|
Palabras de amor (1969)
Character: Juan
John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.
|
|
|
La llarga agonia dels peixos fora de l’aigua (1970)
Character: Joan
The singer-songwriter Joan Manuel Serrat plays the role of a young fisherman named Joan from Ibiza (Eivissa) who falls hopelessly in love about a beautiful English tourist and it leaves everything to follow her to London, where he is introduced to the hippie world.
|
|
|
Mi profesora particular (1973)
Character: Loris
Loris is a young man who begins a romance with Francisca, his piano teacher, a forty-year-old who lives dominated by her mother, who was a successful soprano in her youth. Loris goes to live at Francisca's house. They will have as neighbor a sexual obsessive, fan of carnivorous plants and spying on people with binoculars. When they are preparing a trip, Francisca's mother shows up at the house. Her initial indignation soon gives way to a great interest for the young man, which will provoke the terrible jealousy of Francisca.
|
|
|
Rafael Hernández, jibarito del mundo (1992)
Character: Self
Through interviews with friends, family, and colleagues, the documentary relates the life and career of Rafael Hernández, one of Puerto Rico’s most renowned and beloved composers of popular songs.
|
|
|
Serrat & Sabina: dos pájaros contraatacan (2012)
Character: Himself
These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.
|
|
|
Love of Lesbian: El gran truco final (2021)
Character: Self
A Spanish concert documentary capturing the indie-pop band Love of Lesbian during a live performance. The film showcases the band’s energy and charisma on stage, interweaving behind-the-scenes footage that highlights their creative process and interactions. Drawing its title from the band’s 2018 live album, it offers an immersive experience of their music, stage presence, and connection with the audience. Fans witness both the live performance and glimpses into the band’s preparation, rehearsals, and dynamics, creating a vibrant portrait of the concert experience.
|
|
|
Festival de la Trova Iberoamericana (1982)
Character: Self
A record of the Ibero-American Troubadour Festival, held in November 1982 at the Centro de Bellas Artes in San Juan, Puerto Rico. Joan Manuel Serrat, Silvio Rodríguez, Pablo Milanés and Antonio Cabán Vale perform songs from the Ibero-American nueva canción movement.
|
|
|
La ciutat cremada (1976)
Character: Ramón Clemente García
The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.
|
|
|
Mercedes Sosa, Cantora un viaje íntimo (2009)
Character: Himself
Mercedes Sosa making of her last album depicts encounters with other characters, creative moments, testimonies of the artists who participated and reflections of Mercedes Sosa about her life and the recording of "Cantora".
|
|
|
Algunos cantantes, algunas canciones (1981)
Character: Self
An exploration of the Latin American protest song through performances and interventions by some of its most prominent figures: Pablo Milanés, Lilia Vera, Mercedes Sosa, Joan Manuel Serrat, Daniel Viglietti, Carlos Puebla, Sara González, and Gloria Martín. Filmed on the occasion of a concert organized by the University of the Andes at the Mérida Bullring, the documentary constitutes an essential record of the Nueva Canción movement as a continental cultural force within the broader context of the political struggles of its time.
|
|
|
Qué tal Pascual (2018)
Character: Himself
Pascual Iranzo is a famous and eccentric hairdresser from Barcelona with a unique idea of what it means to cut hair —and stylism— and an even more particular way of understanding the world. At 87 years of age, he maintains his supreme artistic skills and his incredible vitality. Between scissors, friends and cocktails, he is a man who never stops transforming and reinventing himself.
|
|
|
|
|
Enrique Morente: flamenco impuro (2021)
Character: Self
Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.
|
|
|
Aute retrato (2019)
Character: Himself
A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.
|
|
|
Olea… ¡Más alto! (2020)
Character: Self - Singer
An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.
|
|
|
Serrat y Sabina: el símbolo y el cuate (2013)
Character: Himself
Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.
|
|
|
Barcelona, la rosa de foc (2014)
Character: narrator (Spanish)
The many faces of Barcelona are portrayed in this documentary, shot in a false sequence shot that goes across the streets, squares, markets and bars of a city that is presented as both conventional and law-breaking, exquisit and shameless, elegant and dispossessed.
|
|
|
Quinografía (2025)
Character: N/A
With never-before-seen images and interviews, this documentary explores the life of Quino, one of Argentina's most important humorists.
|
|
|
Sintiéndolo mucho (2022)
Character: Self
An intimate portrait of Spanish singer-songwriter Joaquín Sabina without his signature bowler hat, at night and with malice aforethought. Rugged, direct, and unflinching, director Fernando León de Aranoa captures Sabina’s hidden side over 13 years of filming, where the artist steps off the stage to reveal stories of misfortune, comedy, inspiration, and of pain.
|
|
|
La corte de Ana (2020)
Character: Himself - Singer
She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.
|
|
|
|
|
Gila nunca fue serio (2017)
Character: Self
Miguel Gila (1919-2001) was a Spanish actor and stand-up comedian, famous for his surreal phone conversations with imaginary people, and a skillful cartoonist; an idolized star, a king of laughter.
|
|