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El ropavejero (1947)
Character: N/A
Cirilo, a used clothes dealer, falls in love with Maria, who works as a cook in a house. One day they find by chance in the basement something that will change their lives.
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El desalmado (1950)
Character: Doña María, madre de Vidal
Fictional biography of a career criminal.
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Quinto patio (1950)
Character: N/A
Model son/employee/student is frustrated by poverty and surrenders to the temptations of a criminal lifestyle... in the same gang that twenty years earlier murdered his father OMG. Meanwhile his sister. Meanwhile his mother.
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Mamá nos quita los novios (1952)
Character: N/A
Amanda, a widow, is a beautiful woman that finds comfort seducing every man in her path, including her daughters' boyfriends.
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Tropicana (1957)
Character: N/A
Behind-the-scenes at a famous nightclub's floor-show. Those wacky choreographers and hotel managers!
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..Y mañana serán mujeres (1955)
Character: N/A
Grad student takes a summer gig acting as house mother/chaperone to a group of teenaged girls vacationing at a country villa.
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Los hijos de nadie (1952)
Character: Doña Jovita Martínez
A man is making a research about the importance of familiar environment in children's future. First, he interviews a prostitute, Rosa, who's in jail because of the murderer of her pimp. She was a poor child, living only with her father. He wants to send his daughter to school, but they don't find place and the father has to leave the child with the neighbour, while he's working. But the man is hit by a car and dies. Years later, Rosa finds herself alone after her adoptive mother dies. A young man from his same vicinity, wants to help her, after hearing her singing. But the truth is that he wants to turn Rosa into a prostitute and live from her money. The other story is about a boy, who goes with his father to sign up in the school.
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Doña Diabla (1950)
Character: Gertrudis
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
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El puente del castigo (1946)
Character: Carmen
In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.
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Zorina (1949)
Character: N/A
This overlooked, if not almost forgotten romantic melodrama from Director Juan Jose Ortega, features a South American-born beauty named Lenora Amar, (whom the Mexican press quickly dubbed "The Brazilian Beauty"), in the title role. Although her acting career was rather short-lived because she chose to end it when she was just 27 years of age, her Zorina co-star and then-husband, Luis Aldas, (starring as" Bardo" in this film), seem to still have made an impact on movie audiences due to some favorable news publicity and the relative success of the handful of films the pair made.
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La edad de la tentación (1959)
Character: N/A
By the negligence of parents who not assume their responsibility in sex education, many lives are ruined
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Los cuervos están de luto (1965)
Character: Vecina
The family of a dying man celebrates his wake while the man is still alive, showing their darker, selfish ambitions and trying to take the best part of the inheritance.
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La rosa blanca (1954)
Character: Leonor Pérez
For the centenary of Cuban patriot Jose Marti, the 1950s pre-Castro dictator Batista collected funds for an official film commemoration and hired renowned director Fernandez from Mexico to erect this memorial work.
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Amor salvaje (1950)
Character: Antonia
Alma leaves Panama to go live with her aunt Antonia and with Manuel, her husband. There she meets Julio, who tries to woo her.
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Corazón salvaje (1956)
Character: Sofía D'Autremont
On the Caribbean island of Martinique, two half-brothers are involved in the entanglements of a frivolous and calculating young woman.
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La vida en broma (1950)
Character: Rebeca Mata
Many many mistaken identities and impostures overlapping among a group of husbands, wives and others.
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Retorno al quinto patio (1951)
Character: N/A
After getting out of prison, Ramon Vallarta tries to put his life back together, establishing himself in a new career and reconciling himself with his former sweetheart. Also other stuff. Sequel to Quinto Patio.
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La extraña pasajera (1953)
Character: Beata
During a long train trip, the Police has discovered jewelries in the personal bag of an actress, but she turns out to be innocent.
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En carne propia (1961)
Character: Madre de chica suicida
Rookie reporter and his publisher's daughter get caught up in a bizarre crime/traffic accident noir dilemma.
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Cita con la muerte (1949)
Character: Matilde
A physician launches his own investigation into a gang of opium traffickers, while a mother who lost her son to the drug vows revenge against those who led him into that world.
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Ella, Lucifer y yo (1953)
Character: Matilde
A man makes a pact with Lucifer in order to gain the love of a beautiful singer. To achieve his goal, the devil endows him with the ability to become invisible at will.
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Yo no creo en los hombres (1955)
Character: Esperanza Robledo, madre de María Caridad
In Havana, humble office girl Maria Caridad becomes the victim of rich playboy Arturo who seduces her and takes her to bed under false pretenses.
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La oveja negra (1949)
Character: Bibiana
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
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Marejada (1952)
Character: Doña Gume
Recently-graduated doctor assigned to a small, backward fishing community.
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