Roy Fletcher

Personal Info

Known For

Acting

Known Credits

0.4531

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Age

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Also Known As
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Roy Fletcher

Biography

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Credits

Póker de reinas Póker de reinas (1960) Character: N/A
A musical comedy about a group of pretty girls who meet in Mexico and decide to break into showbiz and make a pact and promise not to get involved with men. But they all are in love with different guys and that complicates things.
Cuando los hijos se pierden Cuando los hijos se pierden (1963) Character: Asaltante
Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.
Veinticuatro horas de vida Veinticuatro horas de vida (1969) Character: Detective de policía
Two cabdrivers accidentally get caught up in criminal/gang activity.
Amor en la sombra Amor en la sombra (1960) Character: N/A
A daughter who idolizes her father discovers, just before he dies, that he was leading a double life and had a hidden lover.
El seductor El seductor (1955) Character: N/A
A young artist's affair with a married woman destroys her family. Twenty-odd years later, her two daughters fall into his orbit.
Estoy casado, ja, ja Estoy casado, ja, ja (1962) Character: N/A
Honeymooner has trouble adapting to the idea of consummating her marriage.
Mujeres, mujeres, mujeres Mujeres, mujeres, mujeres (1967) Character: (segment "Amor y yoga")
Three-episode sex farce.
Casadas en Apuros Casadas en Apuros (1958) Character: N/A
Comedy about infidelities between several engaged couples.
La edad de piedra La edad de piedra (1964) Character: N/A
Capulina chip and are transported back to prehistoric times with a time machine. There they live crazy adventures.
Dos corazones y un cielo Dos corazones y un cielo (1959) Character: Anunciador cabaret
Husband and wife share the spotlight as two of Mexico's most famous ranchera singers, but when they decide to pursue solo careers, a Spanish theatrical empresario and an Italian female chocolatier will threaten their marriage.
Buenos días, Acapulco Buenos días, Acapulco (1964) Character: Ernesto González
Los detectives Viruta y Capulina, viajan al Puerto de Acapulco, para cuidar de Ricardo, joven hijo de un rico. Durante el trayecto levantan a la cantante Mayté. Un tal Guillermo secuestra al muchacho usando de anzuelo a Silvia y lo suben en un bote. Viruta y Capulina los siguen en otro bote, provocando un desorden sin control entre los demás botes que se encuentran en la playa pero a pesar de sus torpesas logran rescatarlo y eliminar a los maleantes.
El hombre que logró ser invisible El hombre que logró ser invisible (1958) Character: N/A
A man is sentenced to prison for a murder he did not commit. Thanks to a serum invented by his brother, he manages to become invisible and escape from prison in order to prove his innocence, while his brother works feverishly to find an antidote. Theatrically released in USA in Spanish language only; later English-dubbed version syndicated directly to television.
Dr. Satán Dr. Satán (1966) Character: Detective
Dr. Satan, a mad scientist and sorceror, plans to take over the world. In order to do so, he wakes up three zombie slaves from the dead and attempts to make a deal with the devil. He sends his zombie servants to do harm to anyone who stands in his way. Will anyone be able to stop him?
El hacha diabólica El hacha diabólica (1965) Character: Arena Policeman
In the Age of the Inquisitions, 1603, Santo, El Enmascarado de Plata, is being laid to rest by a group of monks. The Black Hood, an axe-wielder and a tormented soul who sold his soul to the devil after losing his love to El Santo, appears at the foot of his tomb and swears to seek his revenge no matter how many centuries it takes. El Santo is the chosen one and is sworn to fight for good and justice at any cost. After he finds his love, Alicia, dead at the hands of the Black Hood, El Santo must trust his faith and use his strength in this battle of good vs. evil.
El Extra El Extra (1962) Character: Asistente de director escena dama de las camelias
Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry.
Santo el enmascarado de plata vs. la invasión de los marcianos Santo el enmascarado de plata vs. la invasión de los marcianos (1967) Character: Padre de niño secuestrado
In this Mexican sci-fi fantasy, big beefy Martians invade the earth. Ostensibly, they have come to warn people about the dangers of nuclear testing and exploring space, but their real mission becomes manifest when they begin using their special powers and gadgets to exploit weak earthlings.



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