|
Chaque minute compte (1960)
Character: Leroy
The Leroy factory manager, Sorel, is a gambler with debts, playing double-game. He enjoys the advantages of his social situation and the confidence shown him by his boss, Leroy.
|
|
|
L'Affaire Lourdes (1967)
Character: Fould
In Lourdes, in the 1860s, the young Bernadette disturbs despite herself the peaceful life of the small town. She is the only one to see the apparition of The Lady, every day. The villagers take sides, the notables try to stifle the affair. But crowds come from all over the country. Inspired by the true story of the Lourdes affair.
|
|
|
|
|
Les Bicots-nègres, vos voisins (1974)
Character: N/A
A lucid, sincere and intricate political film, it demonstrates how French neocolonialism exploits migrant labor and exerts a cultural imperialism over their minds.
|
|
|
Thomas (1975)
Character: Pierre
In Troyes, Thomas, the son of a bourgeois family, is in the final stages of his adolescence. He's almost an adult when he discovers that his mother has a lover. At the same time, he realizes that his father is turning a blind eye, and that the estranged couple are only together for show. Thomas rebels, but has to hide his dismay and satisfy his great need for tenderness at the same time.
|
|
|
Pitchi-Poï ou La parole donnée (1967)
Character: The investigating judge
May 1944, in Provence, a young Jewish woman fleeing Nazi persecution, entrusts her three-month-old granddaughter to a stranger, Mathieu, a solitary shepherd who will raise her alone. Once the war is over, he will leave with her, in search of the mother. A research that will last more than twenty years and that will lead them to several European countries.
|
|
|
On peut le dire sans se fâcher (1978)
Character: Père de Pauline
Pauline intends to end her days and meticulously prepares her suicide, but she meets Peppo, an Italian immigrant, who will change her mind.
|
|
|
La Dame d'outre-nulle part (1965)
Character: le directeur
A mysterious woman, claiming to be a nurse who had disappeared during the bombing of Nagasaki, communicates with an atomic plant engineer by means of his TV set
|
|
|
Sur un arbre perché (1971)
Character: Récitant / Un speaker de la radio (voice) (uncredited)
Henry Roubier, a French promoter, and Enrico Mazzini, an Italian, have signed an agreement guaranteeing them a stranglehold on European highways. While driving on the roads of the south, Roubier takes two young hitchhikers, but an unfortunate swerve the car rushes by Henri and its occupants on the top of a pine tree onto the side of a cliff.
|
|
|
Les Avocats du Diable (1981)
Character: N/A
In 1958 in Paris, during the Algerian War, a young trainee lawyer, Maître Chabrier, was assigned to defend an Algerian garbage collector against paratroopers who had beaten him. Stay out of Algerian affairs, his peers advise him because the trial is taking a political turn. Chabrier acquired the reputation of the Fellaghas' lawyer.
|
|
|
Le Masque de fer (1962)
Character: N/A
The story of the Three Musketeers, D'Artagnan, and the imprisonment in an iron mask of the identical twin of the King of France, Louis XIV.
|
|
|
Le Capitan (1960)
Character: Luynes
Le capitan is a 1960 French-Italian swashbuckler film directed by André Hunebelle and starring Jean Marais, Bourvil, Elsa Martinelli and Lise Delamare. It is based on a novel by Michel Zévaco.
|
|
|
Mort d'un pourri (1977)
Character: Brumaire (uncredited)
In the middle of the night, deputy Philippe Dubaye wakes up his old friend Xavier Maréchal with disturbing news: he has just killed Serrano, a racketeer with extant political connections. Serrano kept proofs of Dubaye's involvement in corrupt dealings and was poised to use them against the deputy. Xavier readily agrees to cover up for his old pal Philippe, but he soon runs into difficulties. Nobody believes Dubaye's alibi. And everybody -- influential personalities, powerful businessmen, dubious go-betweens and the police -- wants to get hold of the documents that served to blackmail Dubaye; by all possible means...
|
|
|
Rapt au deuxième bureau (1958)
Character: Golder's straw man
The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.
|
|
|
Qui ? (1970)
Character: Doctor (uncredited)
Marina and her boyfriend have an argument while on a trip in France. While driving with the car among the cliffs, he starts speeding and the car falls into the sea. Marina can jump out of the car, but her boyfriend seems to be drowned. She gets to know his brother and he falls in love with her. But why does she always feel watched? What reasons are behind her strange behaviour anyway? Did she really murder her boyfriend? But is he dead anyway?
|
|
|
Les Chiennes (1973)
Character: Le mari
A wealthy bourgeois, bored in her immense property, to pass the time engages a gigolo to answer all her wishes, from the most unfulfilled to the most hidden... But when the young man takes an interest in the sister of his boss, the latter becomes very jealous.
|
|
|
L'Aventure c'est l'aventure (1972)
Character: (uncredited)
When they realize the times are changing, five crooks decide to switch from bank robberies to personality abductions.
|
|
|
Daisy Town (1971)
Character: Jolly Jumper (voice)
When the members of a caravan of pioneers find a daisy growing in the middle of the desert they decide to stop there and to build their town on this very spot. Houses soon spring up like mushrooms, immediately followed by a bank, a saloon, a prison, etc. Daisy Town is born. Unfortunately a city does not go without its bad boys and the peaceful place is soon turned into a lawless place. To restore law and order, a lawman is needed. Lucky Luke, the cowboy who shoots faster than his shadow, will be this man: all the villains had better watch out!
|
|
|
Judith Therpauve (1978)
Character: Lawyer Marc Loussier
A former hero of the French anti-Nazi resistance is approached by old comrades to lead a financially struggling liberal newspaper. Initially reluctant, she takes on the challenge, mortgaging her house to keep it afloat. As conservative forces intensify their opposition, she is eventually forced to sell the paper, seeing it as a personal failure.
|
|
|
La Nuit de Tom Brown (1959)
Character: La voix
How did Master Brown turn from a man of faith into a cantankerous, distrustful and cynical man? Nathaniel Hawthorne's character recounts the night when everything changed. In Canada, in a village where everyone seems more virtuous than he is, Tom Brown meets a man who claims to be the devil.
|
|