|
Violettes impériales (1932)
Character: Napoléon III
During a stay in Seville, Empress Eugénie was charmed by the song of Violetta, a flower girl of gypsy origin. She invites her to Paris where she becomes a prima donna.
|
|
|
L'aiglon (1931)
Character: Napoléon
An adaptation of the play L'Aiglon by Edmond Rostand, which portrays the life of Napoleon I.
|
|
|
La Kermesse rouge (1947)
Character: The Dominican Reverend
Agnès Bonnardet leaves her parents to marry Claude Sironi, a painter who becomes famous but loses his talent. Meanwhile Agnes acquires a style of her own as an artist, which makes Claude jealous of his young wife. One day, he sends one of his own paintings to the Bazar de la Charité, a very trendy Paris department store, instead of one of his wife's works as ordered. Afraid of her being mad at him, he locks her up in the cloak room. A dreadful fire suddenly breaks out and sets the building ablaze.
|
|
|
Croisière pour l'inconnu (1948)
Character: A shareholder
Kohlman, the attorney for the Fournil bank, diverts money from the institution. To hide his malpractices, he imagines to remove the director, the young and overconfident Clement Fournil, during a cruise at sea on the yacht Emile Frechisse.
|
|
|
Master Love (1946)
Character: N/A
Director of a music hall, the dubious Ribero, to save himself from bankruptcy, only hopes for the victory of his horse. An English lord enlists his crack Master Love in the race. Ribero will try to prevent its departure. He is thwarted in his dark projects by the lord's daughter, captain of a troop of girls, and by a wise and determined sportsman who does not hesitate, for the occasion, to become a jockey. Master Love wins the race, Ribero is confused, a few weddings are celebrated.
|
|
|
Le Diamant de cent sous (1948)
Character: Jeweler
For fun and to dazzle his wife, the novelist Morgan steals a ring and gets rid of it in the costume jewelry section of a supermarket. Sophie buys the diamond, which forces the novelist to embark on crazy adventures to recover the jewel.
|
|
|
La vie est à nous (1936)
Character: Un ouvrier
A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.
|
|
|
Casanova (1934)
Character: N/A
Talkie remake of a 1927 silent about the adventures of the notorious womaniser and venetian adventurer Chevalier Giacomo Casanova. Action starts in Venice and then the plot takes Casanova to France and Russia.
|
|
|
Le bal des passants (1944)
Character: Doctor Baudouin
Fabienne believes herself to be cheated on by her husband Claude and divorces her. He leaves for America and does not return until eight years later. He then meets his daughter.
|
|
|
La Revanche de Roger la Honte (1946)
Character: Surgeon
Roger Laroque is now a rich man. He returns to France under the name of William Farnell. There, he discovers that on the one hand his wife has died of a broken heart and on the other that his daughter Suzanne is in love with Raymond de Noirville, the son of his former mistress. With the help of a few friends, Roger coldly prepares his revenge.
|
|
|
Les Perles de la couronne (1937)
Character: L'empereur Napoléon Ier (1815)
The story of the seven pearls of the English Crown, from Henry VIII to 1937 – three of them missing.
|
|
|
Si Paris nous était conté (1956)
Character: Victor Hugo
Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.
|
|
|
Les Portes de la nuit (1946)
Character: (uncredited)
In post-Liberation Paris, a man reunites with a friend and meets the woman of his dreams, only to discover her brother's dark past.
|
|
|
Les amoureux sont seuls au monde (1948)
Character: Critic
Gérard Favier is a famous composer who is deeply in love with his wife Sylvia. The couple meet Monelle, a pretty, talented young pianist and ardent admirer of Gérard Favier. The musician takes the young woman under his wing and launches her to success. But a tabloid reveals an affair between the composer and his protégée.
|
|
|
Antoine et Antoinette (1947)
Character: Le père du marié
1947, in France, Antoine and Antoinette, a young couple living in Paris, lead a monotonous existence: he works in a print shop while she is a shop assistant. But one evening, they regain hope: Antoine finds a winning lottery ticket in his girlfriend's handbag. He decides to cash it in, but loses his wallet. What follows is a series of twists and turns that redefine the couple's priorities while forcing them to remain optimistic.
|
|
|
Le Diable boiteux (1948)
Character: Emperor Napoléon I
The film is a 125-minute, black-and-white biography of French priest and diplomat Charles Maurice de Talleyrand-Périgord (1754–1838), who served for 50 years under five different French regimes: the Absolute Monarchy, the Revolution, the Consulate, the Empire, and the Constitutional Monarchy. Its title comes from one of the main historical nicknames for Talleyrand, that he shares with demon king Asmodeus and English poet Lord Byron.
|
|
|
Si Versailles m'était conté (1953)
Character: Napoléon Ier
Witty narration follows the history of Versailles Palace; founded by Louis XIII, enlarged by autocratic Louis XIV, whose personal affairs and amours, and those of his two successors, are pursued in more detail to the start of the Revolution, after which the story is brought rapidly up to date.
|
|
|
Panique (1947)
Character: Monsieur Breteuil dit le petit caporal
Proud, eccentric, and antisocial, Monsieur Hire has always kept to himself. But after a woman turns up dead in the Paris suburb where he lives, he feels drawn to a pretty young newcomer to town and discovers that his neighbors are only too ready to suspect the worst of him.
|
|
|
La Marie du port (1950)
Character: Doctor
Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.
|
|
|
Justice est faite (1950)
Character: Professor Dutoit
Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.
|
|
|
Remontons les Champs-Elysées (1938)
Character: Napoléon Premier
The history of one of France's most famous streets is retold, featuring multiple performances from Guitry himself.
|
|
|
La Rue sans joie (1938)
Character: President
Jeanne supports supports his family on his modest salary. Her boss is arrested for fraud. Jeanne is forced, out of poverty, in the street.
|
|
|
|
