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Le due tigri (1941)
Character: La moglie di Sambigliong
Darma, Tremal Naik's daughter is kidnapped by the thugs and secluded in a temple in the jungle. The religious sect want her to become the priestess of the goddess Kali. Sandokan will set her free, and Surama the legitimate heiress to the throne of Lahore.
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Non canto più (1945)
Character: La cuoca di casa Baratti
A woman, a theatrical impresario, simulates the theft of a precious necklace for marketing purposes. A young singer living in the province is believed to be responsible for the theft and is arrested.
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Au-delà des grilles (1949)
Character: N/A
A French fugitive arrives in Genoa, where he becomes entangled with an Italian woman and her daughter.
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L'inafferrabile 12 (1950)
Character: La levatrice
Two twin brothers grew up and never met (due to the fact that the father with the couple would have had 13 children and therefore for superstition he closed one in an orphanage), the one goalkeeper of Juventus and the other employee at the state lottery.
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Giovanna d'Arco al rogo (1954)
Character: Madama Botti
Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
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Giovanna d'Arco al rogo (1954)
Character: Signora Botti
Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
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Quel fantasma di mio marito (1950)
Character: Fatima
Gianni Alberti is a journalist who is sent to Palestine. He decides to fake a fatal accident so he can then return home as a hero. But things don't turn out as planned, Gianni end up coming back to Italy, but only as a ghost.
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L'onorevole Angelina (1947)
Character: Cesira
A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.
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Il passatore (1947)
Character: Signora nel palco a teatro
The story of the most infamous bandit in Romagna, who robbed from the rich to give to the poor.
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I bambini ci guardano (1943)
Character: N/A
In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.
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La moglie è uguale per tutti (1955)
Character: Maria Rosa
Antonio De Papis is a lawyer and his specialization is separation by mutual consent. He is contrary to marriage because he sees so many of them going wrong. So when his nephew calls on him asking for his approval to his marriage, Antonio suggests to him to spend a day in his office to see what marriage really is.
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Il cardinale Lambertini (1954)
Character: La tata
Papal aspirant "Cardinal Lamberti" has to tread a fine line between the powerful Duke of Montimar and doing the right thing by a young couple in love in late 1730s Bologna.
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Siamo uomini o caporali (1955)
Character: The mother of Mimi
These are the years of the Second World War, and Toto is imprisoned in a concentration camp, suffering the harassment of Colonel Hammler, a Nazi cruel and despotic.
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Il pirata sono io! (1940)
Character: La nutrice
In Santa Cruz, in the second half of the eighteenth century. The Governor of the island, to ingratiate himself with the Viceroy, contrives to make assaulting the island from a mock pirate ship and, with a mock battle, defeat the aggressors and throw them back into the sea.
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Mio figlio Nerone (1956)
Character: Ugolilla
Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show.
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Il voto (1950)
Character: Amalia
During the absence of her husband, who left for a fishing cruise in the seas of China, Carmela falls under the spell of Vito, a young fisherman.
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