Dorothy Mackaill

Personal Info

Known For

Acting

Known Credits

4.965

Gender

Female

Birthday

04-Mar-1903

Age

(121 years old)

Place of Birth

Hull, Yorkshire, England, UK

Also Known As
  • Дороти Макэйл

Dorothy Mackaill

Biography

Dorothy Mackaill (March 4, 1903 – August 12, 1990) was a British-American actress, most notably of the silent-film era and into the early 1930s.


Credits

Picture Brides Picture Brides (1934) Character: Mame Smith
Four "Picture Brides", from New Orleans, arrive in the Brazilian jungle on a riverboat, brought there to marry workers at Lottagrasso, a remote mining site of the Standard Diamond Mines. Also on the boat with the four "mail-order" brides (Americans Mame Smith, Flo Lane, and Gwen from England and Lena from Europe) is Mary Lee, a frightened and innocent girl, who has come to see the mine's brutal supervisor, Von Luden, about a job.
The Love Racket The Love Racket (1929) Character: N/A
A beautiful girl exposes her shameful past to save the life of a girl she has never met.
Twenty-One Twenty-One (1923) Character: Lynnie Willis
Twenty-One is a 1923 American silent drama film directed by John S. Robertson and starring Richard Barthelmess, Dorothy Mackaill and Joe King.
His Captive Woman His Captive Woman (1929) Character: N/A
Cabaret dancer Anna Janssen kills her sugardaddy and escapes to a South Seas island on the yacht of a wealthy admirer. Stolid, conscientious Tom McCarthy, a New York detective, is sent after Anna and arrests her, chartering a steamer to bring her back to the United States. The steamer sinks, and Anna and Tom are stranded on a small island. They fall in love, and Tom's influence brings about a benign change in Anna's character. They are rescued, however, and Anna is placed on trial for her life. Tom takes the stand in her defense and informs the judge of Anna's conversion in the solitude of the island. The judge instructs Tom to marry Anna and then sentences them to life--on the island where they found happiness together.
Children of the Ritz Children of the Ritz (1928) Character: Angela Pennington
A spoiled rich girl falls for a poor chauffeur. Their situations are changed when her family loses all their money and he wins $50,000 at a racetrack. They get married, but it's not long before she starts spending their money the way she used to spend hers. Complications ensue.
The Bridge of Sighs The Bridge of Sighs (1925) Character: N/A
The spoiled, arrogant and slow-witted son of a wealthy businessman falls in love with the daughter of his father's business manager.
The Making of O'Malley The Making of O'Malley (1925) Character: Lucille Thayer
A policeman falls for a teacher, and befriends her students. A gang of bootleggers threatens his newfound joys.
The Whip The Whip (1928) Character: Lady Diana
Lord Brancaster, a decent and upright British nobleman, loses his memory in an accident. While in this amnesiac condition, he becomes involved with the training of a horse, the Whip, for racing at Ascot.
One Year to Live One Year to Live (1925) Character: Marthe
Young Elsie Duchanier, maid of the star dancer in the French Brunel's Follies, is deceived by a lascivious doctor into believing she has only one year to leave in his effort to seduce her. Separated from her true love American soldier Capt. Tom Kendrick when he is reassigned to the United States, she accepts Maurice Brunel's offer to make her the main attraction of his new Follies. She meets with enormous success, but Brunel demands she submit to his advances as the price he demands for making her a star which she refuses. Tom returns to France just in time to save her virtue and whisk her away.
The Painted Lady The Painted Lady (1924) Character: Violet
After being released from imprisonment for a crime committed by her sister, Violet is forced to become a woman of easy virtue, and on an excursion to a South Sea isle she meets Luther Smith, a sailor seeking vengeance for the death of his sister. She feels unworthy of his love, but their paths cross again when he rescues her from Captain Sutton, the man responsible for the other girl's tragedy. This film is lost.
Shore Leave Shore Leave (1925) Character: Connie Martin
"Bilge" Smith (Richard Barthelmess), a tough sailor, meets Connie Martin (Dorothy Mackaill), a seamstress in a small harbor who has never had a boyfriend. Connie is instantly smitten. She invites Smith to dinner, where he dances with her and gives her a kiss. Connie has a hard time letting him go, and makes him promise that he will come back.
Hard to Get Hard to Get (1929) Character: Bobby Martin
A dress shop employee falls in love with a millionaire.
Torchy's Millions Torchy's Millions (1920) Character: N/A
A 1920 silent comedy short.
Fashion News Fashion News (1928) Character: Self (1929)
Hollywood actresses including Jeanette Loff and Raquel Torres modeling Spring fashions in color.
Life in Hollywood No. 7 Life in Hollywood No. 7 (1927) Character: Herself
Part of a 7-part series exploring all aspects of Hollywood.
Cheaters Cheaters (1934) Character: Mabel
A criminal gang is after a rich man's money. A female member of the gang gets the bright idea of getting him to marry her, then getting a healthy settlement after a quick divorce.
Smile, Brother, Smile Smile, Brother, Smile (1927) Character: Mildred Marvin
A hot young salesman at a cosmetics company finds out that, because the company is losing a lot of money, he may soon be out of a job.
Strictly Modern Strictly Modern (1930) Character: Kate
Strictly Modern is a 1930 American pre-Code comedy film directed by William A. Seiter and starring Dorothy Mackaill and Sidney Blackmer. A lady novelist falls deeply in love.
Two Weeks Off Two Weeks Off (1929) Character: Kitty Weaver
Frances, a salesgirl, is planning a summer vacation at the beach with a girlfriend, who also works at her store. Just as she is getting ready to leave home, Dave, a handsome young plumber, arrives to repair a leaky faucet. Her vacation turns into a bust when it rains at the beach, but a hunky lifeguard shows up to brighten her day. Then, of all people, Dave the plumber shows up, too. Complications ensue.
Lady Be Good Lady Be Good (1928) Character: Mary
Two engaged vaudeville magicians quarrel and go their separate ways.
The Fighting Blade The Fighting Blade (1923) Character: Thomsine Musgrove
In the war-like times of Oliver Cromwell, in and around 'olde Oxford towne', Dutchman Karl Van Kerstenbrook, Dutch soldier-of-fortune and sword-for-hire, stands ready to defend his lady-love, the fair Thomsine Musgrove, and prove his nettle, and that his blade is made of the finest metal.
Ranson's Folly Ranson's Folly (1926) Character: Mary Cahill
U. S. Cavalry Lieutenant Ranson belittles the exploits of a bandit known as "The Red Rider," and boasts to his fellow officers that he could hold up a stagecoach with a pair of scissors. And rides out and does so. But the next day, the postmaster, returning from a neighboring town, is also held up and his bodyguard is killed. Ranson is arrested on suspicion and placed on trial. But at the trial suspicion point to Cahill, post trader, and father of Ranson's sweetheart, Mary. In order to save him, Ranson pleads guilty but, in return and knowing that his daughter loves Ranson, Cahill admits he is "The Red Rider." Meanwhile, the real "Red Rider" is still at large.
Love Affair Love Affair (1932) Character: Carol Owen
Heiress learns to fly from aeronautical engineer. Things get complicated as their affair progresses.
Just Another Blonde Just Another Blonde (1926) Character: Jeanne Cavanaugh
Jimmy O'Connor and Scotty are a couple of New York City gamblers and sharpies who decide to go straight and, since they are such good friends, split 50-50 "even steven" on anything they get or do. Jimmy, a confirmed bachelor, doesn't care for women but Scotty falls in love with Diana O'Sullivan, a Coney Island girl. They decide that Jimmy needs a girlfriend and they opt for Jeannie Cavanaugh. But, following their 50-50 pact, Jimmy, although he has fallen in love with Jeannie, praises Scotty to her.
Curtain at Eight Curtain at Eight (1933) Character: Lola Cresmer
An elderly detective sets out to find who murdered a lecherous stage actor. His estranged wife? His would-be fiancee? Her father? Her boyfriend? A suicided actress's sister? The temperamental prop man? Or maybe the show's talented female chimpanzee?
Their Mad Moment Their Mad Moment (1931) Character: Emily Stanley
Dorothy Mackaill stars in this old-fashioned melodrama set in the Basque country of Spain. She is Emily Stanley, betrothed to foppish Englishman Sir Harry Congers, but in love with Basque peasant Esteban Cristera. Deciding on a final fling before wedlock, Emily goes to Esteban's village in the mountains, but is wounded in a car accident. Recuperating, she learns about the hardships endured by Basque women from Esteban's grandmother and former girlfriend, Stancia, and decides to return to Sir Harry in Biarritz.
The Great Divide The Great Divide (1929) Character: Ruth Jordan
Stephen Ghent, a mineowner, falls in love with Ruth Jordan, an arrogant girl from the East, unaware that she is the daughter of his dead partner. Ruth is vacationing in Arizona and Mexico with a fast set of friends, including her fiancé, Edgar. Manuella, a Spanish halfbreed hopelessly in love with Ghent, causes Ruth to return to her fiancé when she insinuates that Ghent belongs to her. Ghent follows Ruth, kidnaps her, and takes her into the wilderness to endure hardship. There she discovers that she loves Ghent, and she discards Edgar in favor of him.
Complicated Women Complicated Women (2003) Character: Self (archive footage)
Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.
No Man of Her Own No Man of Her Own (1932) Character: Kay Everly
An on-the-lam New York card shark marries a small-town librarian who thinks he's a businessman.
The Flirting Widow The Flirting Widow (1930) Character: Celia
An older daughter invents a fiancé so that her father will allow her younger sister to marry. However, the lie comes back to haunt her.
Man Trouble Man Trouble (1930) Character: Joan
A hard-boiled nightclub owner saves a beautiful young girl from drowning. He promptly falls in love with her, but she prefers a younger, more-genteel lover.
Safe in Hell Safe in Hell (1931) Character: Gilda Carlson
To avoid the rigors of the law, Gilda flees New Orleans and hides on a Caribbean island where the worst criminals can ask for asylum. Besieged by the scum of the earth, Gilda will soon find out that she has found refuge in hell.
The Chief The Chief (1933) Character: Dixie Dean
The dim-witted son of a heroic fire chief tries to follow in his late father's footsteps, only to become the unknowing pawn of corrupt politicians.
The Mine with the Iron Door The Mine with the Iron Door (1924) Character: Marta Hillgrove
This epic Western-melodrama was based on the popular novel by Harold Bell Wright. Two old prospectors, Thad Grove and Bob Hill find an infant in the cabin belonging to Sonora Jack, a notorious bandit. The girl, Marta, grows to womanhood.
Once a Sinner Once a Sinner (1931) Character: DIana Barry
As Diana Barry is preparing to leave New York to marry inventor Tommy Mason she is offered financial assistance from her ex-lover Dick Kent, who still has a thing for her. Refusing she heads to Sparta, where she informs Tommy of her affair with the older man. Tommy tells her that he doesn't want to know the man's name or any details and Diana is happy to forget the past and move on. This decision comes to bite them a year later though, when Kent returns into the picture.
Bright Lights Bright Lights (1930) Character: Louanne
A successful Broadway star ready to retire from her wild career announces her engagement. But her tumultuous past isn't done with her yet.
Ladies' Night in a Turkish Bath Ladies' Night in a Turkish Bath (1928) Character: Helen Slocum
Ma and Pa Slocum sell up their thriving packed-lunch business (based on Ma's home cooking, Pa's packaging design, and pretty daughter Helen's salesmanship), and move 'uptown' to live the life of the idle rich on the proceeds.
A Woman's Woman A Woman's Woman (1922) Character: Sally Plummer
A woman finds herself being a unpaid skivvy to her husband, two daughters and her son.
The Next Corner The Next Corner (1924) Character: Elsie Maury
While honeymooning in Paris Elsie is rescued from attentions of a man.Her hero is Don Arturo who takes her to Countess Longueval after her husband must go for work to Argentine.When her husband returns he is shocked how have Elsie change.Elsie goes to a party in Arturos hunting lodge,where he forces himself on her.Arturo is shot by a Stranger and Elsie confesses all to her forgiving husband.Juan Serafin is found shot.
Joanna Joanna (1925) Character: Joanna Manners
Joanna Manners is a flapper with a million-dollar figure, million-dollar looks, and a million dollars in cash. She falls in love with John Wilmore, a gut who hasn't got a dime nor a pot to put it in if he had a dime. There are those who object. Especially, the crowd of gold-digging gigolos and hustlers she knows.
His Children's Children His Children's Children (1923) Character: Sheila
Follows three generations of the Mayne family through the year 1921-22. The 81-year-old patriarch reminisces about his rough beginnings in post-Civil War railroading, son Rufus rides rough waters as a wealthy financier, and his wife and three daughters muddle through their New York high society life.
The Man Who Came Back The Man Who Came Back (1924) Character: Marcelle
Henry Potter is the irresponsible playboy son of a New York millionaire. Fearing he will disgrace the family name if he stays in New York, the father sends him to San Francisco to work in the family shipyards and, to make a man out of him, he is told he will have to start at the bottom and work his way up. Henry decides this is not a good idea and resents it to the point he will indeed start at the bottom but will work his way down from there, and disgrace the family name in San Francisco.
Convoy Convoy (1927) Character: Sylvia Dodge
A German spy matches wits with-and pitches woo to- an American secret agent
The Barker The Barker (1928) Character: Lou
A successful carnival barker deals with the arrival of his eager son, who he'd hoped would stay far from the carnival world, his son's entanglement with a showgirl, and his own jealous mistress.
Mighty Lak' a Rose Mighty Lak' a Rose (1923) Character: Rose Duncan
A blind orphan, Rose Duncan, who has a special talent with the violin. Jerome Trevor, a famed pianist, hears her playing and sends her to an uncle in New York so she can become educated. But the uncle is killed in an accident on his way to meet her and she is taken in by gang leader Bull Morgan. Morgan pretends to be her uncle to elude the police, and he sees the value of keeping her around as cover.
The Office Wife The Office Wife (1930) Character: Anne Murdock
Larry, a publisher, wants Kate to write a book about the 'Office Wife'. An executive stenographer's duties creates a relationship approaching that of his wife. Little does Larry know that sometimes literature mirrors life.
Kept Husbands Kept Husbands (1931) Character: Dorothea "Dot" Helen Parker Brunton
A former All-American football star, now working as a steel mill supervisor in New Jersey, falls in love with the mill owner's wealthy, very spoiled daughter.
The Streets of New York The Streets of New York (1922) Character: Sally Ann
Badger, a clerk at a Wall Street brokerage, discovers that his boss Gideon Bloodgood has swindled an investor, Fairweather, out of his money. Fairweather dies of a heart attack after an argument with Bloodgood, and Badger uses this knowledge to blackmail him. By a strange coincidence, Bloodgood's daughter Lucy runs over Fairweather's son, Paul, and cripples him.
The Crystal Cup The Crystal Cup (1927) Character: Gita Carteret
A beautiful young girl has been raised by her bitter mother to hate all men, but her beauty means that men are constantly after her. She rejects them all, leading some to believe that she may be a lesbian. To stop those rumors, she begins a platonic relationship with a young writer, but things don't work out exactly as planned.
Party Husband Party Husband (1931) Character: Laura
Party Husband finds ex-Ziegfield Girl Dorothy playing the better half of a thoroughly “modern marriage” whose openness threatens to bring about its premature end. Fellow Ziegfield alum Mary Doran plays the coquette whose intended conquest of the free-thinking hubby (James Rennie) starts to throw the couple’s “understanding” awry.
The Reckless Hour The Reckless Hour (1931) Character: Margaret 'Margie' Nichols
Seduced and abandoned, with child, by a charming cad, a former New York fashion model learns to detest the male race in general until befriended by a warm-hearted artist-type who shows her that life -- and men -- ain't so bad in this early talkie drama.
The Lunatic at Large The Lunatic at Large (1927) Character: Beatrix Staynes
Offering a ride to a millionaire, Sam Smith (Leon Errol) agrees to trade places with his passenger for financial reasons. Only when the men in the white coats put the collar on him does Sam realize that the "millionaire" was actually an escaped mental patient.
Bulldog Drummond at Bay Bulldog Drummond at Bay (1937) Character: Doris Thompson
Drummond goes up against foreign agents who are trying to steal plans for a top-secret aircraft.
Subway Sadie Subway Sadie (1926) Character: Sadie Hermann
A New York fur saleswoman falls for a man she meets on the subway and must decide if she wants to accept a much dreamed for work transfer to Paris, or stay and get married.



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