Ernst Schou

Personal Info

Known For

Acting

Known Credits

0.1264

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Ernst Schou

Biography

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Credits

Tro, håb og trolddom Tro, håb og trolddom (1960) Character: N/A
In the northern part of the Atlantic Ocean on the island of Troldø lives a single farming family. The grandmother Gunhild is the only woman on the island and her son Enok is unable to find a wife. Gunhild's advanced age causes her to worry for the future of the family. So she initiates a plan to get Enok married, a plan that is put into action when the young Eva becomes stranded on the island. But the community must be shaken by several dramatic events before Gunhild can breathe a sigh of relief.
Lyntoget Lyntoget (1951) Character: N/A
A dangerous prison escaper, a young Jutland woman, and a bank clerk, who has just deprived his employer of some cash and is now headed abroad, meet on a lyntog (literally "lightning train") from Arhus to Copenhagen.
Rekrut 67 Petersen Rekrut 67 Petersen (1952) Character: Løjtnant Bagger
It all happens over two days and—naturally—and in particular—two nights. A perfectly ordinary girl gets herself into a lot of trouble because of her slightly too big heart, which exposes her to trials and temptations she cannot overcome without the help of little white lies and pretence. She manages to overcome almost all obstacles, but loses her heart.
Kriminalsagen Tove Andersen Kriminalsagen Tove Andersen (1953) Character: Betjent Lund
Tove Andersen's problem ends in Christianshavn's moat, and this is where the film begins. The body has a noose around its neck. The homicide division is called in, and it turns out that shortly before her death, she had undergone an illegal operation. An unscrupulous womanizer had abandoned the young student from the countryside when the relationship had consequences. The doctor rejects her after a beautiful lecture on the sanctity of life, and she must therefore rely on "private" help.
Harry og kammertjeneren Harry og kammertjeneren (1961) Character: N/A
A gentle comedy offering the promise of easy social consensus. Harry (Helmuth) is a simple old-time shop porter offered a chance at self-realisation when he's bequeathed a sum by an unknown relative (via several levels of fiscal blood suckers). He decides to engage a butler to take good care of him for a time. This is a man of distinguished upper class service, but a generous nature which happily integrates with Harry's small but colourful world of drinking buddies and crackpot neighbourhood kids.



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