|
Die Schatten werden länger (1961)
Character: Frau Diethelm
The Shadows Grow Longer (German: Die Schatten werden länger) is a 1961 Swiss drama film directed by Ladislao Vajda. The film was selected as the Swiss entry for the Best Foreign Language Film at the 34th Academy Awards, but was not nominated.
|
|
|
Bis dass das Geld euch scheidet… (1960)
Character: Lisbeth Grapsch
Germany at the time of the economic miracle: the boorish and equally rude Jupp Grapsch has made a small fortune through his bustling activities. His wife Lisbeth, on the other hand, does not feel comfortable with this, but silently accepts the circumstances. Even when Jupp gets involved with the somewhat disreputable Nina Sonntag, an extravagant young woman, she accepts this at first. At some point, however, the situation escalates and Lisbeth slips a slap in the face, which Jupp cleverly wants to use to finally get rid of his wife by divorcing her. But Lisbeth refuses and so Jupp hires an unscrupulous man to create a reason for the separation in exchange for money...
|
|
|
Die Reise nach Marrakesch (1949)
Character: Liliane
Armande, the wife of surgeon Colbert, has numerous love affairs and pursues Jacques, whom Armande’s girlfriend Liliane has in her sights.
|
|
|
Der Fall Rainer (1942)
Character: Prinzessin Henriette von Battenstein
Germany in the fall of 1918: Accompanied by the Archduke Karl Maria, Princess Henriette von Battenstein makes an inspection tour of hospitals. During these inspections, she meets Lieutenant Rainer, the former conductor of the State Opera. When she later makes music with him in the Archduke's castle, she becomes the unwilling witness to a secret cease fire negotiation.
|
|
|
Frau Irene Besser (1961)
Character: Irene Besser
It was not until twelve years after the end of World War II that Irene Besser's husband, Martin Besser, long believed to be missing, returned from Soviet captivity. But the country and family have become unfamiliar to him. His wife Irene and her daughter Lotte built a new life all by themselves in the tough times of the post-war turmoil in the still young Federal Republic of Germany. With a lot of commitment and dedication, she runs her own department store today and has become an extremely successful businesswoman. Not only as a consultant, the lawyer Dr. Heinz Werther stand her more and more aside. It is becoming increasingly impossible for Irene to do justice to both, men and lover alike. She hopes that even without her, Martin will slowly find his way back in his homeland and open up perspectives for him..
|
|
|
Vergiß die Liebe nicht (1953)
Character: Anna Kienzel
A tenor sparks new hope into the life of a wife,a former piano player whose husband has not been paying enough attention to her.
|
|
|
Das Einmaleins der Liebe (1935)
Character: Sophie Bruninger
Identities are changed in the Austrian countryside. A simple woman does this to test the affections of a store manager, he too changes character several times and there are other locals who do this as well.
|
|
|
Versprich mir nichts! (1937)
Character: Monika
Maler Pratt, an artist, refuses to sell his paintings as he thinks that they still need improvement before being publicly exhibited, but his wife Monika thinks differently and sells them because she thinks they are good...and they need the money. As he only signs an "M" on his work, Monika has no difficulty in claiming she is "M", but problems arrive when she is commissioned to do a large mural and Maler refuses to help her out. However, his creative spirit gets the best of him and he does the mural which is widely acclaimed to be a great work of art. Felder , an art dealer, is not overly pleased with this turn of events as he has been pleading with Monika to divorce her shiftless husband and marry him.
|
|
|
Glück im Schloß (1933)
Character: Anny
A Bavarian baron has invited his three illegitimate children to come on a visit. Suddenly, happiness can be seen in this house only recently cut off from the rest of the world. The baron is happy. When two of the children have to leave because of their duties back home, only the daughter stays behind, determined to cure the baron of his quirks.
|
|
|
|
|
Regine (1935)
Character: Regine
Frank returns to his homeland as an engineer, falls in love with Regine, the housemaid of his uncle, and marries her. Thanks to the intrigues of Floris, one of Frank's rejects, Regine is suspected of having an affair with another man. Depressed and desperate, she intends to commit suicide, but is saved by Frank in the last minute.
|
|
|
|
Ich liebe Dich (1938)
Character: Fotografin Eva
Percy, a young, rich American, is on vacation in Germany and thinks that every girl wants his sorry ass. He’s far from right: There’s the hugely admired Eve, whom he’s decided will be the love of his life, but who isn’t in the slightest bit impressed with either him or his Dollars. To finally be able to talk to her without being disturbed so he can express his feelings, he slips a mickey in her drink and takes her to the house of his friend Max. When Eve finally emerges from the drug-induced nap forced upon her, Percy admits his love (!) and is told to drop dead. And this is their idea of a romantic comedy?!?
|
|
|
Annelie (1941)
Character: Annelie Dörensen
On New Year′s Eve 1871 Annelie is born – 15 minutes too late, since her parents had calculated her birth to be exactly at midnight. These 15 minutes will again and again become the girl′s fate.
|
|
|
Der Flüchtling aus Chicago (1934)
Character: Steffie Dux
Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.
|
|
|
Nora (1944)
Character: Nora Helmer
The film is an adaptation of Henrik Ibsen's play A Doll's House. The film uses Ibsen's alternate ending where the unhappy couple are reconciled at the end
|
|
|
Liebesschule (1940)
Character: Hanni Weber, Sekretärin
A young woman works for two different men, both of whom fall in love with her. In the mornings she is secretary for a popular author and in the afternoons for a singer. Which of them will she settle for?
|
|
|
Liebelei (1933)
Character: Mizzi Schlager
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...
|
|
|
Leise flehen meine Lieder (1933)
Character: Emmi Passenter
A section from the life of composer Franz Schubert as a material for a love story. Also known in English as Gently My Songs Entreat. An English version called Unfinished Symphony would follow in 1934.
|
|
|
Sarajewo (1955)
Character: Herzogin Sophie Hohenberg
The film portrays the assassination of Archduke Franz Ferdinand of Austria in 1914.
|
|
|
Der Rebell (1932)
Character: Erika Rieder
A young medical student returns to his Tyrolean home to find out that Napoleon's troops have taken over the area and that his mother and sister have been murdered.
|
|
|
Vorstadtvarieté (1935)
Character: Mizzi Ebeseder
In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.
|
|
