|
La piazza vuota (1971)
Character: N/A
A sculptor, in the company of a disciple, isolates himself in an underground room, no longer able to identify with a society without any value. His personal revolution is no longer to create anything, but simply to wait. However, he is forced to receive unwelcome visits that keep him in touch with the absurdities of the outside world. When he finally decides to go out to the surface, he will find a world worse than when he left it.
|
|
|
Ombre (1980)
Character: N/A
Renato, a depressed man with a troubled past, thinks his luck has finally changed when he meets the wonderful Monica. Unfortunately, Monica currently occupies a home she believes is haunted by the malicious spirit of her dead grandfather. This psychological horror / drama was a flop in theaters and, to date, has only been issued a single time on a home viewing format (a VHS release in Italy).
|
|
|
Una sera c'incontrammo (1975)
Character: N/A
An industrial worker from the mid-seventies encounters the stout daughter of a wealthy American businessman. The daughter falls in love with the worker and begins to pursue him.
|
|
|
Sette piccole croci (1957)
Character: Mambret
Based on the short story "Sept petites croix dans un carnet" by Georges Simenon. "Sette piccole croci" was the first drama, non-series (what is today called a TV movie), as well as the first police thriller to be broadcast on Italian television. The story follows a tense cat-and-mouse chase across Paris on Christmas Eve.
|
|
|
Arrivano i bersaglieri (1980)
Character: Pius IX
In the year 1870 Rome, then governed by the Pope, was captured by the Italian General La Marmora's troops. After the armistice, the Italian soldier Alfonso killed a Pope's soldier, the son of Don Prospero. Then he sought refuge in the house of Don Prospero himself. There Costanza and Olimpia, respectively the wife and the daughter of Don Prospero, fall for him. Then Gustavo, who knew that Alfonso had killed Don Prospero's son arrived in the house... Some things are going to happen
|
|
|
Nudo di donna (1981)
Character: Giovanni
Sandro is a Roman adrift in Venice during the Carnival. After sixteen years of marriage, Sandro can no longer reconcile his spontaneous and lively character with that of his wife Laura, a cultured and composed Venetian woman. Yet another argument prompts him to leave her and seek refuge at the home of a painter friend. Among his many paintings, he notices one depicting a naked woman who bears an incredible resemblance to his wife. Are they two women or one, and in the masquerade of the Carnival, what is real?
|
|
|
L'immorale (1967)
Character: Mr. Malagugini
A violin player is going to be father of a sixth child by his second mistress, Marisa. Quite nervous about that, he does not leave the clinic... except to drive Giulia, his legitimate wife, along with his legitimate kids to the station as they leave for a vacation at the seaside.
|
|
|
Culo e camicia (1981)
Character: Renato's Father
The movie is basically two unrelated comedic features: the first one features the travails of a man who stutters and tries to woo a woman he wants to date. The second features the wonderful Renato Pozetto as a gay man who lives with a partner, but finds himself falling for a woman, and not knowing how to tell his partner, who is prone to melodrama.
|
|
|
Lo svitato (1956)
Character: N/A
Achilles, a Hulot-like factotum for an evening newspaper, travels around looking for a scoop in the Milan of the "economic miracle."
|
|
|
Spara forte, più forte, non capisco (1966)
Character: Il maresciallo Bagnacavallo
Stuck in a dream world of his own, Italian sculptor Albert Saporito, sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he reports the crime to the police, only to involve himself in a complicated situation.
|
|
|
Il successo (1963)
Character: Varelli
Giulio has a faithful wife and a true friend, but he is convinced that only with money can one be happy. So he devotes himself to dangerous real estate speculation in Sardinia, even though he does not have the capital to deal with it. To find the necessary money, he is willing to give up even his dignity. And slowly, he alienates his most beloved ones from himself....
|
|
|
Bertoldo, Bertoldino e Cacasenno (1984)
Character: ciambellano
During the reign of King Alboin, the peasant Bertoldo, sly and smart, manages to always get away with pranks and pleasantires with great mastery, and, even if his clumsy wife Marcolfa and their foolish son Bertoldino always put him in trouble, his shrewdness and acumen save him from any unfortunate situation...
|
|
|
Signore e signori (1966)
Character: Bepi Cristofoletto
An anthology presents three storylines, all set in the Italian town of Treviso: A husband pretends to be impotent as a cover for having an affair; a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them; and local men all seduce a promiscuous young woman, but when her father eventually reveals that she is underage, they all face prosecution for statutory rape.
|
|
|
Tesoromio (1979)
Character: il maggiordomo occhialuto con i baffi
Playwright irreparable failure is betrayed by a concubine with the lawyer that finances the charade. But one day arrives at his house Honey, Eastern African domestic workers to first service, to boot, is a billionaire and of royal blood.
|
|
|
Amore in quattro dimensioni (1964)
Character: Trapattoni, il tassista (segment "Amore e alfabeto")
Young Italian writers and directors express themselves in four episodes about sex and love. "Love and Language," the first tale, centers on the difficulties of a Sicilian immigrant who is unable to master proper Italian. the second tale "Love and Life" centers on a jealous and unhappy wife who becomes so desperate to be free of her constantly philandering husband she takes on a lover of her own. "Love and Art" a nearly exhausted screenwriter hires a secretary to help manage his typing. She's a pretty lass and this makes his insecure wife crazy until he fires the female and hires a male secretary. "Love and Death," the final episode centers on the love affair between a middle-aged widower and the grieving young widow he meets at the cemetery. Unfortuantely for his bank statement, the young, impoverished beauty isn't as bereaved as she seems.
|
|
|
Il malato immaginario (1979)
Character: il dottor Anzalone
During the year 1673, Rome was besieged by poverty and violence. The rich Mr. Argante has two servants to look after him, while his wife is only waiting to see him dead to inherit.
|
|
|
Le due vite di Mattia Pascal (1985)
Character: Pellegrinotto
Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.
|
|
|
Il giocattolo (1979)
Character: Inmate
A meek accountant buys himself a gun and finds out he's a natural marksman. After the friend who introduced him to shooting is killed by gangsters, he seeks revenge.
|
|
|
I mostri (1963)
Character: Presiding Judge (segment "Testimone volontario")
The myths of the sixties are satirized in 20 episodes.
|
|
|
Un dramma borghese (1979)
Character: Doctor Vanetti
Home from boarding school after years abroad, a precocious teenager, Mimmina, becomes obsessed with seducing her journalist father.
|
|
|
In nome del Papa re (1977)
Character: Perpetuo
In 1867, with Garibaldi's forces close to bringing Rome into the Italian kingdom, Monsignor Colombo da Priverno, a world-weary judge on the papal court, wants to resign, disgusted by the violence to which the papacy resorts to hold secular power.
|
|
|
Signore e signori, buonanotte (1976)
Character: Sig. Macaluso
An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.
|
|
|
Cara sposa (1977)
Character: Elvira's companion
Alfredo, jailed for theft and fraud, after having served the sentence discovers that his wife Adelina no longer wishes to live with him.
|
|
|
Il terrorista (1963)
Character: Oscar Varino
In Venice in 1943, a group of partisans led by Renato Braschi organize a series of autonomous terrorist attacks against the fascists while the National Liberation Committee urges caution. Renato is determined to carry out his ideas, risking his own life, and not only that...
|
|
|
Qua la mano (1980)
Character: il cardinale
Two episodes: A roman coachman fulfills the dream of his life and meets the Pope. A priest crazy about dancing wins the first prize in a contest.
|
|
|
Anno uno (1974)
Character: N/A
Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in the years that followed the fall of fascism.
|
|
|
Il cav. Costante Nicosia demoniaco, ovvero Dracula in Brianza (1975)
Character: Head Worker
A boorish, snobish toothpaste factory owner, Constantino Nicosia, gives his wife and everyone a hard time having let success and wealth go to his head. But after the superticous Nicosia has an encounter with an elderly gypsy aunt, and a business trip to Romania results in another encounter with a suave vampire, named Count Dragalescu, Nicosia returns with blood-sucking like qualities which makes him re-examine his life and existence.
|
|
|
|
|
Gli ordini sono ordini (1972)
Character: il prete
Giorgia, an unhappy housewife tired of marriage with her husband Amedeo, starts to hear a voice that orders her to perform actions out of the ordinary.
|
|
