|
El lobo blanco (1962)
Character: N/A
A new sheriff rids his town of bandits and puts everything in order.
|
|
|
Rebelde Sin Casa (1960)
Character: N/A
Tin Tan interfered in a bank robbery, then got arrested when the perp.s escaped. Crooks and police are both after him...
|
|
|
La garra del leopardo (1963)
Character: N/A
Variation on Zorro. Lawyer disguises himself to fight crime, using his secret identity to work on clearing a client and himself of criminal charges.
|
|
|
¿Adónde van nuestros hijos? (1958)
Character: N/A
One of the boys is a radical, one's a playboy, and the girls want to get jobs first before they think about marriage! Mom and Pop have their own #firstworldproblems.
|
|
|
|
|
|
|
|
|
Mexico lindo y querido (1961)
Character: N/A
Tourist's eye overview of some highlights of Mexican history and folk culture, all expressed through interpretive dance.
|
|
|
Los valientes no mueren (1962)
Character: N/A
Charro-dude wants his sister to marry into professional city-folk and move into the upper classes... but she's in love with somebody from their own social stratum.
|
|
|
La venganza del resucitado (1962)
Character: N/A
Two families have made peace after generations of feuding... but some bad-hat strangers have come to town looking for the buried treasure that sparked the whole mess.
|
|
|
Señoritas (1959)
Character: N/A
Four young women facing "crises," mostly centered around the crucially-important issue of preserving their virginity in a variety of purity-oath threatening situations.
|
|
|
Reventa de esclavas (1954)
Character: N/A
Mad-science/comedy scenario about reviving the corpse of an Egyptian mummy morphs into a love story set in ancient Egypt.
|
|
|
Las amiguitas de los ricos (1968)
Character: N/A
On Christmas Eve, Santa Claus engineers a miracle that will rehabilitate three kept women into orthodox 'decency' and marriage.
|
|
|
|
|
|
|
No me platiques más (1956)
Character: N/A
The owner of their performance space dies, and a group of young singer/dancers is concerned about the future of their musical revue. The new owner seems to be an uptight old Legion Of Decency fuddy-duddy, so... much anxiety, until a happy ending is contrived.
|
|
|
|
|
Tropicana (1957)
Character: N/A
Behind-the-scenes at a famous nightclub's floor-show. Those wacky choreographers and hotel managers!
|
|
|
La perversa (1954)
Character: Cantante
A single, hard-working, girl looks to improve her situation by becoming a "kept woman". In doing so, she turns away from church and family, thereby violating the mandates of both God and Man.
|
|
|
Misericordia (1953)
Character: Celedonia
Faded rich family has a housekeeper who struggles to keep them fed and comfortable after their fortune disappears; she also sacrifices herself on behalf of sick and disabled friends.
|
|
|
El beso de ultratumba (1963)
Character: Laura Castillo
A newlywed couple find themselves broke when the woman's father dies deeply in debt. Forced to sell their belongings, they move into a rundown house from which they get very bad vibes. It's not long before some very strange and disturbing people begin showing up at the house.
|
|
|
El Terrible Gigante de las Nieves (1963)
Character: Lupe Moctezuma de Méndez
A man and his wife discover they are in danger when they hear reports of a Yeti that lives on a nearby volcano is on the prowl.
|
|
|
|
|
|
|
|
|
Soy Chicano Y Mexicano (1975)
Character: N/A
A Mexican man crosses the border seeking work to afford English classes, leaving his girlfriend behind. In Texas, he joins other immigrants while a Chicana lawyer's wife leads Mexican-American women fighting for workers' rights.
|
|
|
|
|
|
|
Mi papá tuvo la culpa (1953)
Character: N/A
Two young sweethearts get married, and then are made to believe that she's his illegitimate half-sister.
|
|
|
La infame (1954)
Character: Angela
For love, the rules of society and justice are broken, leading to abduction, exposing life and freedom, facing everything to make a sick child a normal child.
|
|
|
El hijo de Alma Grande (1976)
Character: N/A
Some aliens stalk and kidnap humans to take their eyes off and send them to their planet, the same Blue Demon falls into the trap, trying to rescue his brother.
|
|
|
Yo quiero ser artista (1958)
Character: Self
The Postman Adalberto is involved by chance in the filming of a scene, which gives the film director the idea of including him as an actor, but without his knowledge.
|
|
|
La barranca sangrienta (1962)
Character: Leonor Sandoval
Alberto and Leonor have a son, they find out that one of the masked men who attacked them was her nephew, things get difficult for them when they find out about a testament left by her grandmother.
|
|
|
El monstruo de los volcanes (1963)
Character: Lupe Moctezuma de Méndez
A yeti-like monster is stalking the mountains of rural Mexico, sometimes displaying the powers of hypnosis. It ultimately plays a part in destroying two shady characters.
|
|
|
Preciosa (1965)
Character: N/A
Successful nightclub singer has difficulties with her love life.
|
|
|
Cabaret trágico (1957)
Character: dancer
Young woman is sorta trapped into working as a bar-girl because of her unwitting complicity in a murder. Meanwhile, the tough broad who owns the bar faces problems of her own, mostly centered around a philandering boyfriend and an over-ambitious adopted daughter.
|
|
|
|
|
Los Gavilanes (1956)
Character: N/A
The story of two half brothers who do not know they are such, who fight over a woman and nearly kill each other. One of them belongs to Los Gavilanes, a group of men who live live hidden and looting to give to the poor. Revenge, love and hate will at the end bring out the truth and everyone will get what he deserves.
|
|
|
El patrullero 777 (1978)
Character: Claudia Loza 'La clarines'
Follows Diogenes as he goes about his day as a police officer. He's prone to do things the right way, surrounded by a pretty much corrupt & citizen distant police department, & always resolves his duties with a personal method.
|
|
|
Dos tipos de cuidado (1953)
Character: Party Guest (uncredited)
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
|
|
|
|
|
|
|
Una gallega en La Habana (1955)
Character: N/A
Cándida's boyfriend left her in Spain to go to work to Havana. After twenty years without news, she decides to go look for him, although the only thing she knows of him is his name. In the port of Havana, she is confused with a jewel smuggler, which kicks off a series of comical events.
|
|
|
Santo en el hotel de la muerte (1963)
Character: Virginia
Tourists visiting the pyramids in Mexico experience a string of deaths and disappearances while staying at a nearby hotel. Police investigators Fernando and Cornado are assigned to the case and attempt to solve the mystery with the help of reporter (and girlfriend of Fernando) Veronica and the wrestler Santo.
|
|
|
La feria de San Marcos (1958)
Character: N/A
Two men and two women meet and pair off (m/w x 2) during the town Festival in San Marcos. Later, weddings.
|
|
|
¡Paso a la juventud..! (1958)
Character: N/A
Champion diver on a Uni swim team trains for the Olympics and contends with his buffoonish room-mate.
|
|
|
El Vizconde de Montecristo (1954)
Character: Marga
Inocencio Dante, the intendant of a bank, where the director Don Miguel and their children; Marga who spends money without control, Polo who spent on gambling, have defrauded the bank with eight hundred thousand pesos, have agreed to coax "Chencho" and make it appear as responsible for the theft. In prison, "Chencho" knows Don Facundo Farias to whom he talks about his sorrows, Don Facundo happens to be the leader of the gang that stole twenty million pesos and is the only survivor who knows the place where the money is buried. After a fight, "Chencho" is put into a cell for defending Don Facundo, he in gratitude and before dying from pneumonia advises how to escape and where to find the money.later Inocencio In the style of Count of Monte Cristo flees giving a positive spin into his life. Pleasant moments alive with sparkling, funny and comical adventures of the Viscount of Montecristo.
|
|
|
Sublime melodía (1956)
Character: N/A
Young widow with kindergarten-age daughter butts heads with her mother-in-law.
|
|
|
|
|
|
|
|
|
|
|
La sombra del otro (1957)
Character: Cecilia
Una divertida aventura de Viruta y Capulina en donde se verán enredados en un lío de boxeadores confundiendo tanto la situación que ni sus bellas amigas los podrán salvar de una gran golpiza.
|
|
|
Santo contra el cerebro diabólico (1963)
Character: Virginia
Investigators Conrado and Fernando take a leave of the absence from the police force to track down Fernando's girlfriend Virginia. Virginia, a reporter, has left town and is working undercover as a barmaid in order to interview Refugio Canales, a criminal and small town municipal president. Conrado and Fernando soon call their friend Santo for help.
|
|