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Chaplin Today: Modern Times (2003)
Character: Self
Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times." The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece.
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Sodankylä ikuisesti: Elokuvan vuosisata (2010)
Character: Self
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
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Return to Seraing (2011)
Character: Self - Interviewee
Documentary about the making of Luc and Jean-Pierre Dardenne's 2011 film "The Kid with a Bike"
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Two Days, One Night: On Location (2015)
Character: Self
Directors Jean-Pierre and Luc Dardenne return to some of the key locations used in Two Days, One Night and explain how various sequences were shot.
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The Dardennes on Leon M's Boat (2015)
Character: Self
The Dardenne brothers discuss their early documentary films, their relationship with Armand Gatti (who inspired them to become filmmakers), the impact various political events had on their career and work and the shooting of When Leon M.s Boat Went Down the Meuse for the First Time.
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J'aime la vie, je fais du vélo, je vais au cinéma (2005)
Character: Self - Interviewee
An amused and impertinent chronicle that shares with us a few months of the life of independent art house cinemas with demanding programming. The film talks about freedom, independence, possible alternatives to multiplexes and programmed normalization, the role of the spectators in a process of resistance that is growing and takes us far beyond the cinema.
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Il était une fois... « Rosetta » (2015)
Character: Self
Thirty-eighth documentary in the "Un film et son époque" series. It retraces the genesis, shooting and unexpected success of "Rosetta", a film by Belgian filmmakers Jean-Pierre and Luc Dardenne. Palme d'Or winner in 1999, "Rosetta" recounts the daily struggle of a young girl, played by Emilie Dequenne, who lives in a caravan with her alcoholic and depressive mother, struggling from one odd job to the next. All she wants is a normal life.
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Продавцы планктона (2017)
Character: Self (archive footage)
A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.
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L'Eden de la Ciotat (2022)
Character: N/A
To give creativity free reign, in the space of fifty minutes: this is the strength of the documentary series Cinémas mythiques. This episode gives the critic Alain Bergala complete freedom to commemorate the original Éden de La Ciotat cinema. The oldest continuously operating cinema in the world first opened as a theatre in 1889, but the very same year it also hosted its first commercial film screening, comprised of nineteen Lumière “views”. Threatened with closure in the 1980s, the cinema was reopened in 2013 after a restoration project. This luminous documentary accompanies Jean-Pierre and Luc Dardenne over the course of a few days in October 2021 as they walk through the Teatro Éden, the shipyard and the Palais Lumière built by Antoine Lumière, the father of Auguste and Louis. And it does not forget the legendary station from L’Arrivée d’un train en gare de La Ciotat.
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French Cinema Mon Amour (2015)
Character: Self
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
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Trespassing Bergman (2013)
Character: Self
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
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미스터김, 영화관에 가다 (2026)
Character: Self
After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.
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The Legend of the Palme d'Or (2015)
Character: Self
From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.
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Vittorio De Sica - La vita in scena (2026)
Character: Self
A documentary feature film about Vittorio De Sica, one of the greatest masters of world cinema. Through a new access to his family, rare archives and testimonies of contemporary artists and filmmakers from the entire world, the ilm retraces his life, his work and legacy. An intimate portrait of an author able to transform the observation of the real in an universal emotion and reveals the modernity of a gaze which keeps on illuminating cinema and our way of seeing the world.
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Jacques Audiard, le cinéma à cœur (2021)
Character: Self - Interviewee
In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.
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