|
Pureza Proibida (1975)
Character: Chico
Baby is found by nuns, who raise her inside the convent. When she grows up, she moves to a fishing village and gives up religious life when she falls in love with a black fisherman, who practices a Afro-Brazilian religion called Umbanda.
|
|
|
O Veneno da Madrugada (2006)
Character: Carmichael
The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.
|
|
|
Le grabuge (1973)
Character: N/A
A woman from a bourgeois family marries a loveless man. She remembers (or dreams?) a life of adventure and smuggling, hijacking ships at night. She is kidnapped by the leader of the enemy gang, with whom she falls in love.
|
|
|
Garôta de Ipanema (1967)
Character: Jovem na Praia
Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.
|
|
|
|
|
O Papel e o Mar (2012)
Character: João Cândido
The film narrates the imaginary encounter between João Cândido, leader of Revolta da Chibata and a paper picker and writer Carolina Maria de Jesus, author of the book "Quarto de despejo", in Rio de Janeiro.
|
|
|
O Engano (1967)
Character: Amante
The relationship of a woman with three men - her husband, her lover and a man who fell in love with her -, told in a single night, through flashbacks
|
|
|
O Homem Nu (1968)
Character: Homem da mudança
A man gets locked naked outside of his apartment.
|
|
|
Veja & Ouça - Maria Baderna no Brasil (2004)
Character: N/A
In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.
|
|
|
Improvisiert und zielbewusst: Cinema Novo (1967)
Character: Self
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
|
|
|
|
|
Brasil Verdade (1968)
Character: N/A
In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.
|
|
|
|
|
República Tiradentes (2005)
Character: Self / Interviewer
Filmed in a mini DV, the film "República Tiradentes" is an affective poetry, based on the stories of gafieira dancers, actors, rascals, girls and all the bohemians who lived and live moments of joy and glory in downtown Rio de Janeiro. It is a tribute mainly to the origin of the gafieira.
|
|
|
Renascimento Africano (2012)
Character: Self
The film, shot in Dakar, Senegal, has testimonials from intellectuals, politicians and religious, who present an overview of the 50 years of independence of the countries of West Africa and the interpretation of the sculpture created recently in Senegal, which it represents, precisely, the African renaissance.
|
|
|
Referências (2006)
Character: Self
During a showing of rare Afro-Brazilian Cinema films at the Cinematheque of the Museum of Modern Art of Rio de Janeiro, actor/filmmaker Zózimo Bulbul gathered some of the most notorious Brazilian black directors to talk about their works, their lives and their perspectives on the future.
|
|
|
Artesanato do Samba (1974)
Character: Narrador
The making of the samba school parades, with the construction of the great cars, the decorations being spread all over the city and the hand-crafted tailoring of the costumes by apt hands that stitch together colourful and glowing materials.
|
|
|
Sagarana: O Duelo (1974)
Character: Demônio
Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.
|
|
|
Parceiros da Aventura (1979)
Character: Motorista da greve
Rio de Janeiro crooks rove about, performing petty tricks to survive, and get involved with a woman who steals cars.
|
|
|
República da Traição (1970)
Character: N/A
European couple arrive at the Republic of Maraguaya with a strange mission. But the involvement with a local man, whom they hire as an employee, will change their plans.
|
|
|
Natal da Portela (1988)
Character: N/A
Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.
|
|
|
O Cangaceiro Sem Deus (1970)
Character: Ariranha
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
|
|
|
Samba no Trem (2005)
Character: Self / Interviewer
A documentary about the celebration of the National Samba Day with the aim of preserving the memory of part of the history of samba, which was being forgotten by the press and the Brazilian people.
|
|
|
Les Soleils de l'île de Pâques (1972)
Character: Helvio
Six people find a mysterious mark in the center of their left hand and all independently go to Easter Island in hopes to uncover the mystery.
|
|
|
Giselle (1980)
Character: Jorge
Sexy girl seduces all the members of her family. She indirectly causes the failure of his father's marriage, for her stepmother falls in love with her. Then, she has affairs with her father's stepson, and with the farm housekeeper. She and some friends are also raped by some bad guys. But they all celebrate the ruin of traditional family values.
|
|
|
Jardim de Guerra (1969)
Character: N/A
Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.
|
|
|
Proezas de Satanás na Vila de Leva-e-Traz (1967)
Character: N/A
In the village of Leva-e-Traz, the discovery of a oil field is responsible for a mass evasion of the townspeople. Left are the old and incapable for the extraction job. When the local priest announces he, too, is leaving the town, Satan emerge thrilled with the chance of overtaking the place.
|
|
|
Grande Sertão (1965)
Character: N/A
Cowboy Riobaldo is attracted to same sex Diadorim, not knowing that "he" is a girl dressed in man's clothes. After Diadorim's father is killed, she swears revenge, being joined by Riobaldo in this mission.
|
|
|
Quilombo (1984)
Character: Stone Man
Quilombo dos Palmares was a real-life democratic society, created in Brazil in the 17th century. This incredibly elaborate (and surprisingly little-known) film traces the origins of Quilombo, which began as a community of freed slaves. The colony becomes a safe harbor for other outcasts of the world, including Indians and Jews. Ganga Zumba (Toni Tornado) becomes president of Quilombo, the first freely elected leader in the Western Hemisphere. Naturally, the ruling Portuguese want to subjugate Zumba and his followers, but the Quilombians are ready for their would-be oppressors. The end of this Brave New World is not pleasant, but the followers of Zumba and his ideals take to the hills, where they honor his memory to this day. Writer/director Carlos Diegues takes every available opportunity to compare the rise and fall of Quilombo with the state of affairs in modern-day Brazil.
|
|
|
A Menina e o Estuprador (1982)
Character: Pedro
In São Paulo, Vanessa who is normally spoiled rotten, is neglected and rejected by her mother, practically raised alone by her butler and driver Pedro and the maid, Dalva. Vanessa has disturbing daydreams and sexual fantasies, but doesn't let Arlindo, a teenager that flirts with her get close to her. Her best friend is Denise, a promiscuous girl that has intercourse with different men. When Vanessa discloses to Denise her problem, Denise gives the address of her psychotherapist Dr. Artur, to her friend. The unethical shrink pushes Vanessa to the edge, bringing memories of a severe trauma of her childhood. Then the disturbed Dr. Artur induces the girls to commit suicide.
|
|
|
Ganga Zumba (1963)
Character: N/A
The life of a runaway slave who founded the Quilombo dos Palmares, an outlaw community of Brazilian slaves.
|
|
|
Exu Rei - Abdias do Nascimento (2017)
Character: Himself
The African deity that brought in Brazil Together with the blacks, Exu is known as the orixá of communication, the guard of the streets and the human behavior. The short film of black culture and its assimilation by Brazilian art. In its subtext, the film honors one of the greatest activists of the black cause - the actor, the poet, the playwright and the politician - Abdias do Nascimento. The positioning of the documentary seeks to incorporate the fighting spirit, expressive and restless of Abdias: present link between characters, images and children of the film.
|
|
|
A Deusa Negra (1978)
Character: N/A
A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.
|
|
|
Filhas do Vento (2005)
Character: Marquinhos
In a small town in the State of Minas Gerais, Brazil, two sisters meet again after years apart.
|
|
|
Cinco Vezes Favela (1962)
Character: (segment "Pedreira de São Diego")
Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
|
|
|
A Compadecida (1969)
Character: Jesus
João Grilo is a backwoodsman who tries to get along at the expense of the powerful in the city, who pretend to be respectful of morals and good customs and hide their sins. But when a band of cangaceiros attacks the small town, everyone has to settle accounts with God and the Devil.
|
|
|
El Justicero (1967)
Character: N/A
A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive
|
|
|
Compasso de Espera (1969)
Character: Jorge de Oliveira
Jorge de Oliveira is an Afro-Brazilian poet who works in a publicity agency in São Paulo. Torn between his rich white lovers and his black family and friends, Jorge's situation serves as a springboard to a discussion about racial issues in Brazil.
|
|
|
5x Favela, Agora por Nós Mesmos (2010)
Character: N/A
The project '5 x slum, now by ourselves' gathered over 80 young people from Rio's favelas (slums), selected through workshops, script and filmmaking techniques to create a feature film consisting of five stories that reflect different facets of the daily lives of residents of these communities - with the promise of escape stereotypical representations.
|
|
|
Terra em Transe (1967)
Character: Repórter
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
|
|
|
Alma no Olho (1973)
Character: N/A
Inspired by Black Panther Eldridge Cleaver’s book Soul on Ice and dedicated to John Coltrane, Soul in the Eye marks the beginning of Black Brazilian films. The film is a metaphor for the legacy of culture and survival bestowed by enslaved Africans brought to the American continent and the search for freedom through inner transformation, in a game inspired by concretism.
|
|
|
O Palácio dos Anjos (1970)
Character: Embaixador
Bárbara, a French girl living in São Paulo, and two friends transform a small apartment into a luxury bordello, "The Palace of Angels", at first securing money and success, but...
|
|
|
A Guerra dos Pelados (1970)
Character: Vitorino
In 1913, in the state of Santa Catarina, Brazil, the Government gives some lands to a foreign railway company, giving rise to revolt by the former owners of the land. The episode became known as Guerra dos Pelados.
|
|
|
A Selva (2002)
Character: Procópio
Young man, of Portuguese nobility ascendancy, starts working in a rubber plantation in the Amazon, in 1912, and falls in love with pretty Yayá, a married woman.
|
|
