|
|
|
This Is an Adventure (2005)
Character: Self
During production on the film "The Life Aquatic with Steve Zissou", documentary filmmakers followed the cast and crew of a film which depicts other documentary filmmakers who follow animal life. In this film, we get a first hand look at the sets and come very close to many of the cast and crew members at work, especially Bill Murray and Wes Anderson.
|
|
|
|
|
Uncropped (2024)
Character: Self
A legendary Village Voice photojournalist recounts the stories behind iconic images taken over the course of a five-decade career. A visual chronicle of New York City and a window into the heyday of alternative print media.
|
|
|
Always at The Carlyle (2018)
Character: Self
The iconic Carlyle hotel has been an international destination for a particular jet set as well as a favorite haunt of the most discernible New Yorkers.
|
|
|
Sing (2016)
Character: Daniel (voice)
A koala named Buster recruits his best friend to help him drum up business for his theater by hosting a singing competition.
|
|
|
|
|
Bandes Originales: Alexandre Desplat (2020)
Character: Self
Alexandre Desplat is one of the most famous film music composer of today. Innovative artist with a singular expression, he is the successor of french masters of film music: Georges Delerue, Antoine Duhamel, Maurice Jarre. Writing music for films gather his two passions: music and cinema. Between working sessions, confidences, films and personnal archives, Alexandre Desplat offers, through this documentary, a great record on the creative process and today’s cinema.
|
|
|
On the Set: 'The Life Aquatic with Steve Zissou' (2005)
Character: Self / Director
Director Wes Anderson and The Life Aquatic crew discuss the effort that went into crafting the world of Steve Zissou. Join us as we dive deep into the costumes, set design, and visual effects of this wild action adventure film.
|
|
|
The Royal Tenenbaums (2001)
Character: Tennis Match Commentator #1 (voice) (uncredited)
Royal Tenenbaum and his wife Etheline had three children and then they separated. All three children are extraordinary --- all geniuses. Virtually all memory of the brilliance of the young Tenenbaums was subsequently erased by two decades of betrayal, failure, and disaster. Most of this was generally considered to be their father's fault. "The Royal Tenenbaums" is the story of the family's sudden, unexpected reunion one recent winter.
|
|
|
Fantastic Mr. Fellini (2020)
Character: Self
A tribute that Wes Anderson wishes to pay to one of his favourite directors on the occasion of the 100th anniversary of his birth. Together with Francesco Zippel, Anderson has retraced some themes close to Fellini’s own approach to cinema.
|
|
|
|
Hitchcock/Truffaut (2015)
Character: Self
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
|
|
|
Trespassing Bergman (2013)
Character: Self
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)
|
|
|
|
Fantastic Mr. Fox (2009)
Character: Stan Weasel (voice)
The Fantastic Mr. Fox, bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.
|
|
|
Bergmans video (2012)
Character: Self
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)
|
|
|
Le fantastique Mr Murray (2019)
Character: Self interviewee (archive footage)
Bill Murray is considered by many of his fans to be "the coolest man in the world". But how is it that this actor, who for a long time did little more than a few weird performances with strangers and crazy improvisations on TV shows, is now better known than many of his fellow actors with far more impressive filmographies? Although the film "Groundhog Day" was published a quarter of a century ago, the cult surrounding the American improvisational talent has never died down and is now becoming almost irrational. The documentary, peppered with interviews from companions and confidants, follows in Murray's footsteps and tries to fathom where the unique fascination for this man comes from. Starting with the theater in his hometown of Chicago, to the TV shows of the satirical magazine "National Lampoon" and the legendary comedy show "Saturday Night Live" to his checkered film career.
|
|
|
100 Years of MEISTERSTÜCK (2024)
Character: self
To mark a century since our Meisterstück was first introduced in 1924, Montblanc has partnered with American director and screenwriter Wes Anderson to create a campaign that journeys into the Maison’s extraordinary world as seen through the filmmaker’s eyes.
|
|
|
Friedkin Uncut (2018)
Character: Self
An introspective insight into the life and artistic journey of William Friedkin, an extraordinary and offbeat director of cult films such as The French Connection, The Exorcist, Sorcerer, Cruising, To Live and Die in L.A. and Killer Joe. For the first time Friedkin opens up, guiding the audience on a fascinating journey through the themes and the stories that have influenced his life and his artistic career.
|
|
|
La leçon du professeur Goudet (2013)
Character: Self
Stéphane Goudet is all over the Tati box-set as the preeminent Tati scholar, so it is only fitting that he conclude the disc with a half hour lecture that concludes the themes and methods of the filmmaker.
|
|
|
Sing 2 (2021)
Character: Additional Voices (voice)
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
|
|