|
Abenteuer im Südexpress (1934)
Character: N/A
On a train's way to the Italian Alps, the jewelry of a wealthy young widow is stolen and a military veteran working as a waiter is the first to come under suspicion.
|
|
|
|
|
Das letzte souper (1928)
Character: Dombrowsky
The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I
|
|
|
Man braucht kein Geld (1931)
Character: N/A
In this German comedy, an enterprising American uncle comes from Chicago goes to the tiny town of Groditzkirchen to make a fortune on credit even though he only has $10 to his name. To do so, he enlists the aide of a bank clerk and begins posing as a millionaire.
|
|
|
|
|
Die Finanzen des Großherzogs (1934)
Character: Sergeant Quesada
The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State’s debt; the main creditor is looking forward to expropriating the entire Duchy. The marriage with Olga, Grand Duchess of Russia, would solve everything, but a crucial letter of hers about the engagement has been stolen. Besides, a bunch of revolutionaries and a dubious businessman have other plans regarding the Grand Duke. With the intrusion of adventurer Philipp Collins into the Grand Duke’s affairs, a series of frantic chases, plots and counter-plots begins…
|
|
|
Frau Luna (1941)
Character: Polizeirat aus Cottbus
Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.
|
|
|
Casanova heiratet (1940)
Character: Gast beim Fest
The actor Ralph Gregor plays "Casanova" on the stage and everyone expects, that he also lives out the role in real life. Johanna Brinkmann, known as "Joe", tries everything to make her husband jealous of Ralph. Ralph, however, is actually dating his colleague Steffie. After a fight with her, he takes off on a short trip into the countryside and there gets to know the attractive Gertrude, with whom he falls in love. In short order, he proposes to and marries her. Soon, however, Gertude gets to know Steffie and Joe, who appear to know Ralph much better than they do, and Gertrude loses it.
|
|
|
|
Peter, Paul und Nanette (1935)
Character: Max
Nanette has a boyfriend Peter who works for her jeweler father, and who the father doesn't think much of.Peter uses a fake identity as "Paul" to recover a stolen gem, so maybe now he will make a better impression.
|
|
|
|
|
Doña Juana (1928)
Character: Juana's Servant Francesco
A Spanish nobleman raises his only daughter as a boy, similarly to Greta Garbo in Queen Christina (1933). In adulthood, Juana's upbringing causes complications in her love life. Possibly an early example of genderqueer representation.
|
|
|
Wie werde ich energisch? (1933)
Character: N/A
Ulfilas Löwe is an exceptionally talented writer, yet he's constantly strapped for cash – the bailiff is his most frequent visitor. Löwe refuses an advance from his publisher because he simply isn't capable of being truly assertive. So, in the publisher's office, Löwe seeks advice from Mr. Knöllchen on how to be truly assertive and get his way. And lo and behold: Löwe receives an unusually large advance! He's become a real master of assertiveness. Perhaps a little too much so: when Knöllchen gives him a friendly pat on the shoulder as he leaves the office, Löwe firmly forbids such familiarity...
|
|
|
|
|
Die lustigen Weiber (1936)
Character: Wirt
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
|
|
|
Der Vogelhändler (1935)
Character: N/A
The film is an adaptation of the 1891 operetta Der Vogelhändler by composer Carl Zeller, with libretto by Moritz West and Ludwig Held, though it incorporates few of the original songs, using them mostly instrumentally or in the background. The plot follows Adam, a Tyrolean bird seller in 18th-century Rhineland, who hopes to marry his beloved Christl, a postmaster's daughter; to secure his future, she arranges for him to perform at court, but complications arise when she is mistakenly suspected of an affair with a philandering prince.
|
|
|
Ihre Hoheit befiehlt (1931)
Character: N/A
An emancipated Princess, who has just returned home to her court in the Balkans from England, goes in disguise to a servants’ bal and falls in love with an alleged caterer, who turns out next day to be a lieutenant of the guard. Without letting on to her masquerade, she makes sure he climbs the ranks quickly. At the same time, she tries to thwart her engagement to an unpopular prince.
|
|
|
|
Was bin ich ohne Dich (1934)
Character: Himself
A struggling composer gets one of his pieces into a film program and his wife captures the lead part in the production as well.
|
|
|
Die - oder keine (1932)
Character: Bassist
Eve's emotions are torn between two European princes, lifelong rivals who happen to be brothers. Eve prefers the nicer of the two princes, but this doesn't stop the other from aggressively stepping up his courtship. When the less agreeable of the two monarches takes control of the throne, he orders Eve to make an immediate choice between himself and his brother.
|
|
|
Drei Mäderl um Schubert (1936)
Character: Kupelwieser
Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?
|
|
|
Fräulein Lausbub (1930)
Character: Uncle Adolf
Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.
|
|
|
|
|
Trenck, der Pandur (1940)
Character: N/A
Film about the fictitious adventures of Franz Freiherr von Trenck, who lived during the times of empress Maria Theresia of Austria garnished with espionage and twisted love affairs.
|
|
|
Das Kabinett des Dr. Larifari (1930)
Character: Arzt
Three friends who are broke decide to found a film production company. When they start shooting their first film chaos arises...
|
|
|
Das indische Grabmal, erster Teil: Die Sendung des Yoghi (1921)
Character: N/A
Ayan, Maharajah of Eschnapur, believes that his wife, Princess Savitri, has been unfaithful to him with officer Mac Allan. He decides to bury her alive, so he sends the Yogi Ramigani to England to look for Herbert Rowland, an architect; but when he orders him to build a tomb, Rowland refuses.
|
|
|
Es war eine rauschende Ballnacht (1939)
Character: Onkel Jarow
1865. Katharina goes to a ball in Moscow. There she meets again Tchaikowsky, her first and only love. The young, who is now married to wealthy Michael Iwanowitsch Murakin, a man she does not love, has not forgotten Piotr Illich, the (not yet) famous composer. Both are still in love with each other but Piotr is engaged to Nastassia, a dancer, while for her part Katharina cannot leave her husband. Tchaikowky's first love then decides to sacrifice her happiness to the success of the composer, sponsoring him in secret. Something Piotr will learn only years after. When Katharina finds herself free at last it is too late: Tchaikowsky is dying of cholera and she only has time to close his eyes.
|
|
|
Der Kurier des Zaren (1936)
Character: N/A
A Czarist courier has to get across the Siberia frontier, threatened by Tartar invaders and a treacherous Russian helping them. Strogoff encounters several colorful characters along the way. German language version of the French film Michel Strogoff, adapting the novel by Jules Verne.
|
|
|
|
|
Nathan der Weise (1922)
Character: Emir von Kurdistan
Silent movie adaptation of Lessing's play. Set in Jerusalem during the Third Crusade, it describes how the wise Jewish merchant Nathan, the enlightened sultan Saladin and the (initially anonymous) Templar bridge their gaps between Judaism, Islam and Christianity.
|
|
|
|
Die Welt ohne Maske (1934)
Character: N/A
An inventor works on coming up with a radio-television device, but can't get it to work properly. A slick con artist sees a chance to fleece gullible people with this device and encourages the inventor to keep working at it. One day in the lab, a freak accident results in the machine being able to look through any object and project that object on a TV screen. Unfortunately, some crooks hear about it and determine to get their hands on it. Complications ensue.
|
|
