Jamie Babbit

Personal Info

Known For

Directing

Known Credits

1.2282

Gender

Female

Birthday

16-Nov-1970

Age

(56 years old)

Place of Birth

Shaker Heights, Ohio, USA

Also Known As
  • Jamie Merrill Babbit

Jamie Babbit

Biography

Jamie Babbit (born November 16, 1970) is an American film director, producer and screenwriter. She directed the films But I'm a Cheerleader, The Quiet and Itty Bitty Titty Committee. She has also directed episodes of television programs including Gilmore Girls, Malcolm in the Middle, Nip/Tuck and The L Word. She is involved with film production company POWER UP. Description above from the Wikipedia article Jamie Babbit, licensed under CC-BY-SA, full list of contributors on Wikipedia.


Credits

Half the Picture Half the Picture (2018) Character: Self
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
Aisle Six Aisle Six (1991) Character: Julie
Imagine a treacly high-school docudrama about acceptance, cliques, and the secret shames of peer pressure. Now imagine it set in a world where all anyone cares about is plumbing, and the ultimate social crime is to cast a longing glance at a box of electrical supplies.
Indie Sex: Teens Indie Sex: Teens (2008) Character: N/A
Underage sexual activity is one of the most taboo subjects on screen. The film traces the history and representation of adolescent love and sexual behavior from Splendor on the Grass to Thirteen. It examines both the sensational teen films of the 1980s and more modern youth cinema as mediums through which teen movies play a central role in adolescent sex education.
This Film Is Not Yet Rated This Film Is Not Yet Rated (2006) Character: Self - Director of 'But I'm a Cheerleader'
Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America (MPAA) rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.



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