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Maria Ilona (1939)
Character: Anton
In 1848, the freedom-loving Hungarian people, led by Ludwig Kossuth, rose up against the hated rule of the Austrian Habsburg dynasty. In its expansionist policy, the Austrian monarchy had long relied on Hungarian feudal lords who betrayed the interests of their people. The anger of the rebels was directed against the Austrian oppressors and their Hungarian supporters. Against the backdrop of these historical events, the personal fate of the Hungarian patriot Maria Ilona is shown.
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Alles Lüge (1949)
Character: Melchior Folkner
Klementine Plamershof is a fun-loving young woman. She has long been “confined” to a girls’ boarding school, where she is studying music with growing reluctance.
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Die Kellnerin Anna (1941)
Character: Orgelbauer
Against the wishes of his adoptive father, Stefan Burgstaller decides to become a musician. He goes to Salzburg, where his girlfriend Veronika is already attending the conservatory. Stefan is also accepted at the school and even receives a scholarship because of his extraordinary talent. This paves the way for a carefree student life, which Stefan enjoys to the fullest. The fun-loving guy is popular everywhere, but he seems to be particularly fond of the slightly older waitress Anna, who works in the musicians' bar "Zur Bassgeige"...
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Ein Leben lang (1940)
Character: Fritz, Kellner
In 1910, the landlord's daughter Agnes from the Steiermark gets to know the diplomat Hans. They have a short love affair and then part from one another. Hans gets sent to Beijing, where he marries and American and has a son with her. Agnes, too, has a son by Hans and moves to Vienna, where she works in a restaurant. She is still in love with Hans ...
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Almenrausch und Edelweiß (1957)
Character: Hotelportier Xandl
Friedl Meier, owner of a country hotel, inherits a large sum of money in dollars – but the problem is that the inheritance certificate is issued in the name Meyer with a “y,” the surname of Friedl's former fiancé Ferdinand, who later made a career for himself in the USA. As luck would have it, Ferdinand is spending his vacation at a nearby hotel – together with his butler Leo, who causes some confusion in the affair.
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Immer nur Du (1941)
Character: Theaterdirektor Knopp
The two stars of an upcoming operetta performance quarrel constantly. but they also fall in love with each other.
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Die heimliche Gräfin (1942)
Character: Hausgenoss
A comedy of confusion in aristocratic Vienna at the turn of the 19th into the 20th Century: The young Bohemian Countess Antschi Dorival trades places with her friend Martina, because she wants to become an actress and applies as such at the city theatre under a false name. And so, Martina attends the Vienna Opera Ball, posing as the countess. Because of their striking similarity to one another, Martina is confused with the impostor Sonja Lubomirska, who shortly before stole a necklace belonging to the wife of Archduke Johann Sylvester.
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Dreimal Hochzeit (1941)
Character: Fürst Paul
Prince Alexander loves the commoner Vera and defies his uncle the Tzar as well as his peers by arranging his wedding. But Vera leaves him because she does not want to be the cause of him spending the rest of his life as a social outcast.
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Hochzeitsnacht (1941)
Character: Kleefass
Vroni defies her dad: she won't marry miller Balduin but her true love Franz. The father insists, but friend Kleefass helps and steals all marriage certificates of the town - resulting in sudden lawlessness and a chaotic night of passion.
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Ehestreik (1935)
Character: Bartl, sein Vater
In a theme reminiscent of the classic Greek comedy Lysistrata by Aristophanes, wives and sweethearts in a Bavarian village agree to withhold sex from their men, as long as the men keep spending time with a new waitress at the inn.
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Spaßvögel (1939)
Character: Lämmle
Mayor Eberhorn is known as a womanizer to everyone in the village. Katchen, his wife, is constantly trying to convert him to a proper way of life … but in vain. When one morning, Casanova finds a stroller with a clever slogan referencing his affairs at his front door, Eberborn seeks revenge. Top suspects for the prank? The “Spassvogel”: seven friends led by the former sailor Hannes Strobel.
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Drei Väter um Anna (1939)
Character: Herr Ameiser
A cabaret singer entrusts her illegitimate daughter to a country doctor but doesn't say which of three friends of his is the father. Rumors are spread and relationships are strained until one man admits the truth.
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Bal paré (1940)
Character: Florian Brunnhuber
At the turn of the century in Munich, a ballerina accepts the sponsorship of an older industrialist but also spends time with his son.
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Viel Lärm um Nixi (1942)
Character: Gemüsehändler
Nixi has a vivid imagination and she makes extensive use of it. After parting from her longtime fiancée after an argument, she tells her father, that she’s pregnant --- and by another man: the police prefect Roland von Gabriel, whom she met after an auto accident. Called in by her father to be lectured, Roland doesn’t seem to mind the idea of marrying Nixi, but she’s already taken to her heels and fled.
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Die kluge Marianne (1943)
Character: Diener Pankraz
Peter, a writer, lives the life of a carefree bachelor, but soon gets to know a charming girl during a trip, falls in love with her, and marries her right away. Only after he returns to his elegant apartment in Vienna, does he start to wonder, whether Marianne will fit in amidst his circle of spoiled acquaintances. His well-meant advice on how she should behave makes Marianne so insecure, that she ends up acting quite clumsy and scares off his friends. Peter is angry and Marianne is so upset, that she wants to return back to her parents. On the way there, she has an experience, which shows her her mistake. She turns around and now strives to become an elegant lady of the world.
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Kätchen für alles (1949)
Character: Anton
A young actress, dismissed as untalented by a famous and admired mime, takes revenge for the insult by playing so many roles for him in his house - from maid to abused wife and tender mother to vamp - that in the end he discovers not only her talent but also his love for her.
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Der blaue Strohhut (1949)
Character: Franz
Pretty hat-saleswoman Lola wants nothing more than to become an operetta singer. Unfortunately, it isn't so easy to make it in the music business. Operetta diva Isabella, on the other hand, is sick and tired of performing and leaves the stage, despite the fact that her partner begs her to stay, because without her he can't premiere his latest work on the stage.
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Die Gattin (1943)
Character: Pfandleiher
Puck Niklas (Jenny Jugo) loves her husband Peter even though her brother thinks he's a no-good. She's very charming and a bit crazy and does everything to help him get an engagement as an architect. Opportunity comes knocking in the form of factory owner Walter Baumann (Willy Fritsch) who sees through her trickery but at the same time charmed by her, he gives her Peter the job. Soon Walter finds out
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Opernball (1939)
Character: Eduard von Lamberg
After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.
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Abenteuer im Grandhotel (1943)
Character: President Ottokar Frühwirt
The impoverished Count Lerchenau works under the name Rudi Lindt as a chauffeur. Because he is so well-loved by women, he lost his last position. His former servant Franz has not abandoned him in his time of need and the servant keeps trying to find a rich bride for the former Count. In the Grand Hotel, where the Count is supposed to be finding a suitable mate, he instead flirts with the attractive Alice. In order to get a job with the employer Ottokar Frühwirt, Rudi uses Count Lerchenau as a reference. But then the employer wants to speak with Lerchenau and Franz has to play the role of the Count. Alice, it turns out, is the employer's niece. When she finds out that Rudi is only a chauffeur, she wants nothing to do with him.
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Erzherzog Johanns große Liebe (1951)
Character: Diener
Archduke Johann, whose liberal leanings and bourgeois lifestyle have brought him into disfavor with the Viennese court, falls in love with the postmaster's daughter Nandl. Against the wishes of the court, he wants to make her his wife...
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Königswalzer (1935)
Character: Ludwig Tomasoni, Cafetier
A love story based in Munich in 1852: An Austrian officer belonging to the nobility has the mission of ensuring the young Kaiser Franz Joseph doesn’t endanger his future marriage to Princess Elisabeth by his acquaintanceship with the daughters of a coffee-house owner.
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Kleine Melodie aus Wien (1948)
Character: Kayser sen., ein Musikverleger
Vienna shortly after World War II. A music professor, in whose house a young widow with three children is quartered by the housing office, changes under the influence of the charming lady.
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Mein Schatz ist aus Tirol (1958)
Character: Old Baron
The enterprising but chronically indebted factory owner Gustav Mummelmann meets the supposedly wealthy Tyrolean innkeeper Mariele through a marriage advertisement. To fund the trip, he once again takes advantage of his nephew, the record producer Peter Weigand. Peter accompanies Gustav to Tyrol to escape his persistent girlfriend Marion-Madeleine, who is pressuring him to marry her.
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So ein Mädel vergißt man nicht (1932)
Character: Hausportier
A GIRL YOU DON'T FORGET can be thought of as a backstage musical that treats the whole world as backstage. Melodies seem to be buzzing through the air, available to anyone in the right state of mind. Willi Forst always is, and he is also an actor who can transform any space into a stage. Fritz Kortner, one of the defining personalities of the German theatre scene of the 1920s, makes the most of his star’s talent in an intricately constructed romantic comedy that believes in the truth of artifice. Forst plays Paul Hartwig, a wannabe actor who is reduced to selling books in the cold streets of Berlin. While pursuing his big break, he meets Lisa Brandes (Dolly Haas), another victim of the global financial crisis who has just learned a new trick: cheating horny old men out of their money by selling promises she does not intend to keep. Dedicated theatre man Paul decides to win her over by putting on an act, but a misplaced slap leads to unintended consequences. - Lukas Foerster
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Der weiße Traum (1943)
Character: Onkel Strolz (scenes deleted)
The young ice skating talent, Liesl, lands a part in a new Revue at the Palast Theatre simply because she is confused with someone else. In reality, the roll was to be awarded to Lu Panther, the untalented girlfriend of the theatre's owner, Wildner. After a series of accidents and little disasters, Wildner shuts down the theatre before the Revue can take place. But the Revue's director, Ernst Eder, decides shortly thereafter to present the Revue on an ice skating rink belonging to Liesl's uncle. After a successful run, at first at the Wiener Prater, the performers move on to Spain, Hungary, and a night club with a Jazz orchestra. The Revue becomes a huge success ... and, of course, Ernst and Liesl end up together, too.
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Wir bitten zum Tanz (1941)
Character: Hartenau
Vienna around 1900. Karl Hofeneder, owner of a dance school, puts great importance on teaching his students not only the right steps but also good behavior. Twenty years ago, the bachelor lost the love of his life to his friend and competitor Georges Roublée. The two have been enemies ever since. Hofeneder is annoyed when he finds out that Roublée wants to open a second dance school locally.
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Weiberregiment (1936)
Character: Korbinian, Faktotum
In Bavaria's snowy mountains, a battle of the sexes develops over the Rosl family brewery which a conniving relative sets up for staffing entirely by women. The moral is, as with reproduction, society needs both genders to get the job done.
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1. April 2000 (1952)
Character: N/A
It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.
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Illusion (1941)
Character: Jacob
Melodrama about an actress falling in love with a man who wants her to give up her job.
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Operette (1940)
Character: Tundler
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
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Meine Tochter lebt in Wien (1940)
Character: Rudolf Gerlach
Gretl has been living in Vienna ever since her father, Klaghofer, a small general store owner, tried to marry her off against her will to the wealthy Gruber farmer. Her disgruntled father never opened a single one of her letters. A postcard tells him that Gretl has married—and, he mistakenly assumes, to a rich man. Klaghofer sets out to celebrate the reconciliation. But as soon as he leaves his provincial Austrian hometown and arrives in Vienna, Klaghofer causes utter chaos. In the process, he repairs a troubled marriage and is delighted at the happy ending for everyone involved.
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Salto in die Seligkeit (1934)
Character: N/A
An unemployed artist must choose between a flower seller and a Hungarian dancer and defend himself against suspicion of shoplifting.
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Mein Freund, der Dieb (1951)
Character: Franz
Germany in the post-war period. Due to the circumstances of the time and his lack of prospects, the young Bimbo has become a hoodlum who keeps his head above water with petty crime. One night he robs the writer Percy, but is picked up by the police shortly afterwards in a drunken state. As he has Percy's wallet with him, the police think he is the robber and take him to his address. Percy can hardly believe his eyes when he sees the robber again. But instead of handing him over to the police, he takes Bimbo under his wing and tries to make a better person out of him - not an easy task.
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