary chronicling the recording of R.E.M.'s 11th studio album "Up" and the subsequent 1998 tour.
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Firebird 2015 A.D. (1981)
Character: Burner
In one of many unpopular and unsupported policy decisions, the US government of the near future outlaws vehicle petrol in an effort to curb the overuse of limited natural resources - except, of course, for official purposes. There are many renegades who oppose the authorities, and will stop at nothing to allow themselves the freedom of burning around the countryside.
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MTV's 10th Anniversary Special (1991)
Character: Self
A special commemorating the 10th anniversary of MTV. Included are performances created for this special by contemporary music artists who have been associated with MTV throughout the years as well as celebrity interviews, animation and a look at MTV around the world.
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R.E.M. By MTV (2014)
Character: Himself
The career of the band, from its start in Georgia to its breakup in 2011.
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R.E.M.: Parallel (1995)
Character: Himself
A collection of R.E.M. music videos from Monster and Automatic for the People. Includes Drive, Man on the Moon, The Sidewinder Sleeps Tonite, Everybody Hurts, Nightswimming, Find the River, What's the Frequency, Kenneth?, Bang and Blame, Star 69, Strange Currencies, and Crush with Eyeliner.
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R.E.M.: Road Movie (1996)
Character: N/A
Live performance recorded at The Omni in Atlanta, Georgia, 18, 19 & 21 November 1995.
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R.E.M. at the BBC (2012)
Character: Performer
In September 2011 R.E.M., the rock band from Athens, Georgia, decided to call it a day after 31 years. This collection from the BBC archives includes performances of Pretty Persuasion from the Old Grey Whistle Test in 1984, Orange Crush on Top of the Pops in 1989 and special acoustic versions of Losing My Religion and Half a World Away on The Late Show in 1991, along with performances on Later with Jools Holland and Parkinson. Also, vocalist Michael Stipe and bassist Mike Mills reflect on the band's ending.
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REM: MTV Unplugged (1991)
Character: N/A
1. World Leader Pretend 2. Half a World Away 3. Disturbance At Heron House 4. Swan Swan H 5. Radio Song 6. Low 7. Perfect Circle 8. Fall On Me 9. Belong 10. Love is all Around 11. End of the World 12. Losing My Religion 13. Pop Song 89 14. Summertime
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R.E.M. Tourfilm (1990)
Character: Himself
Tourfilm (1990) is a documentary-style concert film by American rock band R.E.M. The film chronicles the band's 1989 Green tour of North America. Produced by frontman Michael Stipe and director Jim McKay, the black-and-white film features aspects of avant-garde and experimental filmmaking, including handheld camera shots and stock footage.
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