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Trois Télégrammes (1950)
Character: Mrs. Grandjean
Story is primarily based on the adventures of Antoine, a young telegraph messenger on his second night of work. He is given three telegrams, one of which is for the president of the Camber of Deputies. Excited, Antoine runs his bicycle into a truck and loses the telegrams. What follows is an amusing and agonizing search for the missing messages. He is assisted first by a glum, wise-beyond-her-years little girl, Amelie; an off-duty police superintendent, a schoolmaster, a cookie-tin maker and a fireman. The harmonica musical theme is played by Flore Falvey.
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La Bête aux sept manteaux (1937)
Character: N/A
An English gentleman himself causes his own burglary to better suppress the formidable gang which, after having murdered his brother, is now attacking his fortune.
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La Jeune Folle (1952)
Character: Madame Donovan (uncredited)
Ireland, 1922. In the midst of a national uprising, Catherine, a young orphan employed in household chores, goes in search of her brother whom she has heard in a dream calling for help.
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Trois artilleurs au pensionnat (1937)
Character: Alice
Three happy reservists are doing a military period. One evening out and about, thinking they were going back to the barracks, they enter a boarding school for young girls. They exchange their uniforms for the dresses of three teachers, which launches them into a series of incredible adventures for a few days.
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Le Plus Beau Gosse de France (1938)
Character: N/A
The wife of a Parisian municipal guardian wins a beauty contest in spite of herself and narrowly escapes more or less honest adventures.
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Amédée (1950)
Character: Saleswoman
Employed in a beauty salon, Amédée must undergo a pentothal injection. The dose is too strong; suddenly Amédée reveals the truth to everyone; to clients of the institute; to his cheating wife; to his boss that he robs; to the tax collector; etc. When the effects of the truth serum wear off, everyone returns contentedly to their little swamp.
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Le Plus Joli Péché du Monde (1951)
Character: A friend (uncredited)
Zoé, a pretty penniless girl, decides on the advice of her neighbor to embark on gallantry. After a brief failure, she meets a young boy, Jacques Lebreton who is about to get married. After causing the failure of this arranged marriage, she will have to play the role of wife of Jacques with his family, until the arrival of the uncle from America.
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La Vie chantée (1951)
Character: The wrestler's wife
The cinematographic illustration of fifteen cheerful, tender or ferocious songs that made the success of the songwriter of the comedian Noël-Noël. After "Les casses pieds", "La vie chantée" stages several sketches of daily life where everyone can recognize themselves and laugh about it.
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Club de femmes (1936)
Character: Suzanne
Young women search for love whilst living in a cheap Parisian boardinghouse that does not allow men.
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Une histoire d'amour (1951)
Character: A guest (uncredited)
Catherine, 18, loved Jean, a young accountant, who loved her in return. And yet, one morning, two policemen find their dead bodies on a stretch of waste ground. The case is obvious: the two young people have killed themselves. But why? Chief Inspector Ernest Plonche, feeling upset, decides to investigate personally.
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La nuit est mon royaume (1951)
Character: Madame Landry - la mére
After an accident, Raymond has gone blind. His family treats him like a child, but fortunately a nun comes to his rescue. She works in a center where blind people learn to read using the Braille alphabet.
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Le Chemin de Rio (1937)
Character: N/A
Two journalists from different papers are looking for the same story. They want to know, who a group of gangsters getting young women from Europe to South America, where they are forced to work in brothels. But the gangsters have their own battels against each over, so the journalists can escape the danger, in which they've brought themselves.
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Retour à la vie (1949)
Character: Young widow (segment "Le retour de René")
In France in 1946, the difficult return to civilian life of five deportees and prisoners of war after having lived through the hell of the Second World War.
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Justice est faite (1950)
Character: Madame Michaud, boss of Roy Solei
Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.
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