|
Maryša (1935)
Character: Rozara Vavra
A village drama about the tragic culmination of a forced marriage. The film was financed by a Brno company, which required interventions in the generally known original. The reason for moving the location of the action and rewriting the dialogues into the appropriate dialect was the idea of making the spectacular Vlčnov costumes more spectacular. Their distinctive color led the producers to the idea of filming several crowd costumed scenes (the wedding) on color material. However, the parts of the color copy processed abroad were not used in regular distribution. Another requirement was to emphasize the positive influence of the Catholic Church and have a more conciliatory conclusion.
|
|
|
Lidé na kře (1937)
Character: Marta
The economic crisis affects the lives of many people. Professor Václav Junek gradually discovers how significantly his idealistic vision differs from the real life of his four children. The eldest son Zdeněk has been an unemployed engineer for two years. Daughter Pavla, a doctor, works in a hospital for a very low salary. The second daughter Hanka has left her job as a stenographer and wants to become a film actress...
|
|
|
Děvčica z Beskyd (1944)
Character: Terezka
The families of Vavruš Cagala and Cyril Hanulík live in a secluded area in the Beskydy Mountains. Vavruš and Cyril are hardworking woodcutters and foremen. Cagala's daughter Terezka likes Tomáš Hanulík, but she also likes Pavel Zgabaj, the son of the owner of the farms in the valley. Cyril Hanulík is jealous of his Heva and wrongly suspects her of infidelity. Francek, whom Heva loved before their marriage, takes revenge on the Hanulíks: he sets fire to their apiary, from which he seizes Cagala's hayloft. Since then, misfortune has befallen the Cagala family. They lose their horses and wood, and old Zgabaj demands the money he lent them. He is only willing to back down from his demands if Terezka marries his son. Cagala does not want to allow her daughter to sacrifice herself, so the girl secretly goes to the farm to work there as a helper on the farm...
|
|
|
Gabriela (1942)
Character: Gabriela Tuzarová
Gabriela Tuzarová still loves her husband Petr very much, even though he has cooled off towards her. Petr is an accountant in a printing house. He secretly speculates on the stock market and maintains a relationship with the owner of the company, Šeborová. He speculated on Gabriela's dowry and thirty thousand crowns, which he borrowed from the company treasury. The famous conductor Štěpán Tuzar, Petr's brother, arrives in Prague. Štěpán is enchanted by Gabriela...
|
|
|
Hlídač č. 47 (1937)
Character: Anna Doušová
A young village shopkeeper, Ferda Zuska, wants to jump in front of a train because his girlfriend has married someone else. At the last moment, he is saved by the railway guard Douša and his wife Anna. Ferda soon forgets his sadness and starts courting Anna. The unsuspecting Douša is the laughing stock of the whole village. Moreover, during Ferda's rescue, he slipped on the embankment, injured himself, and has had difficulty hearing since then. One day, he even discovers with horror that he has gone completely deaf and that he must therefore leave his job...
|
|
|
Její pastorkyně (1938)
Character: Jenufa
Village drama. The widowed daughter-in-law of the old woman Buryjovka, called Kostelnička, is very proud of her pretty and well-bred ward Jenůfa. The girl is liked by both of the old woman's grandsons - her own Stevo and her step-grandson and a bit of aloof Laco...
|
|
|
Okouzlená (1942)
Character: Jitka Zykanová
In the garden of Hojtaš's estate, local dignitaries gather to watch a theatrical performance starring the author of the play, Dr. Pavel Chvojka, the landowner's granddaughter Olga, and Lenka, her ward. Lenka is intoxicated by the theater and Pavel, but he prefers the more experienced Olga. Lenka runs away to Prague to become a real actress. However, the beginnings are difficult and the girl is forced to work in a fashion salon. Here she meets the warm-hearted Milada, with whom she also shares a sublet. In the salon, Lenka meets Pavel again after some time...
|
|
|
Posel úsvitu (1951)
Character: N/A
A biographical film about a Czech mechanic and designer who was the first in the Czech lands to construct a steam car.
|
|
|
Po noci den (1956)
Character: N/A
A Czech art film set in a modern village. The main character of the film is Karla Tolarová, a worker from a Prague printing house, who arrives for a harvest shift at a unified agricultural cooperative in Běšíčice at a critical time for the cooperative. The grain in the fields is ripe, the machine-tractor station does not have the necessary machines for the cooperative, the cooperative members do not trust each other, they lose interest in working together.
|
|
|
Hvězda (1969)
Character: N/A
Who wouldn't want to return to the limelight? Years ago, actress Slávka Hradilová was a movie star. Today, she is approaching 60 and the most she does is appear in commercials. But she still keeps in shape. She regularly meets with friends to help them solve their problems, enjoys her teenage granddaughter, but above all she longs to get a big role in front of the movie camera again. When one day she gets an offer with a script in hand, she beams and heads to the studios where she was once almost a queen. But it turns out that times have changed, and today's directors want something different from actors than routine gestures and flashy facial expressions. So the former star is in for a profound disappointment...
|
|
|
Poslední muž (1934)
Character: Zdenka
Alois Kohout is a high school professor, a despotic family tyrant and a terror before whom everyone trembles in panic. And yet there is a man who can knock down the professor's pride, restore his family's freedom and, on top of that, take the professor's daughter to a peaceful marriage haven...
|
|
|
Ulice zpívá (1939)
Character: Lory Brandlová
A pair of circus clowns, played by Vlasta Burian and Jaroslav Marvan, take in an abandoned child and care for them even when they have to make a living as street musicians. The grateful foundling loves his adoptive parents even in adulthood, when he struggles with both love and stolen loot that accidentally falls into their laps. However, the result is only a crudely sentimental comedy that is considered one of the weakest works of the king of comedians, although he also participated in the direction.
|
|
|
Svět kde se žebrá (1938)
Character: Zorka Náhlíková
The smooth narration, corresponding to the requirements of a light comedy, develops the smiling and optimistic story of the "one-armed" beggar Dostál, who earned enough money with his excellent begging skills to buy a nice house, become a respectable master of the house, and save the impoverished lawyer Neprosil from poverty, who he contributed regularly to him when he was still well off. He also wanted to get him together with his pretty ward Zorka, for whom he said he would be an ideal husband, but the young people were able to do that by themselves and without his clumsy help, or rather despite his rather ineffective help... The film was shown at the VI. IFF in Venice in 1938.
|
|
|
Naši furianti (1938)
Character: Markytka
The richest farmer and at the same time mayor Dubský and first councilman Bušek are constantly competing for supremacy. Their rivalry affects not only the fates of their families, but also the entire village, in which every problem, even the smallest one, everything that the board of directors discusses becomes a battleground for the two rivals. And it is not just about who will be appointed night watchman due to the increasing thefts. It is also about the love of Václav, Dubský's son, and Verunka, the daughter of councilman Bušek.
|
|
|
Noční motýl (1941)
Character: Helena Vargová
Marta Dekasová works as a governess in a garrison town. The beautiful girl is the center of attention of many men, but she only desires Lieutenant Varga, who is married and rejects her. Desperate, Marta throws herself into the arms of the most intrusive of her suitors, and is then dismissed in disgrace. She goes to Prague to live with her friend Kiki, becomes a bar singer, and continues her journey down the sloping surface. Hope for a new life dawns on her when a young student falls in love with her, but just then Varga appears in the bar and rekindles her unquenched feelings...
|
|
|
Tanečnice (1943)
Character: Clo Satranová
The bourgeois family does not forgive, from her point of view, inappropriate behavior - contempt overtakes both the girl who decides to dedicate her life to dancing and her sister, who takes in her child, passing it off as her own. The sinister lesson is that even the greatest career cannot compensate for lost maternal love...
|
|
|
Jarní vody (1968)
Character: N/A
Sanin, an aging Russian nobleman, recalls his unfulfilled love for a simple girl with whom he fell in love during his youthful travels, but left her for a short-lived love affair with a selfish high society beauty.
|
|
|
Kočičí hra (1984)
Character: Adelaida Brucknerová, Viktorova matka
It seems almost unbelievable, but it has been 30 years since István Örkény's Cat's Play premiered on the stage of the former Tyl Theatre, now the Stavovský Theatre, with Dana Medřická and Vlasta Fabiánová in the lead roles. It has been performed 403 times and has become a true cult production of the 1970s and early 1980s. The story of two sisters, whose lives are divided by the Iron Curtain, resonated with the audience with its truthfulness. In Dana Medřická's interpretation, the character of Erža Orbánová has also become a symbol of indomitable optimism despite the poverty of life. Not only this production, but also the acting performance of Dana Medřická and Vlasta Fabiánová have become legends during their lifetimes.
|
|
|
Městečko na dlani (1942)
Character: Anči Karasová
Tragicomic events in the idyllic town of Rukapán reveal both the prejudices of the local residents and their solidarity. The chronicle of the town of Rukapán captures the funny and tragic fates of its inhabitants at the end of the nineteenth century. Poacher Matěj saves the council of Zimmerheier in a buried mine, mayor Buzek is warned by an angel to stop drinking, and other events form a mosaic of the small town.
|
|
|
Pelikán má alibi (1940)
Character: Jarmila
While street photographers Máček and Kalabis are vainly offering their services to passersby, a pair of cronies rob a jewelry store almost right in front of their eyes. Kalabis accidentally manages to photograph one of the robbers. Coincidentally, the brutal thug is indistinguishable from the notorious bookseller Karel Pelikán. Hard times await him: the police, led by the experienced district inspector Moudřý, are interested in him, as well as a gang of criminals who accidentally slipped Karl a ticket from the train station locker where they hid the loot. The only ones who trust Karl are his good-natured aunt Klára and his girlfriend in love, Jarmila...
|
|
|
Rozina sebranec (1945)
Character: Rozina
Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.
|
|
|
Lavina (1946)
Character: Irena Malíková
An ambitious and selfish lawyer confesses to the murder of his first wife. Some of the scenes were filmed in the last weeks of the war.
|
|
|
Velká filmová loupež (1987)
Character: N/A
The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.
|
|
|
V pokušení (1939)
Character: Eva Skálová
When the handsome parish priest takes on a single mother with a child, he has no idea what kind of malicious gossip he will be exposed to. But he is determined to take care of his brother's girlfriend, who left for America for a long time, not knowing that he had become a father, despite all the difficulties...
|
|
|
Vyšší princip (1960)
Character: N/A
During the Nazi occupation of a Czech city civilians are being rounded up on the slightest of pretexts and shot. One day three high school boys who crack jokes about a recently deceased "hero of the Reich" are pulled out of school by the Gestapo.
|
|
|
Hrdina má strach (1966)
Character: Hofmánkova žena
Honza Vavrinec (Rudolf Hrusínský) works in the investment department of a large office. One day he gets involved in the case of an unjustly convicted worker who mistakenly considers him a parliamentary deputy. Honza as a "deputy" interferes in the case and helps the worker. Encouraged by the success and possibly also out of love for the beautiful secretary Svatava (Blanka Bohdanová), the then shy and fearful Honza stands up for the chief of the department, Hofmánek (Ladislav Pesek), who has been removed from his position.
|
|
|
Babička (1940)
Character: Knezna Vilemína Zahanská
A highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
|
|
|
Honza málem králem (1977)
Character: Honzova máma
A fairy tale about how those who have a heart and are not stingy will not fail. The most popular hero of Czech fairy tales, besides the brave prince and the beautiful princess, is undoubtedly Honza, who is often not stupid at all, but on the contrary brave, clever, handsome and cheerful.
|
|
|
Byl jednou jeden král... (1955)
Character: vdova Kubátová, podruhyně
A selfish self-centered widowed ruler, barely tolerated by his subjects and called appropriately enough, 'King Myself, First' asks his three daughters to name the measure of their love for him. When one of them says, "more than salt", he banishes her from the kingdom. Not understanding what she meant the King assumes love can only be measured by precious metals or one's own talent, the 'correct' answers from his other two daughters. The arrogance of the King leads him to gather all the salt in the kingdom and destroy it. Of course, this backfires as he slowly learns the universal value of the substance, and of course, the essence of his daughter's reply. With the help of the wise and magical old 'herb woman', the King also learns what it means to be a true and wise ruler.
|
|
|
Šašek a královna (1988)
Character: N/A
The movie is a satirical look at foreign occupation - a medieval Czech jester entertains a German king and his French wife, or a modern Czech villager helps a Bavarian hunter and his French wife find wild boar in Bohemia - the story switches back and forth between the two plots and time-periods.
|
|
|
Turbina (1941)
Character: Žofka Pečulíková
The imperial councilor Ullik decides to modernize his old mills by installing a new turbine. His eccentric brother-in-law Artuš tries to prevent this, as the construction work disrupts the statics of the tower in which he lives. Ullik's older daughter Tynda is a talented singer. The bewitched girl secretly accepts the courtship of the virile Václav, the son of the night watchman. Her younger sister, the doctor Marie, wins the heart and hand of the astronomer Zouplna, despite her father's prohibition...
|
|
|
Maryša (1972)
Character: N/A
Maryša, a peasant daughter, is forced by her greedy parents to marry a rich miller, a widower with three children. But she loves the village scoundrel Franck, who has no hope against Vávra. Francek goes to the army and Maryša and Vávra go to catechism with the priest. Maryša and Vávra's marriage is unhappy. The parents also realize their mistake, especially Lízal, who offers his daughter to return home. Maryša refuses and also rejects the proposal of Franck, who has returned from the army and asks her to run away to Brno with him. She chooses a tragic solution...
|
|