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Maa Aur Mamta (1970)
Character: Father Henry(as Rehman)
Father Henry (Rehman) entrusts a newly-born infant in the care of an unwed Maya (Nutan), leaving her to explain the presence of the child. She is literally thrown out of the village and runs away to Bombay. There she is taken care of by a kind-hearted Muslim taxi-driver (Jayant). Years later, the child grows up to be called Ram (Jeetendra), but the question haunting everyone's mind is who is Ram's biological father?
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Aashiq Hoon Baharon Ka (1977)
Character: N/A
Indian romance from director J. Om Prakash. Ashok moves from India to Switzerland to work in a uranium enrichment plan, before falling in love with the boss' daughter.
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Phool Bane Angaare (1963)
Character: N/A
Committed to taking care of her widowed mother and younger brother, Usha tells her sweetheart, an army officer, that she cannot marry him until her brother has grown up and can take care of himself.
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Ganga Ki Lahren (1964)
Character: Dr. Balraj
Seema and Uma belongs to a Thakur family which earns their bread & butter through stage & dance performances and this leaves Seema disowned by groom's father, right at the time of marriage rituals. Ashok, son of Diwan Saheb, marries Seema, then & there, to save their faces. Diwan disapproves this marriage and Ashok leaves his estate. He stays in a small rented house with Seema & Uma and starts doing odd jobs. Seema gives birth to their son, Munna. Ashok is diagnosed with an ophthalmic complicacy and need Rs.3000 for an operation which they could not manage despite many efforts. Seema writes to Diwan for money for Ashok's eye operation. Diwan agrees on a condition that Seema leaves Ashok alone.
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Darpan (1969)
Character: N/A
A Teacher from Siddharth College, Balraj Dutt (Sunil Dutt) from a well-known, wealthy, and reputed family falls in love with a former prostitute, Madhvi (Waheeda Rehman) and despite of opposition from his family, marries her, complications arise. The elder brother (Rehman), now married, recognizes Madhvi, as he had spent romantic nights with her. Then arrives Vinod (Ramesh Deo), a family friend, from the United States of America, with full approval for the marriage until he actually meets and then he too recognizes Madhvi, as he had spent some romantic nights with her. How will Madhvi continue to live her married life with the mirror reflecting her past?
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Devi (1970)
Character: N/A
A poor woman feels unwelcome in her husband's family
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Bari Behen (1949)
Character: N/A
Shyama (Suraiya) gets a job as a servant so she can pay for her younger sister, Kiran's (Geeta Bali) education in the city. Kiran, though, is in love with a rogue, Ajit (Pran).
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Shehnai (1964)
Character: N/A
Story of Military commitment by a military wife, Shobha (Calcutta, 1942) played by Nirupa Roy, who in spite of losing her husband to the Air Force and World War 2, despite hardships, carrying the family legacy forward, educates her only son Deepak (played by Biswajeet) to join the Air Force. Deepak also shows firm commitment to his vocation and legacy when forced into taking a decision to choose between his lady love, Preeti (played by Rajshree) and his Air Force Service, by Preeti's parents who fear that Air Force service will endanger his life. Preeti too, opts to serve the Red Cross so that she could be with Deepak.
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Ghunghat (1960)
Character: N/A
An adaptation of Rabindranath Tagore's 1906 Bengali story Noukadubi (The Wreck).
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Daadi Maa (1966)
Character: N/A
Parvati seeks to heal the breach between her husband and his mother
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Palki (1967)
Character: Nawab Mirza
Naseem lives a poor lifestyle with his widowed mom in Lucknow, India. He is well-known for his poems, and gets invited to a contest hosted by Nawab Naseemuddin who has offered a reward of Rs.5000/- to the winner.
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Chhoti Bahen (1959)
Character: Shekhar
Rajendra makes a meager existence supporting his younger brother and sister and vows not to marry until they have settled. However, when his sister loses her sight, his grand plan is threatened.
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Dulhan Ek Raat Ki (1967)
Character: Ranjit
Arrogant son of a wealthy, blind woman, rapes his mother's nurse and abandons her. She gets pregnant but the child does not live, and she continues to live her life and follow up on her love life, only to face the past, and her "reformed" rapist.
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परदेस (1950)
Character: Rajan
A teacher falls in love with a wealthy girl but decides to go away from her to earn money.
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Shahjehan (1946)
Character: Shahjehan
Shahjehan (a raw Rehman in one of his first releases) is approached by a Rajput chieftain, Jwala Singh, narrating the plight of his foster daughter, Ruhi (Ragini), who is blessed with unheard of beauty. This gives rise to an army of suitors, who indulge in violence to prevent her from getting married by scaring her to-be grooms. Her beauty, confined to four walls of Jwala's haveli becomes part of folklore, and street gossip, through the poetry of Sohail (Saigal) who accidentally catches her glimpse, and falls in love with her.
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Baharen Phir Bhi Aayengi (1966)
Character: Mr. Varma
Amita falls in love with a reporter who works for her publishing house. Complications arise when she discovers that her younger sister also loves him. An adaptation of President/Didi (1937)
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दिल दिया दर्द लिया (1966)
Character: Satish
A kind-hearted, widowed landlord, Thakur, lives a wealthy lifestyle with his son, Ramesh; daughter, Roopa; and an adopted child, Shankar. Ramesh hates Shankar and often abuses him. Years pass by, Thakur has passed away, and all three children have grown up. While Ramesh visits a stunningly attractive Courtesan, Tara, drinks alcohol, and continues to abuse and mercilessly beat Shankar, who bears this in silence as he and Roopa are in love with each other. When Ramesh finds out that Roopa wants to wed Shankar, he has him severely beaten and thrown off a cliff. He then arranges Roopa's marriage with another wealthy man, Satish, while he continues to romance Tara and even signs over his entire estate and home to her name.
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بہانہ (1965)
Character: N/A
Bahana is a 1965 Indian Urdu film directed by Zahir Raihan under the banners Saregama. The film (Bahana), starring Sajjan, Meena Kumari, Anwar, Kumar, Pramila, Azurie, Sheela Vaz, was released in theatres in 1965. The film’s songs are composed by Madan Mohan Kohli and lyrics written by Rajendra Krishan.
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Pyar Ki Jeet (1948)
Character: Bihari
Radha, a young woman's journey through love, betrayal, and resilience. It explores her experiences with a broken promise of marriage and her subsequent struggle for independence and dignity, all set amidst a backdrop of intertwined romantic relationships and significant musical numbers.
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Ek Nazar (1951)
Character: Raj Kumar
Two friends arrive in the city seeking work and find themselves in a theater company, where love, fortune, and hidden motives test their bond and their hearts.
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Intaquam (1969)
Character: N/A
Reeta Mehra gets a job at a department store to support her ailing mother. After she refuses sexual favours to an important business partner, her boss Sohanlal has her framed for shoplifting. When Reeta gets out of prison, her mother has died. She meets Heeralal, who has also been cheated by Sohanlal, and together they work out a plot for revenge. Reeta is to marry Sohanlal's son and then reveal her history, disgracing Sohanlal's name. Things quickly become more complicated than anticipated.
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बहारों की मंजिल (1968)
Character: Subodh Roy
During a ceremony, Nanda gets amnesia after an explosion. She claims to be Radha. Dr. Rajesh treats her. They visit Bombay to uncover her past but are trailed by a goon. Rajesh investigates further to unravel the mystery.
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Prem Shastra (1974)
Character: N/A
Writer Sagar Sharma is in love with a much younger woman named Barkha. When Sagar meets his ex-wife, Neelima, she tells him that Barkha is her daughter. Perturbed that he is dating his ex-step-daughter, Sagar disbelieves her and continues to have his affair with Barkha. And then Neelima tells him that she had an affair with his elder brother and that Barkha is his daughter. Sagar will now decide to end this affair, as neither the community nor his very own brother will permit him to have an affair with his own niece.
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غزل (1964)
Character: Akhtar Nawab
Agra-based atheist and revolutionary poet/editor of Inquilab, Ejaz, falls head-over-heels in love with Naaz Ara Begum after he hears her sing, and then ends up losing his job. With the assistance of his lovely sister, Kausar Ara Begum, Ejaz and Naaz meet secretly. This does not auger well with Akhtar Nawab, Naaz's paternal cousin, who plans to marry her. To make matters worse, their meeting is witnessed by her enraged dad, Nawab Bakar Ali Khan, who initially asks Ejaz to leave, and then decides to teach him a lesson - with two loaded rifles.
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12 O'Clock (1958)
Character: Rai Mohan
Bani Chowdhury and solicitor Ajoy Kumar are deeply in love with each other. But their world comes crashing down when Bani's cousin, Maya is found dead in the first class compartment.
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मस्ताना (1970)
Character: Mr. Dhanraj
A poor and lonely woman strikes up a friendship with a rich but neglected child, but her parents refuse to let their child see her - until she falls gravely ill.
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दोस्त (1974)
Character: Mr. Gupta (Kaajal's Father)
Maanav is an orphan who was brought up by a Catholic Priest. After completing his M.A. he returns home and finds out that his mentor is dead. He re-locates to Bombay and a man named Gopichand Sharma attempts to steal his luggage. The men become friends - Gopichand eventually changes his lifestyle, decides to be honest. Maanav gets him a job with Hercules Milk Foods. Maanav meets with and falls in love with the daughter of the owner of Hercules Milk Foods, much to the chagrin of her Dad. Then one day Maanav disappears from Gopichand and Kaajal's lives. He re-locates to Simla and it is here that he learns that things have spiraled out of control.
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अमानत (1977)
Character: Amar
Balraj Sahani plays a professional Artist with wife Achala Sachdev and son Manoj Kumar caught in the trap of Rehman and Shashikala who for the payment of a large Life insurance policy frame him in the murder of Rehman - who escapes to a world of crime after becoming a dead man for the world.
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वक़्त (1965)
Character: Chinoy
A businessman's family is torn apart by an earthquake and reunited years later in a courtroom where father and sons stand opposed in the roles of accused, lawyer, and witness.
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धर्म पुत्र (1961)
Character: Javed
The story of two families — one Muslim and one Hindu — living together in India under British rule.
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चौदहवीं का चाँद (1960)
Character: Pyare Mian Nawab
Nawab sees Jameela in a market and instantly falls in love with her. The situation gets complicated when Aslam, his childhood friend, also ends up liking her.
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Heera Panna (1973)
Character: Raja Sahib
Heera has two passions in his life, namely his love for Reema, an air-hostess, and photography. When Reema passes away during an airplane accident, Heera is left with only passion in life - photography. During one of his photographic sessions with Raja Saab, a priceless diamond is stolen by Panna, and is hidden in Heera's car. When Heera comes to know about this theft and that he is in possession of stolen property, he decides to turn Panna in to the police, and that's when he comes to know that Panna is Reema's younger sister.
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Mere Hamdam Mere Dost (1968)
Character: Ajit
Sunil lives with his mom and sister in a middle-class dwelling in Delhi, India. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting and instantly falls in love. The only problem, Sunil hates rich girls and this girl is very wealthy.
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Phir Subha Hogi (1958)
Character: Ram's friend
Ram is a bright but destitute law student. Out of love for an even poorer girl, he commits a crime that starts chasing him like a ghost. He is torn between 'wanting a punishment' and 'getting away with it.' But, is it really in his own hands?
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Vakil Babu (1982)
Character: Khan (Public Prosecutor)
Shekar is a sculptor who is blind. He eventually falls in love with Kalpana though his insecurities make him kill her ex lover who he thinks is having an affair with her. What is Shekar's fate now?
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मेला (1948)
Character: N/A
A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.
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दुश्मन (1972)
Character: Judge
Surjit Singh is forced to take care of Ram Din's family after he accidentally kills him while driving under the influence of alcohol. However, he is treated with hostility by Ram Din's family members.
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प्यासा (1957)
Character: Mr. Ghosh
Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.
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Aandhi (1975)
Character: Aarti Devi's Father
J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.
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साहिब बीबी और ग़ुलाम (1962)
Character: Chotte Sarkar
A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.
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Dil... Akhir Dil Hai (1982)
Character: Arvind Desai
Kusam Desai moves from Pune to Bombay with her new husband and family friend Vimal, who does not live up to her expectations. After discovering Vimal's love with Sapna, they must use the Hindu Marriage Act of 1955 in order to obtain a divorce, which is culturally stigmatized.
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आप की कसम (1974)
Character: N/A
Rajesh Khanna plays Mumtaz's jealous husband who begins to doubt her fidelity when his best friend Sanjeev Kumar enters their lives. She is unable to convince Rajesh Khanna that she loves only him. He leaves her, not knowing that she is pregnant with his child. Depressed and confused, Rajesh Khanna becomes a homeless wanderer, while Mumtaz remarries to provide a secure home for her child. Many years later, the truth dawns on him as he turns up, a broken man, at his own daughter's wedding.
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Naina (1973)
Character: N/A
The poet, Ravi, haunted by the memory of his former lover Naina is drowning his sorrows in alcohol when he meets Jyoti
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Gomti Ke Kinare (1972)
Character: Gopal Das
After his father's death, young Sameer runs away to search for his mother and is adopted by the tawaif Ganga.
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छलिया (1960)
Character: Kewal
The tragic-comic story of Chhalia, a naive, simple-minded young man who comes to the city and witnesses the harsh side of life; and falls in love with a young woman named Shanti, only to find out that she is married but separated from her husband, Kewal, and adopted son, Anwar. He puts all he can in an effort to locate Kewal and re-unite the family.
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ताज महल (1963)
Character: Jahangir
Based on the historical legend, this commercially successful film delves into the context of why Mughal emperor Shah Jahan built the Taj Mahal in fond remembrance of his wife, Mumtaz Mahal.
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Janwar (1965)
Character: Mahendra Srivastav
The wealthy patriarch of a Mumbai family learns more than he wants to about his own origins after his refusal to accept his sons' chosen spouses drives them and his own wife away.
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शिकार (1968)
Character: Sharma
An estate manager discovers his employer dead and a mysterious woman unconscious after a car accident, and must collaborate with a police inspector to solve the mystery.
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जुआरी (1968)
Character: Chaari
Rakesh is an unemployed youngster who turns to a master gambler for existence. But even after getting rich he values morals than money. But slowly he feels that he is being used by a rich woman. Rakesh is now forced to question whether he chose the right way to get rich.
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Noorjehan (1967)
Character: Emperor Akbar
Noor Jahan, the empress of the Mughal empire, becomes the favourite wife of Emperor Jahangir and steadily begins to exert more influence on the throne through her love for him.
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