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Burgtheater (1936)
Character: vorsprechender Schauspieler
In this convoluted melodrama, an elderly thespian falls for a rising young starlet. He admits his love for her and then announces that he will retire. The young woman pretends she loves him too, but her real motive is to give her struggling lover, also an aspiring actor, a break.
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Singende Jugend (1936)
Character: Schmidt, Kapellmeister
A new member of the Vienna Boys Choir shoulders the blame for a theft.
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Der Fall des Generalstabs-Oberst Redl (1931)
Character: Stephan Dolan, Ulanenleutnant
Based on the short story "Der Fall des Generalstabschefs Redl" by Egon Erwin Kisch. Alfred Redl, a colonel on the Austrian General Staff, leads an extravagant private life. No one suspects that in reality he is passing information to Russian spies. Alternate-language version of "Aféra plukovníka Rédla" (1931).
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Leutnant Bobby, der Teufelskerl (1935)
Character: N/A
An Austrian officer traveling to London to meet his newly married sister at a fancy costume party cannot find her but finds another woman instead.
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Hochzeitsreise zu dritt (1939)
Character: N/A
When Dr. Müller is delayed and postpones his own wedding his furious bride Inge leaves him and goes to see her aunt, picking up smart Fred on the way who poses as her husband since Inge is too embarrassed to talk about her busted nuptials.
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Das Jüngste Gericht (1940)
Character: Junger Ehemann
The greengrocer Ferdinand Strubel wants his daughter Marianne to marry the son of the brewery owner Baron von Schnackenberg. Since Strubel is an impossibly cheap bastard, the marriage is to take place on 20 May, which, coincidentally, is the same day the city is having a grand festival for him to celebrate his company's being in business for 100 years. Marianne, however, has fallen in love with Leopold, a gym teacher; and when he reads an article in the newspaper about the upcoming arrival of Haley's Comet on 19 May, he comes up with an idea how he can prevent the wedding from taking place: He tells Strubel that the world is going to come to an end when the comet shows up, so that Strubel will see the errors of his way, cancel the arranged wedding and will become a better person for it. (Sucker!).
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Champagner (1929)
Character: Marcel
Jenny, a cheerful kitchen maid at the Paris-style Palais de Luxe, is hopelessly in love with charming head waiter Jean—only to be stood up when he forgets their planned tryst in favor of the hotel’s glamorous dancer, Lola. Humiliated and on the verge of arrest for “stealing” champagne, Jenny hides backstage where she’s mistaken for a performer, wows the crowd with an impromptu dance, and finally wins Jean’s heart.
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Der weiße Traum (1943)
Character: Poldi
The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.
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Der Vagabund (1930)
Character: Provisor
Approximately half a million vagabonds were roaming Austria and Germany in the late 1920s. The film addresses their social exclusion and depicts the harsh reality of living on the fringes of society.
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Vorstadtvarieté (1935)
Character: Leutnant von Daffinger
In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.
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