|
|
|
Enrique Herreros (2011)
Character: Self - Filmmaker
The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.
|
|
|
FFG, el último gran conversador (2021)
Character: Self - Filmmaker
Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.
|
|
|
Miradas del cine español (2024)
Character: N/A
Reflections on Spanish cinema, based on seventy interviews with prominent filmmakers, analyzing their work and addressing their views on various general topics such as the industry and the evolution of Spanish cinema, as well as current issues such as the arrival of digital platforms.
|
|
|
La corte de Ana (2020)
Character: Himself - Filmmaker
She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.
|
|
|
Historias de nuestro cine (2019)
Character: Himself - Filmmaker
In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.
|
|
|
|
|
Natividad Zaro. En voz alta (2024)
Character: N/A
Natividad Zaro, born at the beginning of the 20th century, was a woman ahead of her time: a performer, playwright, screenwriter and film producer. Friend and collaborator of Lorca, Azorín, Valle Inclán or Forqué, who described her as the Spanish "Modesty Blaise", she produced Furrows (1951), Cannes for Best Film, and Dawn at Dark Door (1957), Extraordinary Jury Prize Berlin Film Festival.
|
|
