Luc Bondy

Personal Info

Known For

Directing

Known Credits

0.9235

Gender

Male

Birthday

17-Jul-1948

Age

(78 years old)

Place of Birth

Zürich, Switzerland

Also Known As
  • NO INFO PROVIDED

Luc Bondy

Biography

Luc Bondy (17 July 1948 – 28 November 2015) was a Swiss theatre and film director. Trained in Paris with the theatre teacher Jacques Lecoq, he received a job in 1969 as an assistant at the Hamburg Thalia Theatre. In a surprise, he took over in 1985 after the resignation of Peter Stein at the Schaubühne in Berlin. He also worked as a producer of both plays and operas at the Salzburg Festival, and in 1985 as a director at the Vienna Festival. He directed a staging of Tosca, by Puccini, at the Metropolitan Opera in New York. Both the opera, as well as the director, were greeted by loud boos on opening night, 21 September 2009. The reception was generally negative. James Levine, the music director at the Metropolitan Opera likened the production to a 'Hitchcock movie' and the cultural critic for the New York Times, Charles McGrath, felt that the new production was a part of Gelb's mission to transform the Met by emphasizing theatricality. In an interview after the premiere of Marc-André Dalbavie's opera Charlotte Salomon, Bondy was asked whether his being Jewish had anything to do with his having directed the production. "So I said to her this is a production about a Jewish artist...the subject is the story of Charlotte Salomon" said Bondy, who then walked out on the interviewer. He died on 28 November 2015 in Zurich. Description above from the Wikipedia article Luc Bondy, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

La Traversée du désir La Traversée du désir (2009) Character: Self
What was your first desire? What did you long for most? Arielle Dombasle put these questions to a wide circle of famous people.
Im Land meiner Eltern Im Land meiner Eltern (1981) Character: Himself
"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.
Die bleierne Zeit Die bleierne Zeit (1981) Character: Werner
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
L'Absence L'Absence (1993) Character: N/A
Four nameless people -- the old man, the woman, the soldier, and the gambler -- journey to a desolate wasteland beyond the limits of an unnamed city.
Ausländer raus! Schlingensiefs Container Ausländer raus! Schlingensiefs Container (2002) Character: Himself
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.



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